Concavity and Convexity Nofoaga i Totonu o le Fale Talimalo e Kevin Hsieh and Yunshuang Lin

O le mamanu Concavity and Convexity Nofoaga i Totonu o le Fale Talimalo e Kevin Hsieh and Yunshuang Lin o se manumalo maualuga tele o le fa'ailoga mamalu 2022 A' Design Award Uʻamea i le Vaega Tauva Mamanu Totonu.

UʻameaTotonu· 2022

Concavity and Convexity Nofoaga i Totonu o le Fale Talimalo

na mamanuina e Kevin Hsieh and Yunshuang Lin

Tagata Fa'atau: Form Space Design

Manumalo o le A' Design Award Uʻamea i le Vaega Totonu

8,251

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #136938

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Concavity and Convexity Nofoaga i Totonu o le Fale Talimalo

O le Concavity ma le Convexity o se fale talimalo e lua fogafale o loʻo i Taoyuan, Taiwan. O le vaega i totonu e tuʻufaʻatasia ai laina masani ma mea faʻaonaponei. O laupapa upega u'amea faʻagaosia (galvanized mesh panels) o loʻo faʻaaogaina e fai ma puipui ma faʻapito i luga o taualuga faʻataamilo i alalaupapa sila. O le upega e faʻataga ai le malamalama e ui atu, o lea la e feoaʻi ai le malamalama ma le paolo i luga o puipui paʻepaʻe manaia. O se ala e iai fasilaina uliuli ma paʻepaʻe faʻatasi ma faʻaata uliuli e fatuina ai se aafiaga vaaia e pei o se ala eli i lalo o le eleele (tunnel). O le taualuga na fausia mai i se tuʻufaʻatasiga vaneina e le tutusa (asymmetrical carved collage) nai lo se faatulagaga tutusa. O le mamanu na maua mai lona faʻaosofia mai atuatuvale a Pierre Soulages.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Concavity and Convexity Nofoaga i Totonu o le Fale Talimalo, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Concavity and Convexity Nofoaga i Totonu o le Fale Talimalo e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Concavity and Convexity Nofoaga i Totonu o le Fale Talimalo ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The interior is designed with modern elements to interpret the classical style, bringing galvanized mesh panels into the space as screens and ceilings between staircases. The mesh panel has a penetrating characteristic to bring in light, so that the space can form natural ripples and dance with light and shadow. This design creates an artistic and stylish appearance through the use of contradictory elements.
Fua & Fa'apipi'i: Construction began in February 2021 and was completed in June 2021.
The total square footage is 1170 square meters. Located in Taoyuan, Taiwan, the two-story reception center includes a meeting area, audio visual room, exhibition area, VIP ROOM, pantry and lounge.
Fa'ailoga: Symmetry, neoclassical, modern, material experimental, Corinthian Order, corrugated sheet, Pierre Soulages
Tekonolosi Gaosiga: The concept of the corridor comes from Pierre Soulages paintings, using black and white stripes and black mirrors to create a visual interlacing effect, like a time tunnel. Through the mirror effect, light and different materials blending with each other, enlarging the depth of field and bringing spaciousness. The design of the ceiling is different from the common symmetrical approach, and is illustrated by asymmetrical collage carvings, allowing the classical to be presented in a modern form.
Lu'itau o le Mamanu: This is not a newly built project, but a retrofit of the original building. Corrugated sheet and galvanized mesh panels are the symbol of inexpensive materials in Taiwan, often used in factories and countryside bungalows. In this case, the designer has taken a common, mundane material and elevated its value with the use of color palette, structure and classical elements to make it both modern and technological.
Su'esu'ega: In Pierre Soulages paintings, the squeegee is used to create strong color blocks and stripes on the paint. The texture becomes the visual focal point, and the presence of light is felt in the concavity and convexity of the paint. Therefore, this project is based on the development of a classical and modern space, full of texture and the flow of light and shadow.
Fa'aosofia: Inspired by the abstract painter Pierre Soulages, the design explores the changing relationship between black, line and light through Pierre Soulages powerful and textured style of painting. The designer uses light as a design element, and through the reflection and interplay of colors and spatial textures, a sense of natural rhythm is derived from the space.
Umi o le Poloketi: This project is built in Taiwan.
Fa'agasologa o Galuega: The designer installed galvanized mesh panels and metallic water ripple glass panels in the staircase, open the sense of space through the large vertical window openings. With a large amount of light and plain white walls, the designer let the expression of the space change with the weather and time of day.
Pateni: Copyrights belong to Form Space Design.
Sui o le 'Au: Kevin Hsieh
Yunshuang Lin
Fa'aaloaloga o Ata: Photographer: Hezi Studio