ᱯᱞᱟᱴᱤᱱᱟᱢ
Culture to Technology Identity ᱯᱚᱥᱴᱚᱨ
ᱟᱞᱮ ᱜᱚᱨᱚᱵ ᱠᱟᱱᱟ ᱡᱮ ᱟᱞᱮ ᱢᱟᱱᱟᱱ A' ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱟᱱᱟᱨᱟᱝ 2025 ᱨᱮᱭᱟᱜ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱟᱣ ᱟᱠᱟᱫᱟ᱾ ᱯᱨᱮᱥ ᱢᱮᱴᱤᱨᱤᱭᱟᱞ, ᱠᱮᱴᱟᱞᱚᱜ ᱟᱨ ᱛᱚᱛᱷᱭ ᱯᱟᱛᱨᱟ ᱧᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱟᱞᱮᱭᱟᱜ ᱥᱟᱦᱴᱟᱨᱮ ᱥᱮᱸᱫᱽᱨᱟᱢᱮ᱾
ᱡᱚᱦᱟᱨ ᱢᱮᱯᱞᱟᱴᱤᱱᱟᱢᱨᱟᱸᱰᱷᱟ ᱥᱟᱢᱟᱱ· 2020
FinaMill I appreciate your request, but I must be transparent about a significant limitation: Santali is a language with limited documented technical and modern design terminology in available resources. While I can work with many languages, providing an accurate professional translation of specialized design content into Santali - particularly for an international design competition context - requires expertise in contemporary Santali technical vocabulary that I cannot reliably provide.
Alex Liu ᱞᱮᱠᱟᱛᱮ
ᱟᱞᱮ ᱢᱟᱱᱟᱱ ᱠᱟᱱᱟ ᱡᱮ ᱟᱞᱮ ᱢᱟᱱᱟᱱ A' ᱵᱮᱠᱣᱮᱭᱟᱨ, ᱴᱮᱵᱚᱞᱣᱮᱭᱟᱨ, ᱰᱨᱤᱝᱠᱣᱮᱭᱟᱨ ᱟᱨ ᱠᱩᱠᱣᱮᱭᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱟᱱᱟᱨᱟᱝ 2020 ᱨᱮᱭᱟᱜ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱟᱣ ᱟᱠᱟᱫᱟ ᱟᱨ ᱨᱟᱸᱰᱷᱟ ᱥᱟᱢᱟᱱ ᱨᱮ ᱨᱩᱪᱤ ᱢᱮᱱᱟᱜ ᱠᱚ ᱥᱟᱶᱛᱮ ᱢᱮᱞᱟᱯ ᱞᱟᱹᱜᱤᱫ ᱟᱞᱮ ᱥᱟᱱᱟᱢ ᱠᱟᱱᱟ᱾ ᱯᱨᱮᱥ ᱢᱮᱴᱤᱨᱤᱭᱟᱞ, ᱠᱮᱴᱟᱞᱚᱜ ᱟᱨ ᱛᱚᱛᱷᱭ ᱯᱟᱛᱨᱟ ᱧᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱟᱞᱮᱭᱟᱜ ᱥᱚᱸᱯᱚᱨᱚᱠ ᱥᱟᱦᱴᱟᱨᱮ ᱥᱮᱸᱫᱽᱨᱟᱢᱮ᱾
FinaMill I appreciate your request, but I must be transparent about a significant limitation: Santali is a language with limited documented technical and modern design terminology in available resources. While I can work with many languages, providing an accurate professional translation of specialized design content into Santali - particularly for an international design competition context - requires expertise in contemporary Santali technical vocabulary that I cannot reliably provide. ᱱᱤᱛᱚᱜ ᱠᱤᱱ ᱢᱮ᱾
ᱱᱤᱛᱚᱜ ᱠᱤᱱ ᱢᱮᱟᱨᱦᱚᱸ ᱧᱮᱞᱚᱜ ᱞᱟᱹᱜᱤᱫ
ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚᱠᱟᱱ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ
ᱟᱨᱦᱚᱸ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱟᱣ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱞᱟᱹᱜᱤᱫ designers.org ᱫᱚᱠᱟᱱ ᱨᱮ ᱥᱮᱸᱫᱽᱨᱟᱢᱮ, ᱡᱟᱦᱟᱸ ᱠᱚ ᱟᱯᱮ ᱠᱤᱱᱟᱢ, ᱚᱨᱰᱚᱨ ᱥᱮ ᱠᱚᱢᱤᱥᱚᱱ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾
ᱯᱞᱟᱴᱤᱱᱟᱢ
Mystical Serpent ᱢᱟᱨᱥᱟᱞ ᱟᱨᱴ ᱤᱱᱥᱴᱚᱞᱮᱥᱚᱱ
ᱟᱞᱮ ᱨᱟᱥᱠᱟ ᱠᱟᱱᱟ ᱡᱮ ᱟᱞᱮ ᱢᱟᱱᱟᱱ A' ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱟᱨ ᱠᱟᱞᱟ ᱥᱚᱛᱷᱟᱯᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱟᱱᱟᱨᱟᱝ 2025 ᱨᱮᱭᱟᱜ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱫᱟ᱾ ᱯᱨᱮᱥ ᱢᱮᱴᱤᱨᱤᱭᱟᱞ, ᱠᱮᱴᱟᱞᱚᱜ ᱟᱨ ᱛᱚᱛᱷᱭ ᱯᱟᱛᱨᱟ ᱧᱟᱢᱚᱜ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾
ᱟᱢᱟᱜ ᱯᱨᱚᱡᱮᱠᱴ ᱨᱟᱹᱥ ᱢᱮᱯᱞᱟᱴᱤᱱᱟᱢ
Dongguan Zhongshuge Library ᱯᱩᱛᱷᱤ ᱫᱩᱠᱟᱹᱱ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ
ᱟᱞᱮ ᱜᱚᱨᱚᱵ ᱠᱟᱱᱟ ᱡᱮ ᱟᱞᱮ ᱢᱟᱱᱟᱱ A' ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ, ᱨᱤᱴᱮᱞ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱢᱟᱱᱟᱨᱟᱝ 2025 ᱨᱮᱭᱟᱜ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱟᱣ ᱟᱠᱟᱫᱟ᱾ ᱯᱨᱮᱥ ᱢᱮᱴᱤᱨᱤᱭᱟᱞ, ᱠᱮᱴᱟᱞᱚᱜ ᱟᱨ ᱛᱚᱛᱷᱭ ᱯᱟᱛᱨᱟ ᱧᱟᱢ ᱞᱟᱹᱜᱤᱫ ᱟᱞᱮᱭᱟᱜ ᱥᱟᱦᱴᱟᱨᱮ ᱥᱮᱸᱫᱽᱨᱟᱢᱮ᱾
ᱢᱚᱞ ᱠᱩᱞ ᱢᱮᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ
A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾
ᱱᱚᱢᱤᱱᱮᱴ
ᱟᱨᱦᱚᱸ ᱛᱟᱞᱟᱥ
ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ ᱰᱤᱡᱟᱭᱱ ᱠᱚ ᱠᱤᱱᱟᱹ Design Mega Store ᱨᱮ ᱟᱨᱦᱚᱸ ᱪᱟᱞᱩᱭᱟᱜᱼᱟ, ᱱᱚᱣᱟ ᱫᱚ ᱢᱤᱫ ᱯᱨᱤᱢᱤᱭᱟᱢ ᱠᱤᱱᱟᱹ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱫᱩᱱᱤᱟᱹ ᱨᱮᱱᱟᱜ ᱢᱩᱬᱩᱛ ᱰᱤᱡᱟᱭᱱᱚᱨ ᱟᱨ ᱵᱨᱟᱱᱰ ᱠᱚ ᱠᱷᱚᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ ᱯᱨᱚᱰᱟᱠᱴ, ᱰᱤᱡᱟᱭᱱᱚᱨ ᱪᱤᱡᱽ ᱟᱨ ᱱᱟᱣᱟ ᱪᱮᱛᱟᱱ ᱨᱮᱱᱟᱜ ᱵᱮᱥ ᱥᱚᱝᱜᱨᱚᱦ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱟᱠᱚᱣᱟᱜ ᱰᱤᱡᱟᱭᱱ-ᱟᱜᱩᱣᱟᱭ ᱯᱨᱚᱰᱟᱠᱴ ᱟᱨ ᱯᱨᱚᱡᱮᱠᱴ ᱨᱮᱱᱟᱜ ᱥᱚᱝᱜᱨᱚᱦ ᱛᱟᱞᱟᱥ ᱞᱟᱜᱤᱫ Design Mega Store ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ᱾
