Black Spruce Fausaga o totonu o Fale Nofoia e Yi Hsien Chiang

O le mamanu Black Spruce Fausaga o totonu o Fale Nofoia e Yi Hsien Chiang o se manumalo maualuga tele o le fa'ailoga mamalu 2024 A' Design Award Apamemea i le Vaega Tauva Mamanu Totonu.

ApamemeaTotonu· 2024

Black Spruce Fausaga o totonu o Fale Nofoia

na mamanuina e Yi Hsien Chiang

Tagata Fa'atau: MI Studio

Manumalo o le A' Design Award Apamemea i le Vaega Totonu

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #159153

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Black Spruce Fausaga o totonu o Fale Nofoia

Black Spruce ose fausaga o totonu o se fale mautotonu e 56.1 mita fa'atafa i Taiuana, e lua potu, se potu malolo ma se potu 'ai. Na toe fa'atulaga le fa'asologa o totonu ina ia fetaui ma masaniga faaso'o o tagata o loʻo nonofo ai, o lea na toe siitia ai le potu suesue ma tuu ai paipa i luga a'e o le fa'ata'ita'iga ala savali. O lanu pogisa ma le sitako mata'utia (matte stucco) e fai ai le pito i tua, faapipiiina i le tele o vaega e faaitiitia ai le pupula tele. O tioata Moru ma faitotoa gaugau e vavaeeseina ai vaega ae faataga ai le malamalama ma vaaiga e ui atu. O mea metala, pa'u ma tioata e faaopoopo ai le matagofie i lenei fale la'ititi.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Black Spruce Fausaga o totonu o Fale Nofoia, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Black Spruce Fausaga o totonu o Fale Nofoia e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Black Spruce Fausaga o totonu o Fale Nofoia e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Enveloping: The designer has a unique understanding of residence. She categorizes residential design into macro and micro viewpoints. On the macro level, the residence brings a sense of relaxation to the occupants. Warm dark colors, stucco, special paints, and steel veneer textures create a stress-free atmosphere.
Penetration: The designer created a sense of transparency through the layout and choice of materials. The moru glass and folding doors serve as a boundary and allow for interaction between different areas.
Fua & Fa'apipi'i: The customized project is in a total area of 56.1 square meters apartment with 2 rooms, a living room, and a dining room.
The designer created a sense of openness and comfort in the small space using tactics and spatial planning. Originally a two-bedroom, a living room, and a dining room, it was later adjusted to better suit the client's needs and lifestyle. The designer adjusted the configuration of the study room to a more suitable location, installed the piping and equipment on the ceiling of the walkway, and installed a wall fitting in the center of the layout as the core.
Fa'ailoga: Dark-colored building materials, industrial style and sophistication, enveloping and penetrating, selection of materials and detailing, sustainability and healthy design, black spruce.
Tekonolosi Gaosiga: Materials: stucco, moru glass, rusty mikado quartz, tiles, special paint, champagne-colored mosaic, steel-brushed wood veneer, etc.
Stucco is a commonly used material in interior design, with delicate texture, diverse colors, and strong plasticity. The designer used a multi-layer coating to create a matte effect to reduce light reflection and achieve an anti-glare effect. This technique is suitable for living rooms, bedrooms, and other spaces that need to create a comfortable atmosphere, and then match with glossy materials to create depth of field.
Lu'itau o le Mamanu: The challenge was the space limitation, especially in the kitchen and dining room. Due to the limited space, the designer had to calculate the dimensions of each piece of equipment, such as the width of the walkway and the size of the refrigerator and stereo, to satisfy the client's hobbies, such as coffee, cooking, music, etc. The designer also had to consider the storage space, ergonomics, and circulation. With so little space available, there was a need to rationalize the space to accommodate all the equipment.
Su'esu'ega: The name of the project is 'Black Spruce'. Black spruce is a common tree species in high-latitude forests. With its hard texture and fragrance, it is often used as a Christmas tree or as a symbol of toughness. The designer developed an exquisite house with both 'enveloping' and 'penetrating' senses. Far from pure white and light colors, the main choice is to use matte stucco with delicate texture, embellishing the home with sophistication and taste under the industrial style.
Fa'aosofia: The client prefers dark colors, which bring a sense of security and stability. In response, the designer used dark colors and avoided the use of white and light colors. Matte stucco was preferred as the background material.
In terms of style, the client likes industrial style but prefers a more refined style, especially focusing on daily details and a sense of ritual. The designer took metal, leather, and glass as embellishments to balance the monochrome color system and through the lighting, furniture matching to enhance the sophistication.
Umi o le Poloketi: The project finished in February 2024 in Taiwan.
Fa'agasologa o Galuega: During the initial communication with the client, the designer realized that the client likes the industrial style. However, in the process, the client's understanding of industrial style did not exactly match the common definition of industrial style. Through communication and guidance, the designer was able to provide more precise choices of materials and styles and ultimately found an atmosphere that matched the client's ideal. The client gave positive feedback on the project.
Sui o le 'Au: YI-HSIEN CHIANG
Fa'aaloaloga o Ata: MI Studio