Villa Gilbam Fale Nofoia e Davood Boroojeni

O le mamanu Villa Gilbam Fale Nofoia e Davood Boroojeni o se manumalo maualuga tele o le fa'ailoga mamalu 2022 A' Design Award Apamemea i le Vaega Tauva Mamanu Fausaga Fale.

ApamemeaFausaga Fale· 2022

Villa Gilbam Fale Nofoia

na mamanuina e Davood Boroojeni

Tagata Fa'atau: Davood Boroojeni Office

Manumalo o le A' Design Award Apamemea i le Vaega Fausaga Fale

10,663

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #132788

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Villa Gilbam Fale Nofoia

Villa Gilbam ose fale nofoia o loʻo tuʻu i luga o se malifa mauga i le itulagi o Siahkal i le itu i matu o Iran. O le nofoaga e aofia ai le pe tusa ma le 750 mita sikuea ma e paʻu ifo i le pe tusa ma le 10 pasene mai sasaʻe i sisifo. O le fale o loʻo tu i le itu i sasaʻe o le fanua, i luga o le tulaga tapatolu tutusa lea e pe tusa ma le 8 i le 15 mita, lea sa iai muamua se fale na tu ai, o lea e faatapulaaina ai le faʻafesoʻotaʻiga ma le eleele. E lua volumes e faʻalaʻei mai i le totonugalemu i le fogaʻele ma le fogafale muamua e aunoa ma le paʻi i le eleele. O volumes e tolu ua faʻafeagai ina ia fausia ai se avanoa autu faʻasoa e maua ai va'aiga o mauga o loʻo siomia ai.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Villa Gilbam Fale Nofoia, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Villa Gilbam Fale Nofoia e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Villa Gilbam Fale Nofoia e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: In the plan of Villa Gilbam, solutions have been found for issues, including the location that the villa should be established there, the impacts of climate and neighborhood on its design, and the desired quality of the shared space.
Fua & Fa'apipi'i: Due to the fact that climate and neighborhood were not the limiting factors for the location of the villa, the east of the land, which used to be a place of another building in the past, was allocated for this purpose. With the aim of minimizing intrusion and seizure of the area, the connection surface of the villa to the land was limited to the same rectangle of the old building with dimensions of about 8 × 15 meters. To meet the demands of the employer, which required 350 square meters, two console volumes were added to the initial core of the project at ground level and the first floor without connecting to the ground.
Tekonolosi Gaosiga: The project land with an approximate area of 750 square meters is located on the slopes of one of the mountains in northern Iran in the Siahkal region. The land with an unknown geometry has a slope of about 10% from east to west. In the east of the land, and in a rectangle section measuring 8 × 15 meters, intrusion and seizure were seen; as if this rectangle had been a place of a building in the past. The project’s employer has needed a place with an area of 350 square meters.
Lu'itau o le Mamanu: The two console volumes at the height have slid over each other in such a way that neither of them obstructs the proper light of the south and the proper view of the north and south for each other. The console volume located on the ground floor level is in the south and the first level console volume is located in the north. Suitable light from the south passes over the southern volume and reaches the northern volume. Also, the northern volume has a good view of the southern mountains. Below the northern volume is empty and the southern volume overlooks the northern landscape.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
Su'esu'ega: The current project design is a quantitative and qualitative one. The most important goals are achieving proper functioning, creating the desired spatial quality, resuscitation of the middle courtyard as patterns of indigenous architecture, and reducing energy and construction material consumption. To achieve the goals of the project Field observation, study of the needs of the client, study of historical texts, the study of architectural standards, technical characteristic observation Of materials, the study of regional climate have been considered.
Fa'aosofia: Factors such as the desired spatial quality, local architecture, climate, and exposed usage of materials have been considered in the project design. We believe that the beautiful innovative useful architecture of Villa Gilbam is the result of using the above-mentioned factors in the project simultaneously.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
Umi o le Poloketi: The design of the project started in June 2016 and finished in December 2016 in Tehran.
Fa'agasologa o Galuega: One of our primary design goals was material disclosure. We believe that the use of exposed materials not only creates an indigenous feeling in the spaces but also causes less damage to the environment.
Sui o le 'Au: Principal Architects: Davood Boroojeni - Saba Ammari
CG Artist: Peyman Nozari
Fa'aaloaloga o Ata: Image #1: Illustrator Peyman Nozari, 2021.
Image #2: Illustrator Peyman Nozari, 2021.
Image #3: Illustrator Peyman Nozari, 2021.
Image #4: Illustrator Peyman Nozari, 2021.
Image #5: Illustrator Peyman Nozari, 2021.