Clay Moulded Le Mamanu Totonu o le Fale Tifaga e Marius Mateika

O le mamanu Clay Moulded Le Mamanu Totonu o le Fale Tifaga e Marius Mateika o se manumalo maualuga tele o le fa'ailoga mamalu 2025 A' Design Award Auro i le Vaega Tauva Mamanu Totonu.

AuroTotonu· 2025

Clay Moulded Le Mamanu Totonu o le Fale Tifaga

na mamanuina e Marius Mateika

Tagata Fa'atau: Mama architects

Manumalo o le A' Design Award Auro i le Vaega Totonu

68,756

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #171457

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Clay Moulded Le Mamanu Totonu o le Fale Tifaga

O le Clay Moulded o le mamanu totonu lea o se fale tifaga musika i Klaipeda, Lituania. E ufitia puipui ma faalo i le omea, ma e sili atu i le 30 tone o lenei mea na faapipiiina i lima. O le mamanu o le potu tele e faaauau pea ma tafe mai le tasi pito o le avanoa i le isi pito. Na fausia se faagasologa e fitu vaega o le ufiufi mo lenei galuega, e aofia ai le sasaa, le faia o mamanu, le faamago, le olo, le faaiila ma le faasaoina. E mafai ona tatala ma tapuni puipui ma faalo e pulea ai le toe faafoi mai o le leo, o lea e fetuutuunai ai le avanoa mo konaseti, tala faatino ma fonotaga. E 700 tagata e mafai ona nonofo i le potu matamata.

Le Fa'ailogaina

E Uiga i le A' Design Award Auro

O le A' Design Award Auro na manumalo ai Clay Moulded Le Mamanu Totonu o le Fale Tifaga, o se faamaoniga matuā mamalu e tuuina atu i mamanu o le tulaga muamua, matagofie ma maoaʻe. O ē manumalo i le Auro o galuega fou tele, matuā vaai i le lumanaʻi ma susulu e faaalia ai le atamai, le poto ma le tomai o tagata mamanu. E faamoemoeina Clay Moulded Le Mamanu Totonu o le Fale Tifaga e avea ma mea fou e matuā vivii, e faatulaga ai uiga fou ma tetele, e tuuina mai ai se tau e leʻi iai muamua. O lenei mamanu na manumalo i le A' Design Award Auro o se galuega ofoofogia, ua faaaloalogia, e aogā tele ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Clay Moulded Le Mamanu Totonu o le Fale Tifaga e fatuina ai lagona malosi o le manaʻo, faaosofia le tuinanau, faalauiloa le fatufatuaʻi ma faamalosia i tatou.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Fua & Fa'apipi'i: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Fa'ailoga: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Tekonolosi Gaosiga: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Lu'itau o le Mamanu: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Su'esu'ega: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Fa'aosofia: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Umi o le Poloketi: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Fa'agasologa o Galuega: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Sui o le 'Au: Architects: Marius Mateika
Fa'aaloaloga o Ata: Photographer: Leonas Garbačauskas