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Devil නිර්මාණ අධ්‍යාපන මෙවලම් කට්ටලය by Lisa Winstanley

Devil නිර්මාණ අධ්‍යාපන මෙවලම් කට්ටලය by Lisa Winstanley is a highly esteemed winner of the very prestigious 2026 A' Design Award රිදී සම්මානය in ග්‍රැෆික්ස්, නිදර්ශන සහ දෘශ්‍ය සන්නිවේදන නිර්මාණය Competition Category.


රිදීග්‍රැෆික්· 2026

Devil නිර්මාණ අධ්‍යාපන මෙවලම් කට්ටලය

by Lisa Winstanley

Client: Design Ethics & Visual Integrity Lab (DEVIL)

A' Design Award රිදී සම්මානය Winner in ග්‍රැෆික් Category

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The Design

About Devil නිර්මාණ අධ්‍යාපන මෙවලම් කට්ටලය

Devil යනු Design Ethics and Visual Integrity Lab සඳහා නිර්මාණය කරන ලද වැඩමුළු මෙවලම් කට්ටලයකි. මෙම මෙවලම් කට්ටලය දෘශ්‍ය කොල්ලකෑම (visual plagiarism) පිළිබඳ ගැටලුව ආමන්ත්‍රණය කරමින්, කලා හා නිර්මාණ අධ්‍යාපනයේ සදාචාරාත්මක නිර්මාණ භාවිතයන් සඳහා සහාය දෙන සහභාගිත්ව දෘශ්‍ය සන්නිවේදන පද්ධතියකි. ව්‍යුහගත ක්‍රියාකාරකම්, උත්තේජක කාඩ්පත් සහ ඒකාබද්ධ දෘශ්‍ය අනන්‍යතාවක් මගින් පරාවර්තනාත්මක නිර්මාණකරණය මෙහෙයවනු ලැබේ. මුද්‍රිත අයිතම අතරට වැඩපොතක්, අභිරුචි ෆෝල්ඩරයක්, පෝස්ටරයක්, තැපැල්පත් සහ සටහන් පොතක් ඇතුළත් වන අතර, ඒවා Munken Polar Rough කඩදාසි මත ස්පොට් UV විස්තර සහිතව නිෂ්පාදනය කර ඇත. මෙම මෙවලම් කට්ටලය විවිධ ඉගැන්වීම් සන්දර්භයන් හරහා සහයෝගී ඉගෙනුම සඳහා සහාය දක්වයි.

The Recognition

About the A' Design Award රිදී සම්මානය

Devil නිර්මාණ අධ්‍යාපන මෙවලම් කට්ටලය යනු A' Design Award රිදී සම්මානය දිනූ නිර්මාණයකි; ඉහළම පෙළේ, සුන්දර සහ ආකර්ශනීය නිර්මාණ සඳහා පිරිනමන අසාමාන්‍ය ලෙස ගෞරවනීය පිළිගැනීමකි. රිදී ජයග්‍රාහී නිර්මාණ අතිශය දීප්තිමත් සහ ඉතා නිර්මාණශීලී කෘති වන අතර නිර්මාණකරුවන්ගේ විශිෂ්ට විශේෂඥතාව, දක්ෂතාව සහ සියුම් බුද්ධිය පෙන්වයි. Devil නිර්මාණ අධ්‍යාපන මෙවලම් කට්ටලය විස්මයජනක, ආදර්ශවත්, ඉතා වෘත්තීය සහ ගැඹුරින් නවීන කෘතියක් වනු ඇතැයි අපේක්ෂා කෙරේ. Devil නිර්මාණ අධ්‍යාපන මෙවලම් කට්ටලය බොහෝ දෙනා ඊර්ෂ්‍යා කරන නිර්මාණයක් වන අතර ආශාවන් අවදි කරයි, ධනාත්මක හැඟීම් ගෙන එයි සහ විස්මය ඇති කරයි.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
The Design Ethics & Visual Integrity Lab (DEVIL) toolkit is a participatory visual communication system designed to address visual plagiarism and cultivate ethical design practice for art and design faculty. It integrates structured activities, prompt cards, and a cohesive visual identity to guide reflective making. Distinct in its practice-led methodology, it translates research into tangible, scalable design artefacts that support critical, collaborative learning across contexts
Dimensions & Packaging
Toolkit components are designed for modular workshop use. Custom folder: 190 × 240 mm (closed), 791 × 260 mm (open with pocket), produced on 350 gsm Spectrum Black with silkscreen or blind spot UV detailing and elastic closure. Inserts: 160 × 210 mm, 150 gsm Munken Polar Rough, 22 pages. Neon dividers: 160 × 210 mm. Poster: 200 × 200 mm with custom fold. Postcards: A6. Notepad: A5.
Tags
visual integrity, visual plagiarism, ethical design, participatory design, design toolkit, visual communication, design education, creative ethics, workshop design
Production Technology
The toolkit was developed through a practice-led, iterative design process, combining participatory workshops with prototyping and visual testing. Outputs include a suite of printed and physical artefacts such as a workbook, custom folder, poster, postcards, notepad, and branded objects including enamel pins, tote bags, mugs, and pencils. Production features Munken Polar Rough paper stock and spot UV detailing on black and neon substrates, creating a tactile, high-contrast visual system.
Design Challenge
The primary challenge was translating complex, often ambiguous ethical issues into a clear and usable design system. Visual plagiarism sits within shifting cultural, legal, and technological contexts, particularly with the rise of AI. Balancing academic rigour with accessibility required iterative testing. Additional constraints included material production choices and ensuring the toolkit remained adaptable across diverse international teaching contexts.
Research
Practice-led design research aimed to address visual plagiarism and strengthen ethical decision-making in visual communication. Using participatory workshops and iterative prototyping, data was gathered through observation, discussion, video and audio recordings, and artefact analysis. Participants included international art and design faculty. The research informs the creation of a best practice toolkit in progress, to be disseminated to the creative community.
Inspiration
This project comes from a simple observation, most ethical issues in design are not obvious, they sit in the small decisions we make every day, how we source, adapt, and transform images. That idea shaped both the name and identity, grounded in the belief that the devil is in the details. Built from real studio and workshop experience, the toolkit makes these hidden tensions visible through a hands-on, designer-focused system.
Project Duration
The project commenced in January 2025 in Singapore and was completed in June 2025 at Nanyang Technological University. It was developed and tested through a series of participatory workshops conducted across multiple international locations, including Singapore, the United Kingdom, Australia, China, Taiwan, and Vietnam.
Operation Flow
The toolkit is designed as a guided, hands-on experience. Participants move through structured activities using the workbook, supported by printed artefacts that prompt reflection, discussion, and making. The folder organises materials into stages, allowing users to navigate at their own pace. Interaction is tactile and collaborative, encouraging users to question decisions, share perspectives, and actively construct more considered design outcomes.
Image Credits
Image #1: Photographer Lisa Peh (After Dusk Media), Art Director Lisa Winstanley, DEVIL Toolkit, 2025.
Image #2: Photographer Lisa Peh (After Dusk Media), Art Director Lisa Winstanley, DEVIL Toolkit Artefacts, 2025.
Image #3: Photographer Lisa Peh (After Dusk Media), Art Director Lisa Winstanley, DEVIL Workbook and Folder, 2025.
Image #4: Photographer Lisa Peh (After Dusk Media), Art Director Lisa Winstanley, DEVIL Postcards and Poster, 2025.
Image #5: Photographer Lisa Peh (After Dusk Media), Art Director Lisa Winstanley, DEVIL Branded Objects, 2025.

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