Shany Abdallah Naji گرافک آرٹ سیریز by Shany Dvora is a highly esteemed winner of the very prestigious 2021 A' Design Award چاندی دا انعام in گرافکس، تصویر کشی تے بصری ابلاغ ڈیزائن Competition Category.
چاندیگرافک· 2021
Shany Abdallah Naji گرافک آرٹ سیریز
by Shany Dvora
A' Design Award چاندی دا انعام Winner in گرافک Category
Verified Award Winner
Verify Award Status for #121320The Design
About Shany Abdallah Naji گرافک آرٹ سیریز
شینی عبداللہ ناجی گرافک کماں دی ہک سیریز ہے جیڑھی ہک خاندانی ناں رکھݨ دی روایت کوں دوبارہ زندہ کریندی ہے۔ ایہ روایت، جیڑھی اُس ویلے ختم تھی گئی جݙݨ خاندان عراق توں اسرائیل ہجرت کر گیا، ہک نویں پیدا تھیوݨ آلے کوں ہک پہلا ناں تے اُس کیتے پیوں تے دادے دے ناں ݙیندی ہائی۔ ایہ سیریز اُس ویلے بݨائی گئی جݙݨ پرانے خاندانی ہجرت دے کاغذ لبھے۔ پنج مکسڈ میڈیا کم، چار جیڑھے 50 ضرب 70 سینٹی میٹر تے ہک جیڑھا 75 ضرب 70 سینٹی میٹر ہے، تصویراں کوں عبرانی خطاطی وچ بُݨدے ہن جیڑھی 12ویں تے 15ویں صدی وچ عراق، یمن تے مراکش دیاں عبرانی مخطوطات توں متاثر تھی۔
The Recognition
About the A' Design Award چاندی دا انعام
Shany Abdallah Naji گرافک آرٹ سیریز A' Design Award چاندی دا انعام دا جتݨ والا ہے، غیر معمولی حد تئیں معزز پچھاݨ جیڑھی اعلیٰ ترین درجے دے، شاندار تے متاثر کرݨ والے ڈیزائناں کوں ݙتی ویندی ہے۔ چاندی دے جتݨ والے بہوں روشن تے انتہائی تخلیقی کم ہن، جیڑھے اپݨے ڈیزائنراں دی شاندار مہارت، صلاحیت تے ذہانت کوں ظاہر کریندے ہن۔ Shany Abdallah Naji گرافک آرٹ سیریز کنوں امید کیتی ویندی ہے جو او ہک شاندار نمائشی کم ہوسی، قابل ذکر حد تئیں پیشہ ورانہ تے گہری جدت والا۔ ایہ ڈیزائن جنہاں A' Design Award چاندی دا انعام جتیا ہے، ہک انتہائی قابل ذکر، سراہی ہوئی ایجاد ہے جیڑھی فائدہ ݙیندی ہے تے فن، سائنس، ڈیزائن تے ٹیکنالوجی دیاں حداں ودھیندی ہے۔ Shany Abdallah Naji گرافک آرٹ سیریز ہک ایجھی تخلیق ہے جنہاں تے ڈھیر لوک حسد کریندے ہن، جیڑھی خواہشاں جگیندی ہے، مثبت جذبے آݨیندی ہے تے حیرت تے تعجب دی چنگاری بالیندی ہے۔
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Dimensions & Packaging
- 4 works 50*70 cm
1 work 75*70 cm - Tags
- Calligraphy, Typography, Hebrew, Eastern
- Production Technology
- Mixed Media
- Design Challenge
- -
- Research
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Inspiration
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Project Duration
- 2018-2019, Israel
- Operation Flow
- -
- Patents
- -
- Team Members
- -
- Image Credits
- Shany Dvora
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