ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Yuan Lijun ᱨᱮᱱᱟᱜ The Mix Land Streetwear Store

Yuan Lijun ᱨᱮᱱᱟᱜ The Mix Land Streetwear Store ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020

The Mix Land Streetwear Store

Yuan Lijun ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Xianxiang Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

11,644

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#99894 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

The Mix Land Streetwear Store ᱵᱟᱵᱚᱛ ᱛᱮ

ᱛᱷᱮ ᱢᱤᱠᱥ ᱞᱮᱸᱰ ᱦᱚᱸ ᱪᱭᱱᱟ ᱨᱮᱭᱟᱜ ᱦᱟᱸᱜᱡᱚ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱥᱴᱨᱤᱴᱣᱮᱭᱟᱨ ᱮᱥᱴᱚᱨ ᱠᱟᱱᱟ ᱾ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚᱱᱥᱮᱯᱴ ᱮᱠᱚ ᱞᱮᱵᱚᱨᱮᱴᱚᱨᱭ ᱨᱮᱭᱟᱜ ᱡᱷᱚᱴᱚ ᱠᱷᱚᱱ ᱮᱛᱦᱚᱵ ᱠᱟᱱᱟ ᱟᱨ ᱥᱴᱨᱤᱴ ᱠᱚᱞᱪᱚᱨ ᱨᱮ ᱤᱱᱴᱮᱨᱤᱭᱚᱨ ᱰᱤᱥᱯᱞᱮ ᱨᱮ ᱞᱟᱜᱟᱣ ᱮᱱᱟ ᱾ ᱯᱮ ᱯᱮ ᱰᱟᱭᱱᱟᱢᱤᱠ ᱟᱨᱴ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ, ᱡᱟᱦᱟᱸᱠᱩ ᱮᱱᱮᱨᱡᱤ ᱮᱠᱥᱴᱨᱮᱠᱥᱚᱱ, ᱠᱚᱱᱰᱮᱱᱥᱮᱥᱚᱱ ᱟᱨ ᱰᱤᱠᱚᱢᱯᱚᱡᱤᱥᱚᱱ ᱴᱮᱵᱮᱞ ᱢᱮᱱᱛᱮ ᱚᱞᱚᱜᱚᱜ ᱠᱟᱱᱟ, ᱥᱟᱰᱮᱸ, ᱧᱮᱞ ᱟᱨ ᱥᱟᱯᱟᱲ ᱛᱮ ᱢᱤᱫᱴᱟᱜ ᱤᱱᱴᱨᱮᱠᱴᱤᱣ ᱮᱠᱥᱯᱤᱨᱤᱭᱮᱱᱥ ᱛᱮᱭᱟᱨ ᱦᱚᱪᱚᱭ ᱠᱟᱱᱟ ᱾ ᱟᱹᱲᱟᱸᱜ ᱥᱮᱴᱩᱨᱮᱴᱮᱰ ᱱᱤᱭᱚᱱ ᱵᱷᱩᱞᱩ, ᱨᱚᱸ-ᱨᱚᱸ ᱠᱷᱤᱲᱤᱠᱚᱝ-ᱠᱟᱴᱠᱚᱝ ᱟᱨ ᱰᱤᱡᱤᱴᱟᱞ ᱥᱠᱨᱤᱱ ᱠᱚ ᱢᱩᱬᱩᱛ ᱮᱠᱥᱩᱭᱟᱞ ᱮᱠᱥᱮᱸᱴ ᱴᱷᱮᱱ ᱠᱚ ᱫᱚ ᱠᱟᱱᱟ ᱾ ᱰᱤᱥᱯᱞᱮ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ ᱠᱚ ᱮᱢ ᱞᱟᱦᱟ ᱡᱟᱭᱜᱟ ᱨᱮ ᱫᱚᱦᱲᱟ-ᱫᱩᱦᱲᱟᱹᱭ ᱮᱢ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ, ᱚᱱᱟ ᱛᱮ ᱮᱥᱴᱚᱨ ᱫᱚ ᱠᱚᱢᱚᱨᱥᱤᱭᱟᱞ ᱟᱨ ᱮᱠᱥᱯᱤᱨᱤᱭᱮᱱᱥᱤᱭᱟᱞ ᱵᱟᱨ ᱠᱤᱥᱤᱢ ᱨᱮ ᱦᱚᱸ ᱟᱰᱚᱯᱴ ᱦᱩᱭᱩᱜᱼᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

The Mix Land Streetwear Store ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Mix Land Streetwear Store ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The concept of store starts from the laboratory and tries to use street thinking methods and visual expression to make the interior display of this space as dynamic as street culture. The designer adds three dynamic art installations to it, energy extraction, condensation and decomposition table, which all together through sound, vision and touch gives consumers a more immersive interactive experience.
ᱴᱮᱜ ᱠᱚ
street culture,art installations,interactive experience,retail,interior design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Our impression of labs is usually accompanied with wild colors generated from various chemical reactions - the wildest colors of all, neon is also a commonly used design element in the street culture. Designer Yuan Lijun used neon in The Mix Land as highlights of the space - highly saturated neon blue installation, colorful windows and doors that create constantly changing shadows and flickering numbers on digital screens.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
From the perspective of street culture to consider traditional design
ᱜᱚᱵᱮᱥᱚᱱᱟ
It is through such means as the optimization and transformation of traditional retailing methods, the application of street thinking methods, the addition of interactive experiences like art installations that better connections with consumer groups and more output channels of the content are established.
ᱯᱨᱮᱨᱚᱱᱟ
Street culture is a high-profile area in the fashion industry in recent years. With the change of consumer groups, the traditional retailing methods of stores also need to be changed accordingly. Through non-traditional designs, the interpretation of the inner spirit of street culture makes young people feel resonate and provokes the desire to explore its internal.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project was launched in HangZhou in March 2019, completed in August, and exhibited in September
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The Mix Land is an open book - display installations can be easily re-Arranged in the open space, making the space adaptive to diverse changes, taking care of both the commercial and experiential needs for the space.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer: Yuan Lijun
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image#1:Photographer Wang MinJie,HangZhou,2019
Image#2:Photographer Wang MinJie,HangZhou,2019
Image#3:Photographer Wang MinJie,HangZhou,2019
Image#4:Photographer Wang MinJie,HangZhou,2019
Image#5:Photographer Wang MinJie,HangZhou,2019

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ