$Refracting Reality Mamanuina o le Tusi by Ching-Fa Lung$

Refracting Reality Mamanuina o le Tusi by Ching-Fa Lung is a highly esteemed winner of the very prestigious 2021 A' Design Award Ario in Mamanu Lolomi Competition Category.

ArioLolomi· 2021

Refracting Reality Mamanuina o le Tusi

by Ching-Fa Lung

Client: Art Center College of Design

A' Design Award Ario Winner in Lolomi Category

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The Design

About Refracting Reality Mamanuina o le Tusi

O le Refracting Reality o se tusi e uiga i le malamalama ma le vaʻaia e le tagata. O loʻo suʻesuʻeina e le tusi ni uiga se fā o le malamalama: refraction, reflection, diffraction ma le interference. O nei uiga o loʻo faʻaalia e ala i le typography ma ata i itulau e 368. Na filifilia pepa ufiufi ma pepa e leʻi ufiufia e lagolago ai ni faʻaaliga eseese o le malamalama. O loʻo taofia se prism maʻa i le tuaivi o le tusi ma e mafai ona aveʻesea e le tagata faitau. Faʻatasi ai ma le prism, e mafai e le au faitau ona matauina saʻo le amio o le malamalama ma fegalegaleai ma ata lolomi.

The Recognition

About the A' Design Award Ario

O le A' Design Award Ario na manumalo ai Refracting Reality Mamanuina o le Tusi, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Refracting Reality Mamanuina o le Tusi e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Refracting Reality Mamanuina o le Tusi o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The book expressed light characteristics: Refraction, Reflection, Diffraction, and Interferer through typography and imageries. The light experience was considered in the book's materials, such as coated paper, uncoated paper, and a solid prism. The prism of the book spine was used to manifest the perception of light.
Dimensions & Packaging: W8.5" x D1.75" x H11.75", 368 pages
Tags: Book Design, Editorial Design, Typography, Transmedia Design
Production Technology: The book was printed with the Epson P600 inkjet printer and using the Red River paper. Coated paper and uncoated paper were used for inner pages and the prism was used as a book's spine accessory.
Design Challenge: To create a 368-page book designed from extensive research on a chosen topic. Not only design a book but also curate the contents, edit and create a compelling narrative for readers to experience the book extensively.
Research: In modern society, light is commonly used as a medium throughout a lot of screen time and various screen types. The designer wants to understand deeply the history of how humans started using light and what metaphors light has been bringing to humanity throughout centuries.

Not only looking at light as an art medium but also looking at the different meanings of light brings different cultures and religions in history. Different perspectives that humans observed light was the interesting context of the research for this project.
Inspiration: Light has been the main part of our world since the beginning of time. Humans have learned to use light to tell stories, relate, experience, and communicate. This book questions our perception of the world by examining the light through different forms of expression.
Project Duration: The project started in January 2019 in Pasadena and finished in April 2010 in Pasadena.
Operation Flow: Prism can be taken out of the book spine and readers can experience traits of light such as reflection, refraction, diffraction, and Interfere by using the actual prism. They can also interact with the book because a lot of imageries were curated considering this interaction.
Image Credits: Photographer: Kevin Martin