Silhouette Nofoa Taumafataga e Joana Santos Barbosa

O le mamanu Silhouette Nofoa Taumafataga e Joana Santos Barbosa o se manumalo maualuga tele o le fa'ailoga mamalu 2024 A' Design Award Uʻamea i le Vaega Tauva Mamanu Meafale.

UʻameaMeafale· 2024

Silhouette Nofoa Taumafataga

na mamanuina e Joana Santos Barbosa

Tagata Fa'atau: InsidherLand

Manumalo o le A' Design Award Uʻamea i le Vaega Meafale

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #153043

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Silhouette Nofoa Taumafataga

Na mamanuina e le Tusiata Fale o Joana Santos Barbosa, o le Silhouette o se nofoa taumafataga mata'ina e fa'amanatu ai pi'o matagofie o le tino o se fafine. Na a'afia e tusiata o le seneturi lua sefulu sa latou ata tele mea moni i totonu o le tasi va'aiga, e pei o le au fai musika ma a latou meafaifai e fai ma vaega o latou lava tino, na fa'apipi'i e Joana lenei va'aiga fa'atasi i totonu o se mamanu matagofie fa'aofo. O le fa'avae pogisa e fa'aalia mai ai le gaoioiga o sulugatiti o se fafine o lo'o nofo i luga o le mea, ae o le nofoa pi'o e ata mai ai se ata'aga fa'afeiloa'i. O le Silhouette e tauave le tala fa'amatala ma fa'ailoga ma e mata'ina moni lava.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Silhouette Nofoa Taumafataga, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Silhouette Nofoa Taumafataga e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Silhouette Nofoa Taumafataga ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Silhouette is a surreal reminiscence of a woman's sensual curves that arise designed in an eye catching dining chair.
The slightly curved seat draws an inviting smile that harmonizes with the structure, revealing the movement of the hips, as parts of a female body. Silhouette shows contours of a mysterious profile and presents the observer with feminine sensuality.
Fua & Fa'apipi'i: Height 87cm
Width 46cm
Depth 53cm
Seat Height 48cm
Fa'ailoga: diningchair, chair, silhouette, luxurychair, organicdesign, modernchair, moderndesign, luxuryfurniture
Tekonolosi Gaosiga: Beech wood structure frame with translucent dark brown finish in high gloss varnish and luxury soft fabric with gold accents.
Lu'itau o le Mamanu: The creative process of this chair was one of the most "suffered" among the pieces in Joana Santos Barbosa's portfolio. In fact, the design of this chair took more than two years to be completed between back and forth in the process because it carries such a strong symbolism that she wanted to transform it into a clean and sensual design.
The beech wood structure was hand crafted and carved to bring to mind the profile of a female body and was given a translucent brown finish that naturally stands out on the soft beige upholstery with fine golden threads that represent the delicacy of the female personality.
Su'esu'ega: The design of the Silhouette dining chair was influenced by the sensuality of a woman's curves. Both the woman and the functional object seem to merge naturally. It is thus possible to admire this integration in the surrounding perspectives of the chair, with special focus on the back, in which we identify parts of a body that seem to be living in the object.

The creative process was based on some works by twentieth century painters who applied the same technique of representing people and objects in a single dimension. However, working on the design of the chair in three dimensions, its development was carried out in full-scale prototypes, in order to get a functional and sensual final design that conveyed all its inspiration in an elegant look.
Fa'aosofia: The representation of several realities seen simultaneously from a single point of view has become fascinating for several twentieth century artists like Paul Klee who drawn musicians and fragments of their musical instruments as an integral part of their own bodies.
The joint dimension of people and objects strongly influenced the Silhouette dining chair, whose elegant wooden structure uncovers parts of a woman’s body who sits on it.
Umi o le Poloketi: Since the first sketch, the design took more than two years to be fully developed. The production is entirely made in the city of Porto, located in the north of Portugal.
Fa'agasologa o Galuega: Being a chair made of a single structure in solid wood, the object cannot be manipulated to acquire other forms. This chair was specially designed for dining spaces that appreciate the high quality of manual manufacturing processes and luxurious finishes.