O le mamanu Xie Yan Primary Function: Totonu o le Fale'aiga e Yuchi Zhang o se manumalo maualuga tele o le fa'ailoga mamalu 2020 A' Design Award Ario i le Vaega Tauva Mamanu Totonu.
ArioTotonu· 2020
Xie Yan Primary Function: Totonu o le Fale'aiga
na mamanuina e Yuchi Zhang
Tagata Fa'atau: Dowlin Organization
Manumalo o le A' Design Award Ario i le Vaega Totonu
Manumalo Fa'ailoga Fa'amaonia
Fa'amaonia le Tulaga o le Fa'ailoga mo #100015Le Mamanu
E Uiga ia Xie Yan Primary Function: Totonu o le Fale'aiga
O Xie Yan o se totonu o se fale'aiga na faia mo mea'ai paʻa a Iapani. O le fuafuaga e 450 sikuea mita o loʻo faʻavasegaina i le foliga o se paʻa. O se laufanua e fai si maualuga e fai ai le atigi, ma o loʻo tuʻu ai le pa robatayaki. O nofoaga e lua o le poloka o loʻo fai ai mata, ae o piniki fola e ono itu i le faitotoʻa o loʻo fai ai matiuu. O laupepa acrylic i lanu piniki mama, paʻepaʻe ma lē lanu o loʻo tautau mai le faʻalo e pei o tafatolu manifinifi, e faʻaalia ai fugalaau cherry ma faʻatusa ai se paʻa lona lua i luga aʻe o le fola. O se nofoaga 'ai tatami ma mata lomia e ofoina atu ai nofoaga e afa tatala ma tumaoti.
Le Fa'ailogaina
E Uiga i le A' Design Award Ario
O le A' Design Award Ario na manumalo ai Xie Yan Primary Function: Totonu o le Fale'aiga, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Xie Yan Primary Function: Totonu o le Fale'aiga e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Xie Yan Primary Function: Totonu o le Fale'aiga o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.
I Tua o le Mamanu
Pepa Fa'asalalau
Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.
- Uiga Fa'apitoa
- Using novel design ideas, profound aesthetic skills and unique material selection, the designer presents a catering design case close to space use, store name and diner's feelings. Its visual effect is unique and its spatial style is not restricted. It not only perfectly presents the theme of "Japanese crab cuisine", but also expands into a kind of Gourmet culture of the shop itself, expressing the business philosophy of the shopkeeper and the business value of IP itself.
- Fua & Fa'apipi'i
- The project covers a total of 450 square meters. The unique design idea is out of the pattern of the traditional catering design, creating a completely different Japanese catering brand image, making the shop's personality expression earn enough attention.
- Fa'ailoga
- Interior, Restaurant, Commercial, Modern, Simple, Japanese Cultural Characteristics, Japanese Cuisine, Sincerity
- Tekonolosi Gaosiga
- Compared with the gradual change from dark orange to light orange on the ceiling, the designer specially adjusts the color of the light acrylic sheet, blends the light pink into it, and designs it into a fine triangle, then intersperses the white and colorless into it. In this way, the flourishing acrylic films in the mid air are stacked like smoke and fog, and there is an artistic conception of cherry blossoms in full bloom.
- Lu'itau o le Mamanu
- After building the space atmosphere and theme cornerstone together with floor tile, platform, bar and dining table on the ground, the designer begins to focus on the upper space of the building. The acrylic art device suspended from the ceiling echoes the crab on the ground, sketching the shape of another crab in the mid air, which is equivalent to a crab on the ground and a crab in the mid air. The space becomes more complete and three-dimensional because of this idea.
- Su'esu'ega
- In order to emphasize the pure Japanese flavor of the restaurant, the designer separately plans a tatami dining area at the innermost side, and the screen printed with big crab characters separates the area one by one. The semi open design ensures the privacy of the dining, and also allows people to enjoy the most pure Japanese dining experience: taking off shoes and staying on the couch, sitting cross legged.
- Fa'aosofia
- The layout of the restaurant is in the shape of a crab. In the middle of the restaurant is a slightly raised platform, which is made up of the shell. The robatayaki bar is cleverly embedded in it, which becomes the pattern on the crab shell. The two card seating areas become the eyes. The floor at the entrance is made of hexagonal tiles, which becomes its claws. The scattered seats near the wall and the ground parquet make up the rest of the feet.
- Umi o le Poloketi
- The project started in March 2019 in Kunming and finished in June 2019 in Kunming.
- Fa'agasologa o Galuega
- The design of the front door does not have too many redundant decorations, but the designer uses exquisite details to let customers feel the original intention and sincerity of the shop. The warm lighting and overall color are attracting people to push the door. The construction and presentation of all atmosphere are the best annotation of the word "sincerity".
- Pateni
- Copyrights belong to Yuchi Zhang, 2019.
- Sui o le 'Au
- Yuchi Zhang
Beryl Lee - Fa'aaloaloga o Ata
- Image #1: Photographer Frank Keng, Xie Yan, 2019.
Image #2: Photographer Frank Keng, Xie Yan, 2019.
Image #3: Photographer Frank Keng, Xie Yan, 2019.
Image #4: Photographer Frank Keng, Xie Yan, 2019.
Image #5: Photographer Frank Keng, Xie Yan, 2019.
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