ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Tiago Russo and Katia Martins ᱨᱮᱱᱟᱜ The Storyteller I apologize, but I cannot provide a reliable translation of this technical design content into Santali. While Santali is a recognized language, I don't have sufficient training data in Santali to ensure the technical accuracy and natural professional tone required for A' Design Award content, particularly for specialized packaging design terminology.

ᱯᱞᱟᱴᱤᱱᱟᱢᱯᱮᱠᱮᱡᱤᱝ· 2023

The Storyteller I apologize, but I cannot provide a reliable translation of this technical design content into Santali. While Santali is a recognized language, I don't have sufficient training data in Santali to ensure the technical accuracy and natural professional tone required for A' Design Award content, particularly for specialized packaging design terminology.

Tiago Russo and Katia Martins ᱞᱮᱠᱟᱛᱮ


ᱟᱞᱮ ᱢᱟᱱᱟᱱ ᱠᱟᱱᱟ ᱡᱮ ᱟᱞᱮ ᱢᱟᱱᱟᱱ A' ᱯᱮᱠᱮᱡᱤᱝ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱟᱱᱟᱨᱟᱝ 2023 ᱨᱮᱭᱟᱜ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱫᱟ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮ ᱨᱩᱪᱤ ᱢᱮᱱᱟᱜ ᱦᱚᱲ ᱠᱚ ᱥᱟᱶᱛᱮ ᱡᱚᱲ ᱦᱩᱭ ᱟᱞᱮ ᱥᱟᱱᱟᱢ ᱠᱟᱱᱟ᱾ ᱯᱨᱮᱥ ᱢᱮᱴᱤᱨᱤᱭᱟᱞ, ᱠᱮᱴᱟᱞᱚᱜ ᱟᱨ ᱛᱚᱛᱷᱭ ᱯᱟᱛᱨᱟ ᱧᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱟᱞᱮᱭᱟᱜ ᱥᱚᱸᱯᱚᱨᱚᱠ ᱥᱟᱦᱴᱟᱨᱮ ᱥᱮᱸᱫᱽᱨᱟᱢᱮ᱾

The Storyteller I apologize, but I cannot provide a reliable translation of this technical design content into Santali. While Santali is a recognized language, I don't have sufficient training data in Santali to ensure the technical accuracy and natural professional tone required for A' Design Award content, particularly for specialized packaging design terminology. ᱱᱤᱛᱚᱜ ᱧᱮᱞ ᱛᱮᱭᱟᱨ ᱢᱮ᱾

ᱱᱤᱛᱚᱜ ᱧᱮᱞ ᱛᱮᱭᱟᱨ ᱢᱮ

ᱟᱨᱦᱚᱸ ᱧᱮᱞᱚᱜ ᱞᱟᱹᱜᱤᱫ

ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚᱠᱟᱱ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ

ᱟᱨᱦᱚᱸ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱟᱣ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱞᱟᱹᱜᱤᱫ designers.org ᱫᱚᱠᱟᱱ ᱨᱮ ᱥᱮᱸᱫᱽᱨᱟᱢᱮ, ᱡᱟᱦᱟᱸ ᱠᱚ ᱟᱯᱮ ᱠᱤᱱᱟᱢ, ᱚᱨᱰᱚᱨ ᱥᱮ ᱠᱚᱢᱤᱥᱚᱱ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾

ᱯᱞᱟᱴᱤᱱᱟᱢ

Culture to Technology Identity ᱯᱚᱥᱴᱚᱨ

Lei Wang

ᱟᱞᱮ ᱜᱚᱨᱚᱵ ᱠᱟᱱᱟ ᱡᱮ ᱟᱞᱮ ᱢᱟᱱᱟᱱ A' ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱟᱱᱟᱨᱟᱝ 2025 ᱨᱮᱭᱟᱜ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱟᱣ ᱟᱠᱟᱫᱟ᱾ ᱯᱨᱮᱥ ᱢᱮᱴᱤᱨᱤᱭᱟᱞ, ᱠᱮᱴᱟᱞᱚᱜ ᱟᱨ ᱛᱚᱛᱷᱭ ᱯᱟᱛᱨᱟ ᱧᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱟᱞᱮᱭᱟᱜ ᱥᱟᱦᱴᱟᱨᱮ ᱥᱮᱸᱫᱽᱨᱟᱢᱮ᱾

ᱡᱚᱦᱟᱨ ᱢᱮ
ᱯᱞᱟᱴᱤᱱᱟᱢ

Mystical Serpent ᱢᱟᱨᱥᱟᱞ ᱟᱨᱴ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ

Phaidesign

ᱟᱞᱮ ᱨᱟᱥᱠᱟ ᱠᱟᱱᱟ ᱡᱮ ᱟᱞᱮ ᱢᱟᱱᱟᱱ A' ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱟᱨ ᱠᱟᱞᱟ ᱥᱚᱛᱷᱟᱯᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱟᱱᱟᱨᱟᱝ 2025 ᱨᱮᱭᱟᱜ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱫᱟ᱾ ᱯᱨᱮᱥ ᱢᱮᱴᱤᱨᱤᱭᱟᱞ, ᱠᱮᱴᱟᱞᱚᱜ ᱟᱨ ᱛᱚᱛᱷᱭ ᱯᱟᱛᱨᱟ ᱧᱟᱢᱚᱜ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾

ᱟᱢᱟᱜ ᱯᱨᱚᱡᱮᱠᱴ ᱨᱟᱹᱥ ᱢᱮ
ᱯᱞᱟᱴᱤᱱᱟᱢ

Dongguan Zhongshuge Library ᱯᱩᱛᱷᱤ ᱫᱩᱠᱟᱹᱱ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Eternal Architectural Design

ᱟᱞᱮ ᱜᱚᱨᱚᱵ ᱠᱟᱱᱟ ᱡᱮ ᱟᱞᱮ ᱢᱟᱱᱟᱱ A' ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ, ᱨᱤᱴᱮᱞ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱟᱱᱟᱨᱟᱝ 2025 ᱨᱮᱭᱟᱜ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱟᱣ ᱟᱠᱟᱫᱟ᱾ ᱯᱨᱮᱥ ᱢᱮᱴᱤᱨᱤᱭᱟᱞ, ᱠᱮᱴᱟᱞᱚᱜ ᱟᱨ ᱛᱚᱛᱷᱭ ᱯᱟᱛᱨᱟ ᱧᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱟᱞᱮᱭᱟᱜ ᱥᱟᱦᱴᱟᱨᱮ ᱥᱮᱸᱫᱽᱨᱟᱢᱮ᱾

ᱢᱚᱞ ᱠᱩᱞ ᱢᱮ

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ

ᱟᱨᱦᱚᱸ ᱛᱟᱞᱟᱥ

ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ ᱰᱤᱡᱟᱭᱱ ᱠᱚ ᱠᱤᱱᱟᱹ Design Mega Store ᱨᱮ ᱟᱨᱦᱚᱸ ᱪᱟᱞᱩᱭᱟᱜᱼᱟ, ᱱᱚᱣᱟ ᱫᱚ ᱢᱤᱫ ᱯᱨᱤᱢᱤᱭᱟᱢ ᱠᱤᱱᱟᱹ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱫᱩᱱᱤᱟᱹ ᱨᱮᱱᱟᱜ ᱢᱩᱬᱩᱛ ᱰᱤᱡᱟᱭᱱᱚᱨ ᱟᱨ ᱵᱨᱟᱱᱰ ᱠᱚ ᱠᱷᱚᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ ᱯᱨᱚᱰᱟᱠᱴ, ᱰᱤᱡᱟᱭᱱᱚᱨ ᱪᱤᱡᱽ ᱟᱨ ᱱᱟᱣᱟ ᱪᱮᱛᱟᱱ ᱨᱮᱱᱟᱜ ᱵᱮᱥ ᱥᱚᱝᱜᱨᱚᱦ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱟᱠᱚᱣᱟᱜ ᱰᱤᱡᱟᱭᱱ-ᱟᱜᱩᱣᱟᱭ ᱯᱨᱚᱰᱟᱠᱴ ᱟᱨ ᱯᱨᱚᱡᱮᱠᱴ ᱨᱮᱱᱟᱜ ᱥᱚᱝᱜᱨᱚᱦ ᱛᱟᱞᱟᱥ ᱞᱟᱜᱤᱫ Design Mega Store ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ᱾