Sinafu Stand Ipu Tuʻufua Maualuga e Kenichiro Oomori

O le mamanu Sinafu Stand Ipu Tuʻufua Maualuga e Kenichiro Oomori o se manumalo maualuga tele o le fa'ailoga mamalu 2022 A' Design Award Apamemea i le Vaega Tauva Meafale Umukuka.

ApamemeaMeafale Umukuka· 2022

Sinafu Stand Ipu Tuʻufua Maualuga

na mamanuina e Kenichiro Oomori

Tagata Fa'atau: Gato Mikio

Manumalo o le A' Design Award Apamemea i le Vaega Meafale Umukuka

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #137063

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Sinafu Stand Ipu Tuʻufua Maualuga

Na mamanuina le Sinafu Stand e avea ma meafaigaluega i aso uma e fetaui ma le olaga faʻaonaponei e ala i le faʻaogaina o togafitiga faʻaIapani tuai o le gaosiga laʻau. O le ipu ma le laʻau tulaga o lenei ipu tuʻufua e tutasa a latou uiga. Ma o le faʻailoga malu e faʻalautele atu mai le laʻau manifinifi tele i le ipu e faʻamamafaina ai le matagofie ma ua mamanuina e fetaui lelei i le lima e faʻamatagofieina ai le uiga o le tuʻuina atu o meaʻai. O lenei foliga e le mafai ona faia pe a aunoa ma le tomai maualuga i galuega lima. O meaʻai faʻaalia matagofie ma uiga matagofie o le taulimaina o ipu e faʻaalia ai le agalelei faʻatali malo a le kou ma faia ai se taimi matagofie ma tamaoaiga.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Sinafu Stand Ipu Tuʻufua Maualuga, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Sinafu Stand Ipu Tuʻufua Maualuga e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Sinafu Stand Ipu Tuʻufua Maualuga e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Sinafu Stand is made in Yamanaka Prefecture, where lacquering and wood working techniques have sustained the craftsman population for centuries. The Sinafu line of raised bowls are intended to showcase the best characteristics of Yamanaka lacquerware. Standing on an expertly turned, thin wooden stem, food and other items seem to float in midair while the curved outer surface is both ergonomic and delightful to touch.
Fua & Fa'apipi'i: Dessert bowl: Width 110mm x Height 75mm
Middle comport dish: Width 180mm x Height 90mm
Large comport dish: Width 210mm x Height 75mm
Fa'ailoga: gatomikio, wood bowl, Japan, Yamanaka, Kenichiro Oomori , sinafu,
Tekonolosi Gaosiga: Technology: Woodworking wheel and wiping lacquer
Material: Zelkova
Lu'itau o le Mamanu: The wood used as the material is breathing and may be deformed by changes in the humidity of the air. The thin stem of this compote is susceptible to it and was initially thought to be difficult to produce in a stable manner. Therefore, the solution was to combine the plate and stem / foot plate with different materials. In addition, while retaining the impression of a thin stem, by pursuing an outline that minimizes the thin parts, we were able to reduce the risk of deformation and breakage to the maximum.
Su'esu'ega: In the present age when it is required to respond to environmental problems due to global warming and to transform into a sustainable society, the sound material-cycle society that utilized Japanese wood in the past will be used in the future improvement of the global environment and the sustainable prosperity of human beings. It can be a hint.
However, in reality, what was made of wood has been replaced with plastic, etc., and the flow has not changed before.
In the Sinafu series, we not only seek the shape unique to wood processing and convert it into functions, but also incorporate conditions that are impossible or difficult in plastic processing.
Fa'aosofia: I used to work at a Japanese restaurant. There is a method using height in the serving of Japanese food, and there are often situations where it is difficult to serve. The reason for this project was that if we could serve beautifully and smartly in such a case, the value of the food would increase and it would change to an elegant meal time.
Umi o le Poloketi: The project started in July 2017 and finished in February 2018 in Yamanaka, and was exhibited in interior lifestyle Tokyo 2018.
Sinafu series from June 2011.
These series are based on the concept of Japanese hospitality, followed by Sinafu, Sinafu stand, and Sinafu Deco.
Fa'agasologa o Galuega: Yamanaka has grown as a town famed for its wood turning production areas across the country, thanks to its exceptionally skilled wood-turners. Wood-turners here have developed techniques unique to Yamanaka, and are the only ones who can accomplish the high level of wood work that our original products show, such as Tatekidori, which uses wood that has been cut across the longitudinal grain to produce an excellent fit, Usubiki, a skill to turn the wood so thin that you can see through it, and Sensuji, one of the wood turning techniques for decoration.
Sui o le 'Au: Producer: Masayuki Gato
Designer: Kenichiro Oomori