When we begin a design process, we usually look inward first, reflecting on the project in an introspective way: we think about gestures, rituals, and the context from which we are…
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 2 ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ
ᱟᱞᱮᱣᱟᱜ ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ ᱠᱷᱟᱹᱞᱤ ᱤᱝᱞᱤᱥ ᱨᱮ ᱪᱷᱟᱯᱟ ᱦᱩᱭ ᱟᱠᱟᱱᱟ᱾
ᱞᱟᱛᱟᱨ ᱨᱮᱱᱟᱜ ᱠᱚᱴᱮᱥᱚᱱ ᱠᱚ ᱩᱱᱠᱩᱣᱟᱜ ᱢᱩᱞ ᱤᱝᱞᱤᱥ ᱨᱮ ᱫᱮᱠᱷᱟᱣ ᱠᱟᱱᱟ᱾
When we begin a design process, we usually look inward first, reflecting on the project in an introspective way: we think about gestures, rituals, and the context from which we are…
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 2 ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ
The one-piece South African walnut wood bar counter was one of the defining features of Masu Bar and a key element of the overall design concept.
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 3 ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ
The story began with a dream. I dreamt that I entered a whale because it was sick and needed help. When I got inside, I found chaos. Its belly was full of trash.
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 3 ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ
I am most proud of the fact that Regen does not use nature as an aesthetic reference, but as an active collaborator in the making of graphic communication.
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 3 ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ
When we began the Heya project, we deliberately avoided designing around technology for technology's sake. Instead, we started by listening.
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 1 ᱤᱱᱴᱟᱨᱵᱤᱣ
There was no single moment of discovery. I simply kept testing until I found a way to achieve the result I had in mind.From the beginning, I wanted the wood-grain pattern to continue…
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 2 ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ
“Memories of Rose” was created for a flower art competition held in Tokyo in 2016, where the theme was Impressionism.While researching Impressionist art, I became deeply fascinated by the…
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 3 ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ
The decisive moment came during the early site-reading phase, when I was studying how the Vez River moves around the watermill and shapes the surrounding terrain.
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 8 ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ
Cuisino began with a contradiction I could not shake: the same mechanics that made casino games so irresistibly indulgent also seemed capable of relieving food decision fatigue, if only…
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 2 ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ
The rainforest pond was central to the idea of turning the home into a small urban sanctuary. Rather than treating landscape as something separate from the architecture, we wanted it to…
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 2 ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ
The cloud was never intended to be merely a visual reference. At the beginning of the design process, I was attracted to its soft and irregular form, but as I developed the prototype, I…
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 3 ᱤᱱᱴᱟᱨᱵᱤᱣ ᱠᱚ
The pool was originally the last of the cylindrical structures from the old construction, and we chose to make it the junction point with the new building.
ᱱᱤᱭᱟᱹ ᱛᱮᱭᱟᱨ: 28 October 2026 · 1 ᱤᱱᱴᱟᱨᱵᱤᱣ
ᱫᱤᱱ ᱫᱤᱱ ᱨᱮᱱᱟᱜ ᱰᱤᱡᱟᱭᱱ ᱯᱨᱮᱨᱚᱱᱟ
Designers.org ᱫᱩᱱᱤᱟᱹ ᱡᱟᱦᱟᱱ ᱨᱮᱱᱟᱜ ᱩᱛᱱᱟᱹᱣ ᱰᱤᱡᱟᱭᱱ, ᱫᱩᱨᱫᱚᱨᱥᱤ ᱰᱤᱡᱟᱭᱱᱚᱨ, ᱵᱤᱥᱢᱚᱭᱠᱟᱨᱤ ᱟᱨᱠᱤᱴᱮᱠᱪᱚᱨ, ᱱᱟᱣᱟᱴᱟᱨᱤ ᱯᱨᱚᱰᱟᱠᱴ, ᱢᱟᱨᱟᱝ ᱯᱨᱚᱡᱮᱠᱴ, ᱢᱩᱬᱩᱛ ᱵᱨᱟᱱᱰ ᱟᱨ ᱱᱟᱣᱟ ᱪᱮᱛᱟᱱ ᱫᱮᱠᱷᱟᱣ ᱮᱫᱟᱭ᱾ ᱫᱤᱱ ᱫᱤᱱ ᱱᱟᱣᱟ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ ᱰᱤᱡᱟᱭᱱ, ᱱᱟᱣᱟ ᱯᱨᱚᱰᱟᱠᱴ ᱟᱨ ᱱᱟᱣᱟ ᱯᱨᱚᱡᱮᱠᱴ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱢᱟᱱᱟᱨᱟᱝ A' Design Award & Competition ᱠᱷᱚᱱ ᱡᱚᱜᱨᱟᱹᱯᱷᱤ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱ ᱢᱤᱫ ᱱᱟᱣᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱹᱢᱤ ᱠᱷᱚᱱ ᱯᱨᱮᱨᱮᱱᱟ ᱧᱟᱢ ᱢᱮ᱾ ᱛᱤᱱᱟᱹᱜ ᱫᱤᱱᱟᱹᱢ ᱨᱮᱭᱟᱜ ᱵᱟᱝ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱪᱮᱫ ᱞᱮᱠᱟ ᱵᱤᱥᱮᱥ ᱠᱟᱱᱟ ᱚᱱᱟ ᱧᱮᱞ ᱢᱮ᱾
ᱫᱤᱱᱟᱹᱢ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱧᱮᱞ ᱢᱮ →
ᱫᱩᱱᱤᱭᱟᱹ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱠᱨᱤᱭᱮᱴᱤᱵ ᱴᱤᱢ ᱠᱷᱚᱱ ᱯᱨᱮᱨᱮᱱᱟ ᱧᱟᱢ ᱢᱮ, ᱚᱠᱚᱭ ᱟᱜ ᱫᱟᱨᱥᱟᱱᱤᱠ ᱢᱤᱫᱛᱮ ᱠᱟᱹᱢᱤ ᱟᱱᱛᱚᱨᱡᱟᱹᱛᱤᱠ A' Design Award & Competition ᱠᱷᱚᱱ ᱢᱟᱱᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱫᱟ᱾
ᱫᱤᱱᱟᱹᱢ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱴᱤᱢ ᱥᱟᱶᱛᱟ ᱢᱮ →
ᱢᱤᱫ ᱵᱮᱥ ᱠᱟᱹᱢᱤᱭᱟᱹ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱥᱟᱶᱛᱟ ᱢᱮ, ᱚᱠᱚᱭ ᱟᱜ ᱠᱟᱹᱢᱤ ᱟᱨ ᱯᱨᱚᱡᱮᱠᱴ ᱠᱚ ᱟᱱᱛᱚᱨᱡᱟᱹᱛᱤᱠ A' Design Award & Competition ᱠᱷᱚᱱ ᱥᱚᱛᱟᱱᱛᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱵᱤᱪᱟᱹᱨ ᱟᱨ ᱵᱤᱥᱮᱥ ᱪᱤᱱᱦᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱫᱟ᱾
ᱫᱤᱱᱟᱹᱢ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱩᱫᱩᱜ ᱢᱮ →
ᱢᱤᱫ ᱜᱷᱟᱱᱟᱠ ᱯᱨᱚᱵᱷᱟᱵᱥᱟᱞᱤ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱷᱚᱱ ᱥᱤᱠᱷᱱᱟᱹᱛ ᱧᱟᱢ ᱢᱮ, ᱚᱠᱚᱭ ᱟᱜ ᱵᱮᱥ ᱠᱨᱤᱭᱮᱴᱤᱵ ᱠᱟᱹᱢᱤ ᱢᱟᱱᱟᱨᱟᱝ A' Design Award & Competition ᱨᱮ ᱡᱩᱨᱤ-ᱵᱷᱚᱴᱤᱝ ᱯᱨᱚᱥᱮᱥ ᱛᱮ ᱢᱟᱱ ᱧᱟᱢ ᱟᱠᱟᱫᱟ᱾
ᱫᱤᱱᱟᱹᱢ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱞᱮᱡᱮᱱᱰ ᱧᱮᱞ ᱢᱮ →
ᱢᱤᱫ ᱵᱮᱥ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱥᱟᱶᱛᱮ ᱡᱟᱹᱯᱩᱫ-ᱡᱟᱹᱯᱩᱫ ᱠᱷᱚᱱ ᱠᱨᱤᱭᱮᱴᱤᱵ ᱜᱤᱭᱟᱱ ᱧᱟᱢ ᱢᱮ, ᱚᱠᱚᱭ ᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱹᱢᱤ ᱫᱩᱱᱤᱭᱟᱹ ᱨᱮ ᱢᱟᱱᱟᱨᱟᱝ A' Design Award & Competition ᱨᱮ ᱠᱷᱩᱞᱟᱹ ᱯᱨᱚᱛᱤᱭᱚᱜᱤᱛᱟ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
ᱫᱤᱱᱟᱹᱢ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱤᱱᱴᱟᱨᱵᱷᱤᱣ ᱯᱟᱲᱦᱟᱣ ᱢᱮ →
ᱵᱤᱥᱮᱥ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ, ᱟᱨᱠᱤᱴᱮᱠᱴ, ᱵᱨᱟᱱᱰ, ᱱᱟᱣᱟ ᱪᱤᱱᱦᱟᱹ ᱟᱨ ᱯᱨᱚᱰᱟᱠᱴ ᱛᱮᱭᱟᱨᱠᱟᱨᱤ ᱠᱚ ᱩᱫᱩᱜ ᱢᱮ, ᱚᱠᱚ ᱢᱟᱱᱟᱨᱟᱝ A' Design Award & Competition ᱠᱷᱚᱱ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
ᱫᱤᱱᱟᱹᱢ ᱨᱮᱭᱟᱜ ᱦᱟᱭᱞᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ →
ᱟᱢᱟᱜ ᱟᱭᱢᱟ ᱯᱨᱚᱡᱮᱠᱴ ᱞᱟᱹᱜᱤᱫ ᱯᱨᱮᱨᱮᱱᱟ ᱧᱟᱢ ᱢᱮ᱾ ᱟᱱᱛᱚᱨᱡᱟᱹᱛᱤᱠ A' Design Award & Competition ᱠᱷᱚᱱ ᱵᱮᱥ ᱰᱤᱡᱟᱭᱤᱱ ᱩᱪᱤᱛ ᱨᱮᱭᱟᱜ ᱞᱮᱠᱟᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱ ᱢᱤᱫ ᱱᱟᱣᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚᱱᱥᱮᱯᱴ ᱧᱮᱞ ᱢᱮ᱾
ᱫᱤᱱᱟᱹᱢ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱭᱰᱤᱭᱟ ᱧᱮᱞ ᱢᱮ →
ᱢᱤᱫ ᱵᱮᱥ ᱵᱨᱟᱱᱰ ᱧᱮᱞ ᱢᱮ, ᱚᱠᱚᱭ ᱟᱜ ᱵᱮᱥ ᱰᱤᱡᱟᱭᱤᱱ ᱩᱪᱤᱛ ᱢᱟᱱᱟᱨᱟᱝ A' Design Award & Competition ᱠᱷᱚᱱ ᱟᱱᱛᱚᱨᱡᱟᱹᱛᱤᱠ ᱞᱮᱠᱟᱛᱮ ᱪᱤᱱᱦᱟᱹ ᱧᱟᱢ ᱟᱠᱟᱫᱟ᱾ ᱛᱤᱱᱟᱹᱜ ᱫᱤᱱᱟᱹᱢ ᱨᱮᱭᱟᱜ ᱵᱨᱟᱱᱰ ᱪᱮᱫ ᱞᱮᱠᱟ ᱵᱤᱥᱮᱥ ᱠᱟᱱᱟ ᱚᱱᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱫᱤᱱᱟᱹᱢ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱨᱟᱱᱰ ᱩᱫᱩᱜ ᱢᱮ →
ᱟᱱᱛᱚᱨᱡᱟᱹᱛᱤᱠ A' Design Award & Competition ᱠᱷᱚᱱ ᱪᱤᱱᱦᱟᱹ ᱧᱟᱢᱟᱠᱟᱱ ᱵᱮᱥ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱹᱢᱤ ᱟᱨ ᱱᱟᱣᱟ ᱪᱤᱱᱦᱟᱹ ᱠᱚ ᱩᱫᱩᱜ ᱠᱟᱛᱮ, ᱧᱮᱞ ᱠᱟᱛᱮ ᱟᱨ ᱥᱤᱠᱷᱱᱟᱹᱛ ᱧᱟᱢ ᱠᱟᱛᱮ ᱠᱨᱤᱭᱮᱴᱤᱵ ᱞᱮᱠᱟᱛᱮ ᱟᱹᱜᱩ ᱛᱮ ᱛᱟᱦᱮᱸ ᱢᱮ᱾
ᱫᱤᱱᱟᱹᱢ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱴᱨᱮᱱᱰ ᱯᱟᱧᱡᱟ ᱢᱮ →ᱟᱢᱟᱜ ᱯᱨᱚᱰᱟᱠᱴ ᱟᱨ ᱯᱨᱚᱡᱮᱠᱴ ᱠᱚ ᱪᱤᱱᱦᱟᱹ, ᱫᱮᱠᱷᱟᱣ, ᱪᱷᱟᱯᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱟᱹ ᱡᱟᱦᱟᱱ ᱨᱮ ᱯᱨᱪᱟᱨ ᱦᱩᱭ ᱞᱟᱜᱤᱫ ᱢᱟᱱ ᱟᱠᱟᱱ A' Design Award & Competition ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱢᱮ᱾ A' Design Award's Winner Registry ᱨᱮ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ, ᱢᱟᱨᱟᱝ ᱟᱨᱠᱤᱴᱮᱠᱪᱚᱨ, ᱢᱟᱨᱟᱝ ᱱᱟᱣᱟ ᱪᱮᱛᱟᱱ ᱟᱨ ᱩᱛᱱᱟᱹᱣ ᱯᱨᱚᱰᱟᱠᱴ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱥᱯᱚᱱᱥᱚᱨᱰ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾
ᱱᱚᱢᱤᱱᱮᱴᱰᱮᱴᱟ ᱥᱚᱨᱚᱛ
ᱟᱞᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱱᱚᱨ ᱥᱟᱦᱟᱛᱠᱟᱨ ᱥᱟᱦᱴᱟ ᱨᱮᱱᱟᱜ ᱰᱤᱡᱟᱭᱱᱚᱨ ᱥᱟᱦᱟᱛᱠᱟᱨ ᱩᱫᱽᱫᱷᱨᱤᱛᱤ ᱫᱚ Designer Interviews ᱠᱷᱚᱱ ᱦᱤᱡᱩᱜ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱫᱩᱱᱤᱟᱹ ᱨᱮᱱᱟᱜ ᱢᱩᱬᱩᱛ ᱰᱤᱡᱟᱭᱱᱚᱨ, ᱱᱟᱢᱫᱟᱢ ᱟᱨᱠᱤᱴᱮᱠᱴ, ᱛᱮᱭᱟᱨᱤᱭᱟᱹ ᱟᱨ ᱱᱟᱣᱟ ᱪᱮᱛᱟᱱᱤᱭᱟᱹ ᱠᱚᱣᱟᱜ ᱥᱟᱦᱟᱛᱠᱟᱨ ᱦᱩᱭ ᱠᱟᱱ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ ᱯᱞᱮᱴᱯᱷᱚᱨᱢ ᱠᱟᱱᱟ᱾