Nippon Shinyaku Koku Avanoa Ofisa by Reiichi Ikeda is a highly esteemed winner of the very prestigious 2023 A' Design Award Apamemea in Mamanu Totonu Competition Category.
ApamemeaTotonu· 2023
Nippon Shinyaku Koku Avanoa Ofisa
Client: Nippon Shinyaku Koku
A' Design Award Apamemea Winner in Totonu Category
Verified Award Winner
Verify Award Status for #145492The Design
About Nippon Shinyaku Koku Avanoa Ofisa
Na mamanuina e le au faufau le avanoa avanoa avanoa i totonu o le ofisa autu o Nippon Shinyaku, o se kamupani vailaau faʻauluulu i Kyoto Prefecture. Sa fuafuaina mo se tulimanu o se nofoaga tele e lata ane i le nofoaga o Nishioji, lea e tutu faatasi ai le tele o fale ofisa. I le faamanatuina o le 100 tausaga talu ona faavaeina le kamupani, na amata ai le poloketi i le faaiuga o le 2019. Peitaʻi, na tatau ona taofia mo se taimi le tumau ona o le salalau e leʻi tupu muamua o le novel coronavirus. Na iu lava ina maeʻa i le taumafanafana o le 2021.
The Recognition
About the A' Design Award Apamemea
O le A' Design Award Apamemea na manumalo ai Nippon Shinyaku Koku Avanoa Ofisa, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Nippon Shinyaku Koku Avanoa Ofisa e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Nippon Shinyaku Koku Avanoa Ofisa e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- We designed the free address space inside the headquarters of Nippon Shinyaku, a pharmaceutical company headquartered in Kyoto Prefecture.
It was planned for a corner of a vast site near Nishioji station, where several office buildings stand side by side.
To commemorate the 100th anniversary of the company’s founding, the project began in late 2019. However, it had to be stopped temporarily due to the unprecedented spread of the novel coronavirus. It was finally completed in the summer of 2021. - Dimensions & Packaging
- Area:369.8 square meters
- Tags
- office, interior, japan, kyoto
- Production Technology
- Main finishing material
Floor: mortar base with magnetic tiles, mortar metal trowel holder
Walls: PB groundwork AEP, round pillars/mortar metal trowel holder, wall frame/ST assembly baking paint, curtain/lace fabric crease processing
Ceiling: Existing slab base AEP
Fixtures: Big table/legs/magashiro wood dyed finish, top plate/melamine veneer pasted (K-6305/Aica Kogyo), counter/exposed concrete finish
Lighting equipment: Brass custom-made pendant lighting (vao place) - Design Challenge
- While capturing the background of Kyoto, we aimed to create a place that is conscious of connecting the left behind interior to the outside, from the environmental conditions that the building does not face the public road as in the past.
- Research
- 1.By inserting the same tiles as the outdoor tiles into the interior, the boundary points between the inside and outside are controlled by the design.
2. Based on the traditional Japanese concept of "continued room", we scattered frames that traced the outline of the fusuma.
3. Since all the buildings on the premises are reddish brown, the interior is also affected and the process of dyeing everywhere is expressed. - Inspiration
- Incorporating the idea of “tuzukima” in Japanese architecture, the steel frames that trace the outline of the fusuma are scattered along the span of the frame beam. It is not just a wall that seeks a function, but an open space that controls consciousness and aims to be "something that gently forms individual areas". I want you to spend your time in a place that fits you.
- Project Duration
- Construction began in Kyoto on April 13, 2021 and was completed on July 27, 2021.
- Operation Flow
- First, we increased the boundary between the inside and outside by incorporating diagonal lines ub the form of a V-shape for the glass walls, which previously ran parallel. Then, we made the boundary area between the inside and outside ambiguous by taking the floor tiles, which had originally been designed for an outside environment, and allowing them to overflow into the inside space, even biting into the V-shaped glass walls.
What’s more, the process of repeated expansion throughout the company’s long history turned the exterior of the building a reddish-brown. This view of the site and its colors express the ongoing process in this change in color, as though it is changing the building’s interior as well.
In order to categorize the scene, we incorporated the idea of the “tsuzukiai” present in the sukiya style of building. Thus, steel frames that trace the outlines of the fusuma (Japanese paper sliding doors) are scattered along the span of the skeleton beams. As such, these walls are not just function, like ensuring privacy or sound insulation. Rather, they aim to create an open space while controlling the consciousness of lookers on to emphasize the gentle form of the individual areas.
It is perfect for spending your time as you see fit. - Team Members
- design/REIICHI IKEDA DESIGN Reiichi Ikeda
partner/Aji Architects Tomoko Nagahiro
lighting/Modulex Jun Ikeda
bgm/Espec Junji Ozono
curtain/fabricscape Kiyohiko Yamamoto
green/Bond Satoshi Tanii
art/Tokuhiro Kano
funiture/inter office Akio Hayashi
custom lighting/vaoplace Hirohumi Oba
interactive Satoshi Kamewaka
sign/kantaro Midori Hirota
Constructor/Kanazawa Contruction Hideki Kanazawa
Photographer/Yoshiro Masuda
Photographer:Yoshiro Masuda - Image Credits
- Photographer:Yoshiro Masuda
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