Craft as Time Capsule Tusi by Hsiao-Wen Hu

Craft as Time Capsule Tusi by Hsiao-Wen Hu is a highly esteemed winner of the very prestigious 2021 A' Design Award Ario in Mamanu Lolomi Competition Category.

ArioLolomi· 2021

Craft as Time Capsule Tusi

by Hsiao-Wen Hu

Client: Pratt Institute

A' Design Award Ario Winner in Lolomi Category

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Verified Award Winner

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Colors

The Design

About Craft as Time Capsule Tusi

O lenei poloketi o le fa'amaumauga mulimuli lea a Hsiao-Wen's su'esu'ega su'esu'ega ile faiga o va'a e fai ma auala fa'asao ile vaitau fa'atekinolosi nei. O le tusi e aofia ai vaega e tolu, suʻesuʻeina le suiga i le va o le tino ma le virtual, meafaitino ma faʻamaumauga, faʻaogaina o tagata faʻaoga ma le poto masani mai le vaʻaiga o le gaosiga ma le faʻasaoina. A'o suia le lalolagi mai gaioiga fa'aletino i fegalegaleaiga faʻapitoa, na faʻaosofia ai manaʻoga fou ma ituaiga o fegalegaleaiga ma o tatou siosiomaga. O ia suiga e le gata e faʻaalia e ala i le mea faitino ma le tekonolosi, ae faʻapea foʻi ma le aganuu atoa i le lautele.

The Recognition

About the A' Design Award Ario

O le A' Design Award Ario na manumalo ai Craft as Time Capsule Tusi, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Craft as Time Capsule Tusi e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Craft as Time Capsule Tusi o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
Dimensions & Packaging: The dimension of the book is in US letter size: 216 mm x 279 mm.
Tags: design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
Production Technology: The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
Research: This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.

As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums.
Inspiration: This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
Project Duration: This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.