Night Of Celebration Galuega Fa'atino Muamua: Fa'atagata Tioata e Derya Geylani Vurusan

O le mamanu Night Of Celebration Galuega Fa'atino Muamua: Fa'atagata Tioata e Derya Geylani Vurusan o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Apamemea i le Vaega Tauva Faatufugaga Maualuga.

ApamemeaFaatufugaga Maualuga· 2025

Night Of Celebration Galuega Fa'atino Muamua: Fa'atagata Tioata

na mamanuina e Derya Geylani Vurusan

Tagata Fa'atau: Derya Geylani

Manumalo o le A' Design Award Apamemea i le Vaega Faatufugaga Maualuga

29,997

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #170130

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Night Of Celebration Galuega Fa'atino Muamua: Fa'atagata Tioata

Tusitusiga o le Tusi: O le Po o Fa'amanatuga o se fa'atagata tioata fa'apipi'i i luga o le puipui. O le galuega e tu'ufa'atasia ai ipu tioata anamua ma se fa'asologa tioata na taia saoloto. Sa fa'aoo se fa'ata'ita'iga o se ipu tioata anamua i luga o le tino vevela, ma tu'u ai se ata maulalo e le'i fa'ao'oina i luga o le fogafale. E foliga mai o le tioata vevela e sasaa mai i ipu, e fa'ailoa mai ai le fa'aauauina o aganu'u i le taimi. A uma ona malulu, sa vaeluaina ma fa'amalie le fa'asologa, ona ufiufi lea i se vaifofo fa'apitoa mo se aafiaga penina ma toe tao. O le mea na fa'amae'aina e 430 i le 200 i le 500 milimita le tele.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Night Of Celebration Galuega Fa'atino Muamua: Fa'atagata Tioata, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Night Of Celebration Galuega Fa'atino Muamua: Fa'atagata Tioata e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Night Of Celebration Galuega Fa'atino Muamua: Fa'atagata Tioata e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: It is a unique work of art in which antique glass goblets representing the past and hot glass that seems to be pouring from them are embedded in a blown form. A section of the body prepared with the hot glass blowing technique was heated and the mold of the antique goblet was pressed onto the heated section and the negative of the antique goblet was obtained on the glass body.
Fua & Fa'apipi'i: 430 mm x 200 mm x 500 mm
Fa'ailoga: Glass, Art, Contemporary Glass, Glass Sculpture
Tekonolosi Gaosiga: The mold of the antique glass to be used in the work is pressed on the form that is blown freely with the hot glass blowing technique and a concave projection is created on the surface of the form. Then the blown form is taken to the cooling oven. After it cools, the cutting and polishing process is carried out and the surface is painted with a special solution for the pearl effect and the baking process is carried out again. Finally, the processed form is glued together with the antique glass and the splash form and exhibited by hanging on the wall.
Lu'itau o le Mamanu: The challenging aspect of creating the artwork lies in the precision and control required during the glassblowing process. The glass must be carefully heated to the right temperature to ensure it is malleable but not too soft. Pressing the antique goblet mold onto the heated glass requires impeccable timing and accuracy, as even the slightest variation in temperature or pressure can affect the final imprint. Achieving a perfect negative of the antique goblet on the glass body demands skillful craftsmanship and a deep understanding of both the material and the technique.
Su'esu'ega: The design research for this project is experimental and exploratory in nature. The primary objective was to blend historical craftsmanship with contemporary glassblowing techniques. The methodology involved analyzing traditional glass-making methods, followed by practical experimentation to merge antique forms with modern designs. Data was collected through trial and error, observing the effects of temperature, pressure, and mold shaping. Insights revealed a fusion of past and present can evoke emotional and cultural connections. This research impacts design by encouraging innovation within traditional craftsmanship, influencing both artistic and commercial fields by preserving heritage while embracing modernity.
Fa'aosofia: In the work titled Night of Celebration, I have drawn upon the inspiration from my earlier series, An, seeking to transform and elevate this concept by imbuing each blown form with the ethereal qualities of clouds, inspired by the sky. The underlying inspiration for A Night of Celebration is a desire to bridge the gap between past and present through the timeless medium of glass. The antique goblets symbolize a connection to history, evoking memories of past celebrations, rituals, and the craftsmanship of earlier generations. The molten glass flowing from these historical objects signifies the ongoing continuity of tradition, while simultaneously embracing the fluidity and transformation inherent in the present. This work reflects my exploration of the interplay between time, history, and material, resulting in a piece that harmoniously blends the old with the new, rooted in the past yet infused with contemporary relevance.
Umi o le Poloketi: The making process started in November 2024 and finished in December 2024. and exhibited in Contemporary Istanbul Art Fair Turkey
Fa'agasologa o Galuega: This object operates through a delicate glassblowing process, where molten glass is carefully shaped and molded. Its transformation occurs as the glass cools and solidifies, capturing the imprint of antique goblets. The interaction happens as the heated glass is pressed against the mold, creating unique imprints. Key frames include the heating, shaping, and cooling stages. The meticulous control of temperature and pressure ensures a precise result, enhancing both the craftsmanship and the visual impact of the piece.
Pateni: Copyrights belong to Derya Geylani Vurusan
Sui o le 'Au: Artist: Derya Geylani Vuruşan
Fa'aaloaloga o Ata: Photographer of the Main Image and Optional images is Derya Geylani Vurusan