Past at Last Trajnostna moda – avtor Tihana Miksa

Delo Past at Last Trajnostna moda avtorja Tihana Miksa je izjemno cenjeni dobitnik prestižne nagrade 2021 Srebrna nagrada A' Design Award v tekmovalni kategoriji Oblikovanje mode, oblačil in obleke.

SrebrnaModa· 2021

Past at Last Trajnostna moda

avtor/ica: Tihana Miksa

Naročnik: Tihana Mikša

Dobitnik nagrade Srebrna nagrada A' Design Award v kategoriji Moda

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Barve

Dizajn

O dizajnu Past at Last Trajnostna moda

Poudarek v oblačilnih kompozicijah je na bogatih, igrih teksturah in neenakomerni obarvanosti. Posledično so oblačila sama simetrična, preprosta in zaprte oblike brez zahtevnih posegov v strukturo. Ta oblačila raziskujejo vizualni vidik, taktilnost, materialnost, živo gibanje in arhitektoniko tekstila. Barve so nizke intenzivnosti in akromatične, razen rdečih, ki utripajo v tem bledem spektru.

Priznanje

O nagradi Srebrna nagrada A' Design Award

Past at Last Trajnostna moda je prejemnik Srebrne nagrade A' Design Award, izjemno prestižnega priznanja, ki se podeljuje čudovitim, impresivnim vrhunskim oblikovanjem. Prejemniki Srebrne nagrade so izjemno briljantna in zelo ustvarjalna dela, ki ponazarjajo izjemno strokovnost, talent in bistrost svojih oblikovalcev. Od Past at Last Trajnostna moda se pričakuje, da bo čudovito, zgledno delo, opazno profesionalno in globoko inovativno. To oblikovanje, nagrajeno s Srebrno nagrado A' Design Award, je zelo opazen, občudovan izum, ki koristi in premika meje umetnosti, znanosti, oblikovanja in tehnologije. Past at Last Trajnostna moda je stvaritev, ki ji mnogi zavidajo, ki prebuja želje, prinaša pozitivna čustva in vzbuja začudenje in občudovanje.

V ozadju dizajna

Komplet za medije

Zasluge, člani ekipe in tehnične podrobnosti, ki jih je posredoval oblikovalec.

Edinstvene lastnosti: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Oznake: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Proizvodna tehnologija: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Oblikovalski izziv: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Inspiracija: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Trajanje projekta: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Zasluge za slike: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.