Optics and Chromatics نمائشی پوسٹر by Timea Andoka

Optics and Chromatics نمائشی پوسٹر by Timea Andoka is a highly esteemed winner of the very prestigious 2018 A' Design Award چاندی دا انعام in گرافکس، تصویر کشی تے بصری ابلاغ ڈیزائن Competition Category.

چاندیگرافک· 2018

Optics and Chromatics نمائشی پوسٹر

by Timea Andoka

Client: Timea Andorka

A' Design Award چاندی دا انعام Winner in گرافک Category

63,709

Verified Award Winner

Verify Award Status for #58492

ہُݨ دریافت کرو Visit Site View at A' Design Award Press Release Award Badge

Colors

The Design

About Optics and Chromatics نمائشی پوسٹر

عنوان آپٹکس اینڈ کرومیٹک گوئٹے اینڈ نیوٹن دے رنگاں دی نوعیت بارے بحث دا حوالہ ہے۔ ایہہ بحث دو حرفی شکلاں دی ترکیب دے ٹکراؤ نال پیش کیتی گئی ہے: اک حساب کیتی ہوئی، ہندسوی، تیز خطوط نال، دوجی رنگین سائیاں دی تاثراتی کھیڈ تے انحصار کردی ہے۔ 2014 وچ ایہہ ڈیزائن پینٹون پلس سیریز آرٹسٹ کورز دے سرورق دے طور تے استعمال تھیا۔

The Recognition

About the A' Design Award چاندی دا انعام

Optics and Chromatics نمائشی پوسٹر A' Design Award چاندی دا انعام دا جتݨ والا ہے، غیر معمولی حد تئیں معزز پچھاݨ جیڑھی اعلیٰ ترین درجے دے، شاندار تے متاثر کرݨ والے ڈیزائناں کوں ݙتی ویندی ہے۔ چاندی دے جتݨ والے بہوں روشن تے انتہائی تخلیقی کم ہن، جیڑھے اپݨے ڈیزائنراں دی شاندار مہارت، صلاحیت تے ذہانت کوں ظاہر کریندے ہن۔ Optics and Chromatics نمائشی پوسٹر کنوں امید کیتی ویندی ہے جو او ہک شاندار نمائشی کم ہوسی، قابل ذکر حد تئیں پیشہ ورانہ تے گہری جدت والا۔ ایہ ڈیزائن جنہاں A' Design Award چاندی دا انعام جتیا ہے، ہک انتہائی قابل ذکر، سراہی ہوئی ایجاد ہے جیڑھی فائدہ ݙیندی ہے تے فن، سائنس، ڈیزائن تے ٹیکنالوجی دیاں حداں ودھیندی ہے۔ Optics and Chromatics نمائشی پوسٹر ہک ایجھی تخلیق ہے جنہاں تے ڈھیر لوک حسد کریندے ہن، جیڑھی خواہشاں جگیندی ہے، مثبت جذبے آݨیندی ہے تے حیرت تے تعجب دی چنگاری بالیندی ہے۔

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The title Optics and Chromatics refers to the debate between Goethe and Newton on the nature of colours. This debate is represented by the clash of the two letterform compositions, one is calculated, geometric, with sharp contours, the other relies on the impressionistic play of colourful shadows. In 2014 this design served as the cover for Pantone Plus Series Artist Covers. The Pantone Formula Guide and Pantone Solid Chips feature covers showcasing works of art from my project, Optics and Chromatics. (creative manager and designer at Pantone by Timothy Heyer, director of creative marketing at Pantone by Karen Lantelme)
Dimensions & Packaging: original poster size: 70×100 cm
Tags: chromatics, optics, Goethe, light, colour, shadow, experimental typography, crafts
Production Technology: paper, coloured plastic sheet, light, shadow
Design Challenge: Two new font-designs had to be invented to express the nature of the polemy on colour theory. The two types of letter consist of different materials and form: one is made of paper and shadow, the other is of coloured foil and light. The symmetrical, geometric shapes of the white paper and the sharp shadows in the hard light make the word ’optics’ legible. The word ’cromatics’ is built from coloured foil sheets that create colourful, intertangled beams in different angles of light.
Research: It is essential to know in detail the polemy on colour theory between Newton and Goethe when analyzing the relationship between light, shadow and colour. I consider Goethe’s Theory of Colours as one of the basic pieces of work when studying colour experience: it highlights the fact that the colour vision is a greatly changeful, resilient and impressionistic factor, thus not possible to give a description by some exact mathematical formulas – at least not in an adequate manner. The poster enters this several-century-long scientific debate with the resources of contemporary experimental typography. The project’s afterlife shows the timeliness of this inspection: Pantone published its first Limited-edition Artist Covers with this piece of work in 2014.
Inspiration: Goethe's Theory of Colours appeared in 1810. On the occasion of the bicentennial anniversary of the book the Society of Hungarian Graphic Designers and Typographers announces an international design competition entitled Goetheorie. The title of poster Optics and Chromatics refers to a place where Goethe points out that unlike Newton he is not so much interested in the science of sight (Optics) but rather in the theory of colours (Chromatics). He wants to demonstrate the way we actually experience colours, and not the way we are supposed to experience them according to the laws of mathematics.
Project Duration: The poster was made at Budapest, Hungary, 2010.
It was exhibited at Design Terminal, Budapest, Hungary, 05 November 2010 – 09 January 2011, Donau Buro, Ulm, Germany, 04 July – 13 July 2014 and The World Paper Products, Jeonju, South Korea, 20 – 28 February 2017
Operation Flow: Numerous photos have been taken of the two letterform compositions for the project. Changing the perspective and the light conditions meant plenty of possibilities for the visualization. The two pictures that were finally chosen for the poster are the ones which – complementing each other – accentuate the most the difference between the two colour theories.
Team Members: Art director, graphic design, type design and paper craft: Tímea Andorka