Alu sa'o i le anotusi
Liru and Guo Dali Faletusi i Nu'u e Gdupi

O le mamanu Liru and Guo Dali Faletusi i Nu'u e Gdupi o se manumalo maualuga tele o le fa'ailoga mamalu 2023 A' Design Award Apamemea i le Vaega Tauva Mamanu Fausaga Fale.


ApamemeaFausaga Fale· 2023

Liru and Guo Dali Faletusi i Nu'u

na mamanuina e Gdupi

Tagata Fa'atau: Guangdong Urban Rural Planning and Design Institute Co,.Ltd.

Manumalo o le A' Design Award Apamemea i le Vaega Fausaga Fale

11,136

Lanu

Le Mamanu

E Uiga ia Liru and Guo Dali Faletusi i Nu'u

Liru ma Guo Dali o se fale tusi faapotopotoga i nu'u o loʻo i Xitang Village, Guangdong Province, Saina. O le fale faapotopotoga ua fausia mai i fale tusi se lua faapea ma fausaga o le laufanua e siomia ai. O pupuni faaluaina ma faapipiiina faatasi e pupuni ai le totonu mai le la ma le timu ma faaitiitia ai le faaaogaina o le malosi i se itulagi vevela ma timuga. O foliga i fafo ua faia i papa omea masani ma laau vaega Saina, ae o loʻo faaaogaina falefau ma tioata i totonu. Toetoe lava o mea uma e sau mai i le nofoaga lava lea. O fale nei o loʻo ofoina atu ai avanoa mo faaaliga, faitau tusi ma malolo.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Liru and Guo Dali Faletusi i Nu'u, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Liru and Guo Dali Faletusi i Nu'u e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Liru and Guo Dali Faletusi i Nu'u e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa
In terms of the organization of spatial form, the project has used the combination of overlapped and embedded double-enclosure structure.The overhanging eaves and the outer enclosure structure form a gray space between indoors and outdoors, which enriches people's spatial experience. Furthermore, it can play the role of shading from the sun and rain, passively reducing energy consumption in north Guangdong, a hot and rainy area. Meanwhile, it also plays a certain role in protecting the wall.
Fua & Fa'apipi'i
The climatic conditions in Guangdong were fully considered in the design, and both the two buildings used overlapped double-layer enclosure structures. Based on the principle called "cold lane" from Lingnan traditional architecture, the combination of overlapped and embedded double-enclosure structures was used in the space design. Empty and hollow spaces with different cross-sectional areas were formed. When passing through the spaces, the wind speed will increase and the wind pressure will decrease. The hot air in each room connected with the cold lane will be pushed out, and the cool air will fill in the space, thus the ventilation is done. The outermost enclosure structure of Liru Book House is a hollow facade composed of traditional pottery tiles and Chinese fir strips, which have the sunshade effect. The middle part is an empty space, and the second enclosure structure inside is a floor-to-floor safety glass window. While ensuring the shading from sun and rain, it can also ensure indoor lighting.
Fa'ailoga
Compound function, micro-building, passive energy saving, overlapped double-enclosure structure, folding lines, multi-group viewfinder, modern interpretation, locality, site spirit
Tekonolosi Gaosiga
The poetic of humanity and locality has been shaped in the process of deconstruction and reconstruction. By comparing the old and new materials, a visual conflict is formed to enrich the features. The facade of the building, which is unitarily composed of traditional pottery tiles and Chinese fir strips, bears the culture and history of the village. The simple and heavy fair-faced concrete and light and transparent glass reflect Mr. Lin Liru's educational philosophy, that is, the spirit of breakthrough and innovation, and his expectation a better future for the village; Almost all the materials are from the local area, and the building has ingeniously combined these old and new materials into a new time-and-space narrative and a place for experience.
Lu'itau o le Mamanu
1. Due to the large scale of the site, it was not easy for this project to meet the main functions of the building (exhibition) and the needs of villagers and visitors (reading, recreation, spiritual experience and activities), as well as to highlight the monumental significance of the building.

2. The overall design thinking stems from a respect for rural culture. The design volume and storey height of the public buildings in this project are different from the traditional residences around the site. If the functions of the traditional dwellings are to be met, reference cannot be made to their scale. In addition, the harmony between the new building and its surroundings should be taken into account.
Su'esu'ega
In terms of the construction of rural public space, the building was orderly constructed with multiple sites to create a flexible spatial structure; Secondly, the concept of micro-intervention with less physical construction and more natural landscape was adopted to return the space to villagers' activities, which defined the various functions of the building; Finally, the project used the landscape space method to create diversified interactive media such as constructions and facilities, which enhanced the extensibility of core public space, meeting the needs of various spaces and cultures, and enhancing villagers' happiness. The rich spatial scales are conducive to the subdivision of spatial functions, stimulating villagers to use the spaces, and promoting the diversity of people's communication and activities.
Fa'aosofia
Under the background of rural revitalization, public space should be designed with the space concept of high accessibility, available for cooperative and collective activities and diversified functions, as well as with the integration of mixed social functions and pursuit of cultural value under rural background. The designer has explored and practiced the design of micro space in rural public spaces in this project.
Umi o le Poloketi
The project lasted one and a half years from design to construction (June 2020 to October 2021), which was located in Xitang Village, Dongbei Town, Lianzhou City, Guangdong Province, China. Since its establishment, nearby villagers and children often came to the site to study, rest and entertain, and it has also attracted many tourists from neighboring counties and cities. As an important investigation and study base for educational history research in South China, it has embraced students and tourists from all over the country.
Fa'agasologa o Galuega
The government, designer team and villagers have participated in the project from design to construction. As a matter of fact, villagers as the main body of the space of the village understand it most. And the construction of core public space in the village will directly influence the quality of their public life. Therefore, in the process of design and construction, the villagers' subjective initiative was given into play and they participated in the construction with designers. The villagers' enthusiasm for the construction was enhanced, and 12 villagers directly or indirectly participated in the design and construction to give suggestions for the early construction and later maintenance and renewal of the core public space in the village. By improving the space site by site, and environmental cognition was formed for villagers in Xitang Village and other tourists, complementing high-quality places for public activities to the existing rural environment.
Sui o le 'Au
Xiangming Ma, Hui Wang, Xin Huang,Jianwei Yang,Xiaojun Wu, Rongbin Li, Lei Wang, Huilv Yan, Junan Ren,Delin Wang, Wenxin Zhu, Zepen Wu, Xianghui Wu, Shouan Zhong, Jun Huang, Weifeng Huang, Shujie Hu, XianbiaoXu, Zijian Zhang and Boya Deng

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