Reborn Fagu Laupapa e Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

O le mamanu Reborn Fagu Laupapa e Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching o se manumalo maualuga tele o le fa'ailoga mamalu 2023 A' Design Award Uʻamea i le Vaega Tauva Faatufugaga Maualuga.

UʻameaFaatufugaga Maualuga· 2023

Reborn Fagu Laupapa

na mamanuina e Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Tagata Fa'atau: Tainan University of Technology/Product Design Deparment

Manumalo o le A' Design Award Uʻamea i le Vaega Faatufugaga Maualuga

15,582

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #150604

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Reborn Fagu Laupapa

Fausiaina o le tau mo le lafoai ma totoe o fafie mai fale meafale e ala i le faʻaogaina o metotia faʻapipiʻi uʻamea i luga o le fafie faʻasolosolo faʻasolosolo. Fa'aosofia e ala i le ola o fatu o lo'o ola, ua fa'apipi'i le uaea 'apamemea i luga o le fafie, ma fa'alautele atu e pei o foliga o a'a ua ola e lagolago ai le fagu laupapa. O le mamanu o loʻo faʻaoga aoga e pei o fafie o loʻo totoe e fai i totonu o se atigipusa mo le totoina, e pei o se fatu totogo, e faʻatusalia ai le taamilosaga o le olaga. O le a'a u'amea tafe e maua ai se lagona o le olaola, e pei o se mea ola.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Reborn Fagu Laupapa, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Reborn Fagu Laupapa e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Reborn Fagu Laupapa ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
Fua & Fa'apipi'i: Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm.
Fa'ailoga: Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
Tekonolosi Gaosiga: Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation.
Lu'itau o le Mamanu: To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
Su'esu'ega: Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools.
Fa'aosofia: We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
Umi o le Poloketi: The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
Fa'agasologa o Galuega: The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
Sui o le 'Au: Instructor: ChungSheng Chen
Designer：ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept
Fa'aaloaloga o Ata: Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng