Poro City Mamanu Fa'aaliga e Chieh-Ting, Yushan Martha and Kyoung Eun

O le mamanu Poro City Mamanu Fa'aaliga e Chieh-Ting, Yushan Martha and Kyoung Eun o se manumalo maualuga tele o le fa'ailoga mamalu 2022 A' Design Award Uʻamea i le Vaega Tauva Mamanu Totonu.

UʻameaTotonu· 2022

Poro City Mamanu Fa'aaliga

na mamanuina e Chieh-Ting, Yushan Martha and Kyoung Eun

Tagata Fa'atau: Architecture for community Los Angeles

Manumalo o le A' Design Award Uʻamea i le Vaega Totonu

29,315

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #133740

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Poro City Mamanu Fa'aaliga

O le Poro City o se mamanu fa'aaliga na fausia mai pusa susu. O pusa nei e fausia ai se faiga e pei o piliki, e le manino atoatoa ae le maaa foi, e taofia ai le fa'aaliga e aunoa ma se pueʻa mautu. O puipui gaogao e feoai o loʻo faʻavaeina ai vaaiga ma toe faʻamanatu mai ai vaega maʻa avanoa e maua i Los Angeles. O le seti fa'atulagaga o vaega e vave ona fa'apotopoto ma mafai ona fetuutuunai i nofoaga eseese i totonu ma fafo. O le fa'atūina e faʻaaogāina ai pusa e 1100 o le tele o le 33 cm i le 33 cm i le 28 cm i totonu o se maota fa'aaliga e 200 mita fa'atafafa. O lanu pupula e liua ai se mea masani ma aoga i se avanoa e talia lelei ai tagata.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Poro City Mamanu Fa'aaliga, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Poro City Mamanu Fa'aaliga e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Poro City Mamanu Fa'aaliga ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Poro City proposes a dialogue with the many communities of Los Angeles. Milk crates function as a brick system that is neither transparent nor solid, housing the exhibition without imposing a rigid boundary. The milk crate's flexibility allows for various design options that can adapt to different spaces. Moreover, its immediately familiar iconography makes it approachable to a wide range of audiences.
Fua & Fa'apipi'i: It is constructed with 1100 counts of 33 cm x 33 cm x 28 cm milk crates and distributed in a 200 square meters gallery.
Fa'ailoga: exhibition design, reuse, second life,
Tekonolosi Gaosiga: Our modular crate system was designed to be easy and fast to assemble. With the help of volunteers, we were able to construct all of the walls in less than a day. COVID has kept many of us indoors, so it was great to get together at Helms Bakery for the exhibition.
Lu'itau o le Mamanu: Due to the viral milk-crate challenge from Tik Tok, and to discourage climbing on the walls, we also made the decision to treat seating as a separate element rather than integrating it with the exhibition walls.
Su'esu'ega: We were inspired by the project brief, which called for a design that could be distributed at indoor and outdoor sites throughout Los Angeles. We wanted our design to be recognizable regardless of its location, and to create a space while connecting to each unique neighborhood. We settled on a kit-of-parts construction using milk crates as our primary building material due to their adaptability and recognizability. Assembled as undulating porous walls, crates frame views and emphasize the experiential relationship between exhibition and site. The stacked brick pattern recalls the textures of breeze block walls, iconic surfaces of the LA landscape. The final result is a welcoming and vibrant exhibition in an array of vivid colors.
Fa'aosofia: Packaging is often a means to an end. We receive a good, unwrap it, and discard the container. However, some forms of packaging, like shipping crates and pallets, are designed for durability and reuse. These sturdy qualities often inspire more robust modes of use than initially intended. The same is true for the milk crate.
Umi o le Poloketi: It is located at Culver City, California. It starts construction on October and stand in the gallery from November to December.
Fa'agasologa o Galuega: Our vision for this exhibition was to exemplify the ability of people to create the extraordinary from the mundane. Showcasing milk crates, which by their nature are utilitarian objects, celebrates this resourcefulness. The bright and unexpected colors further elevate and transform the material and show it in a new way.
Sui o le 'Au: Chieh-Ting Chuang
Martha Kriley
Yushan Men.
Fa'aaloaloga o Ata: Photo credit: Dylan Corr, Kyoung Eun Park
Video Credit: Martha Kriley. Gary Doran
Graphic Credit: Nick Imbriale, Christopher Manzano, Philana Kim