The Armor Divadelný kostým od Samantha Chijona Garcia and Vladimir Cuenca

Dizajn The Armor Divadelný kostým od dizajnéra Samantha Chijona Garcia and Vladimir Cuenca je vysoko uznávaným víťazom veľmi prestížneho ocenenia 2020 Strieborná cena A' Design Award v súťažnej kategórii Scénické umenie.

StriebornáScénické umenie· 2020

The Armor Divadelný kostým

od Samantha Chijona Garcia and Vladimir Cuenca

Klient: Jazz Martinez Gamboa

Víťaz ocenenia Strieborná cena A' Design Award v kategórii Scénické umenie

60,069

Overený víťaz ocenenia

Overiť stav ocenenia pre #102743

Navštíviť stránku Zobraziť na A' Design Award Tlačová správa Ocenenie – odznak

Farby

Dizajn

O dizajne The Armor Divadelný kostým

Brnenie je divadelný kostým vytvorený pre postavu Richarda III. v javiskovej inscenácii Shakespearovej hry. Kostým je vyrobený z recyklovaných a nepoužívaných materiálov. Kovové línie sú našité na keprovej bunde, zatiaľ čo prekrývajúce sa kožené kamaše tvoria samostatnú štruktúru spojenú koženými remienkami a prackami. Rukavica z drôtenej košele uzatvára rukáv a zamatový klobúk vystlaný kovovými pásikmi slúži ako prilba. Šesť častí je možné pridávať alebo odoberať podľa toho, ako sa postava počas hry mení. Návrh odzrkadľuje zároveň kráľa aj zraniteľného človeka v ňom.

Ocenenie

O ocenení Strieborná cena A' Design Award

The Armor Divadelný kostým je laureát Striebornej ceny A' Design Award, mimoriadne prestížneho uznania udeľovaného nádherným, pôsobivým dizajnom najvyššej kvality. Laureáti Striebornej ceny sú nesmierne brilantné a mimoriadne kreatívne diela, ktoré ilustrujú výnimočnú odbornosť, talent a bystrosť svojich dizajnérov. Od The Armor Divadelný kostým sa očakáva, že bude úžasným, vzorovým dielom, pozoruhodne profesionálnym a hlboko inovatívnym. Tento dizajn ocenený Striebornou cenou A' Design Award je veľmi pozoruhodný, obdivovaný vynález, ktorý prináša úžitok a posúva hranice umenia, vedy, dizajnu a technológie. The Armor Divadelný kostým je výtvor, ktorému mnohí závidia, ktorý vzbudzuje túžby, prináša pozitívne pocity a vyvoláva úžas a údiv.

Za dizajnom

Tlačový kit

Kredity, členovia tímu a technické údaje poskytnuté dizajnérom.

Jedinečné vlastnosti: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Rozmery a balenie: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Štítky: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Výrobná technológia: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Dizajnérska výzva: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Výskum: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Inšpirácia: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Trvanie projektu: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Pracovný postup: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Patenty: Copyrights belong to Chijona, Samantha, 2018
Členovia tímu: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Zdroje obrázkov: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018