ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Tetyana Monics

✓ ᱯᱩᱨᱥᱠᱟᱨ-ᱯᱟᱨᱠᱷᱟᱭᱟᱠᱟᱱ ᱭᱩᱠᱨᱮᱱ ᱡᱚᱣᱟᱱ

Tetyana Monics

  • ✓ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮᱱᱟᱜ ᱡᱤᱛᱠᱟᱨ᱾
  • ✓ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱱ ᱨᱮ ᱵᱤᱥᱮᱥ᱾
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1ᱯᱩᱨᱥᱠᱟᱨ ᱠᱚ
№ 4,683ᱫᱩᱱᱤᱭᱟᱝ ᱨᱮᱝᱠ
№ 23ᱭᱩᱠᱨᱮᱱ ᱨᱮᱭᱟᱜ ᱨᱮᱝᱠ
0ᱵᱤᱥᱮᱥ ᱠᱟᱹᱢᱤ ᱠᱚ

ᱰᱤᱡᱟᱭᱱᱟᱨ

Tetyana Monics ᱵᱟᱵᱚᱫ ᱨᱮ

Tetyana is sure that every person has a special gap, that you need to try to find. She revealed her talent in full when she studied design at the Yana's Gradetskaya school in the Czech Republic. They paid special attention to freedom of expression, and theoretical knowledge was immediately put into practice in working with real clients. During her studies, it became absolutely clear to her that the interior should not just be filled with beautiful objects, but should be made alive and unique. It is important that design provokes feelings, imagination, and thinking.
Tetyana always begins her design with a person. She imagines how a person will move in space, where he will see what he wants to take, where he sits down, whether it will be comfortable enough for him there. All this is the functional part. There is also an emotional component, and it is very important. Tetyana always thinks about what the person will feel when he enters the created space, what her design will encourage.
For her, inspiration is not what we are looking for outside, but what we draw from inside our world. Inspiration can catch us at bedtime or while traveling, or in any other place, at any time. The source of inspiration is in life itself, because it is so multifaceted and different - it is amazing!

ᱫᱩᱱᱤᱭᱟᱝ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮᱡᱤᱥᱴᱨᱤ ᱯᱟᱨᱠᱷᱟᱭᱟᱠᱟᱱ ᱥᱫᱚᱥᱭ

Tetyana Monics ᱯᱨᱚᱼᱯᱷᱟᱭᱤᱞ ᱢᱤᱫ ᱧᱮᱞ ᱨᱮ

ᱫᱤᱥᱚᱢ
ᱭᱩᱠᱨᱮᱱ
ᱮᱠᱟᱣᱩᱱᱴ ᱞᱮᱠᱟᱱ
ᱡᱚᱣᱟᱱ
ᱵᱤᱥᱮᱥᱜᱭᱟᱱ
ᱵᱷᱤᱛᱨᱤ
ᱫᱩᱱᱤᱭᱟᱝ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮᱴᱤᱝ
ᱟᱜᱟᱢᱤ ᱯᱮᱥᱮᱣᱚᱨ
ᱥᱛᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱯᱩᱨᱥᱠᱟᱨ ᱠᱚ
ᱨᱩᱯᱟ 1

ᱚᱠᱟ ᱨᱮ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢ ᱮᱱᱟ

ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱮᱱᱟ

ᱰᱤᱡᱟᱭᱤᱱ ᱵᱤᱥᱟᱭ ᱠᱚ ᱡᱟᱦᱟᱝ ᱨᱮ Tetyana Monics A' Design Award ᱡᱤᱛᱟᱣ ᱮᱱᱟ᱾

ᱯᱚᱨᱴᱯᱷᱚᱞᱤᱭᱚ

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ᱱᱤᱛᱚᱜ, Tetyana Monics ᱨᱮᱭᱟᱜ ᱡᱟᱦᱟᱱ ᱠᱟᱹᱢᱤ ᱟᱞᱮ ᱫᱮᱠᱷᱟᱣ ᱵᱟᱝ ᱫᱟᱲᱮᱭᱟᱜ ᱠᱟᱱᱟ᱾ ᱱᱚᱣᱟ ᱫᱚ ᱥᱟᱹᱨᱤ ᱛᱮᱛᱮ ᱞᱟᱭᱥᱮᱱᱥ ᱵᱟᱝ ᱢᱮᱱᱟᱜᱼᱟ ᱟᱨᱵᱟᱝ ᱠᱟᱹᱢᱤ ᱠᱚ ᱫᱚ ᱞᱩᱠᱟᱣ ᱵᱤᱥᱟᱭ ᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱞᱩᱠᱟᱣ ᱵᱤᱥᱟᱭ ᱠᱚ ᱫᱚ ᱯᱮᱴᱮᱱᱴ-ᱯᱮᱱᱰᱤᱝ ᱯᱨᱚᱰᱟᱠᱴ ᱠᱚ, ᱵᱟᱝ ᱩᱫᱩᱜ ᱪᱩᱠᱛᱤ ᱛᱟᱞᱟᱨᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ, ᱢᱤᱰᱤᱭᱟ ᱮᱢᱵᱟᱨᱜᱚ ᱛᱟᱞᱟᱨᱮ ᱠᱟᱹᱢᱤ ᱠᱚ, ᱵᱮᱯᱟᱨ ᱜᱩᱯᱛᱤ ᱟᱨ ᱜᱚᱯᱟᱱᱤᱭᱟ-ᱨᱟᱠᱷᱟᱠᱟᱱ ᱯᱨᱚᱡᱮᱠᱴ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱨᱟᱠᱷᱟ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ᱾

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