Nesting Plan VII Formosan Wild Boar Verejná umelecká inštalácia by Into the Woods and Co. - Cheng Tsung Feng is a highly esteemed winner of the very prestigious 2025 Strieborná cena A' Design Award in Výtvarné umenie Competition Category.
StriebornáVýtvarné umenie· 2025
Nesting Plan VII Formosan Wild Boar Verejná umelecká inštalácia
by Into the Woods and Co. - Cheng Tsung Feng
Client: Hualien Branch, Forestry and Nature Conservation Agency
Strieborná cena A' Design Award Winner in Výtvarné umenie Category
Verified Award Winner
Verify Award Status for #171887The Design
About Nesting Plan VII Formosan Wild Boar Verejná umelecká inštalácia
Nesting Plan VII Formosan Wild Boar je verejná umelecká inštalácia umiestnená v lesnom parku v Hualiene na Taiwane. Dielo je inšpirované hniezdnym správaním taiwanského diviaka, zvieraťa, ktoré si stavia úkryty zo sena a konárov a odpočíva s rypákom otočeným k vchodu, aby zostalo ostražité. Konštrukcia je vyrobená z taiwanského cédra a bambusu Makino, zostavená pomocou precíznych tesárskych spojov a tvarovaná prostredníctvom digitálneho konštrukčného návrhu. Návštevníci môžu vstúpiť do priestoru pripomínajúceho hniezdo a posadiť sa na zakrivenú lavicu otočenú k otvoru, čo podporuje kontakt s okolitým lesom.
The Recognition
About the Strieborná cena A' Design Award
Nesting Plan VII Formosan Wild Boar Verejná umelecká inštalácia je laureát Striebornej ceny A' Design Award, mimoriadne prestížneho uznania udeľovaného nádherným, pôsobivým dizajnom najvyššej kvality. Laureáti Striebornej ceny sú nesmierne brilantné a mimoriadne kreatívne diela, ktoré ilustrujú výnimočnú odbornosť, talent a bystrosť svojich dizajnérov. Od Nesting Plan VII Formosan Wild Boar Verejná umelecká inštalácia sa očakáva, že bude úžasným, vzorovým dielom, pozoruhodne profesionálnym a hlboko inovatívnym. Tento dizajn ocenený Striebornou cenou A' Design Award je veľmi pozoruhodný, obdivovaný vynález, ktorý prináša úžitok a posúva hranice umenia, vedy, dizajnu a technológie. Nesting Plan VII Formosan Wild Boar Verejná umelecká inštalácia je výtvor, ktorému mnohí závidia, ktorý vzbudzuje túžby, prináša pozitívne pocity a vyvoláva úžas a údiv.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Nesting Plan VII—Formosan Wild Boar is an artwork that reflects the unique ecological characteristics of Forest Park in Hualien. It honors the indigenous species of Formosan Wild Boar and explores its architectural abilities. The piece showcases boar's nesting instincts, such as using hay and branches to construct nests while keeping their snouts facing the entrance to remain alert. Additionally, the work integrates native wood and bamboo, harmonizing with the surrounding forest environment.
- Dimensions & Packaging
- Width 7m x Depth 7m x Height 5m
- Tags
- Taiwan Cedar, Makino Bamboo, public art, multifunctional space, sustainable design, Indigenous culture, forest-inspired, biomimicry, outdoor installation, ecological architecture
- Production Technology
- This art installation utilizes digital computation and precise structural design to overcome the challenges associated with domestic bamboo and wood materials. The primary structure is built with Taiwan Cedar timber, complemented by Makino Bamboo, ensuring stability and aesthetic appeal through meticulous joinery techniques. Inspired by the nesting behavior of the Formosan Wild Boar, the installation features a C-shaped circular bench that naturally orients users toward the entrance, mirroring the animal’s instinctive alert posture. This design enhances the interaction between the environment and the artwork while promoting sustainable local materials.
- Design Challenge
- The challenge of this work was to overcome the traditional reluctance in Taiwan to use domestic materials like Taiwan Cedar and Makino Bamboo in art and architecture due to their perceived weaknesses—such as low yield, irregular knots, and inherent softness. Additionally, creating an art installation that mimics the nesting behavior of Formosan Wild Boars while ensuring structural safety and aesthetic appeal posed a significant challenge in balancing function, form, and sustainability.
- Research
- We focused on the nesting skills of Formosan Wild Boars and explored how to translate their behaviors into artwork using local materials. Research involved field observation and material study, with data collected through close observation and expert interviews. Insights highlighted the potential of Taiwan Cedar and Makino Bamboo in promoting sustainability while aligning with nature. This work raises environmental awareness and showcases the intersection of ecology, sustainability, and design.
- Inspiration
- The boar's instinctive behavior—its nesting actions, processes, materials, techniques, and functions—inspires the design. We utilized human construction materials and methods to reinterpret these elements, creating large, nest-like installation artworks that people can enter. Additionally, this work demonstrates the potential of using domestic materials and addressing the associated challenges, which Taiwanese artists and architects often overlook for aesthetic and practical reasons.
- Project Duration
- The project commenced in June 2024 and was completed in September 2024. The unveiling ceremony for the artwork was held in the same month at Danongdafu Forest Park in Hualien, Taiwan.
- Operation Flow
- This installation serves as both an artistic structure and a functional gathering space. It provides a semi-enclosed resting area where visitors can sit on the curved bench, naturally facing the entrance, just as the Formosa Wild Boar remains alert in its habitat. Moreover, using Taiwanese local materials ensures harmony with the forest, while the design fosters interaction, inviting people to experience nature through sight, touch, and presence.
- Team Members
- Producer: Hualien Branch, Forestry and Nature Conservation Agency
Project Director: Into the Woods & Co.
Artist: Cheng Tsung FENG - Image Credits
- Image #1-#5: FIXER Photographic Studio, Taiwan.
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