Tea Culture Primary Function: Fale Fa'ata'ita'iga o le Aganu'u o le Ti e Shenzhen Horizon Space Design Co.,Ltd

O le mamanu Tea Culture Primary Function: Fale Fa'ata'ita'iga o le Aganu'u o le Ti e Shenzhen Horizon Space Design Co.,Ltd o se manumalo maualuga tele o le fa'ailoga mamalu 2021 A' Design Award Ario i le Vaega Tauva Mamanu Totonu.

ArioTotonu· 2021

Tea Culture Primary Function: Fale Fa'ata'ita'iga o le Aganu'u o le Ti

na mamanuina e Shenzhen Horizon Space Design Co.,Ltd

Tagata Fa'atau: Shenzhen Horizon Space Design Co.,Ltd

Manumalo o le A' Design Award Ario i le Vaega Totonu

13,401

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #116924

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Tea Culture Primary Function: Fale Fa'ata'ita'iga o le Aganu'u o le Ti

'O le Aganu'u o le Ti o se tama'i fale fa'ata'ita'iga o le aganu'u o le ti na fuafuaina e fai ma nofoaga to'afilemu mo le tofoina o le ti. E tele avanoa fa'alava ma tu sa'o na tu'ufa'atasia i se nofoaga tumau e tasi lea e mafai ai e tagata asiasi ona savavali sa'oloto, feiloa'i le tasi i le isi pe malolo ma toe tepa i tua. 'O le fa'atulagaga na musuia mai le pepa gaugau, ma 'o suiga o va'aiga na maua mai ai e maua ai e totonu o le fale le to'afilemu tuai fa'apea le olaga fou o aso nei. E sui e la'au manifinifi le atina'e o le pepa. E fa'aitiitia avanoa ta'itasi i se galuega faigofie, ina ia mafai ai e tagata asiasi ona malolo ae le'i tu'uina atu le ti.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Tea Culture Primary Function: Fale Fa'ata'ita'iga o le Aganu'u o le Ti, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Tea Culture Primary Function: Fale Fa'ata'ita'iga o le Aganu'u o le Ti e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Tea Culture Primary Function: Fale Fa'ata'ita'iga o le Aganu'u o le Ti o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
Fua & Fa'apipi'i: What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
Fa'ailoga: Tea Culture Exploration Hall
Tekonolosi Gaosiga: Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.

At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs.
Fa'aosofia: When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
Sui o le 'Au: Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu