O le mamanu Cest Lavie Gallery Mamanu Totonu mo Pisinisi Faapisinisi e Mto & Hwcd o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Auro i le Vaega Tauva Mamanu Totonu.
AuroTotonu· 2026
Cest Lavie Gallery Mamanu Totonu mo Pisinisi Faapisinisi
na mamanuina e Mto & Hwcd
Tagata Fa'atau: Mto & Hwcd
Manumalo o le A' Design Award Auro i le Vaega Totonu
Manumalo Fa'ailoga Fa'amaonia
Fa'amaonia le Tulaga o le Fa'ailoga mo #177038Le Mamanu
E Uiga ia Cest Lavie Gallery Mamanu Totonu mo Pisinisi Faapisinisi
O le Cest Lavie Gallery o se mamanu totonu mo se kalapu o le olaga ma faatufugaga i Chengdu, Saina. E aofia le avanoa i le 3,800 sikuea mita ma e mulimuli i se sitaili o le matagofie faalenatura. O le vaevaeina o vaega faatino e fausia ai vaega o feutagaiga i le sitaili Farani, vaega faaaliga o faatufugaga Aferika, ma vaega mo le malolo, e mafai ai ona feoai lelei i le va o vaega tumaoti ma vaega faitele. O mea faitino e aofia ai laupapa veneer, maa, tioata faatufugaga, uamea, ma ie mai fafo. O piliki mumu faapitoa e talafeagai ma le siosiomaga faapea le fulufulu faafoliga e faaopoopo ai le eseese o lagona pe a paia. O foliga faalenatura ma le malamalama e taitaia ai le ala o le tagata asiasi.
Le Fa'ailogaina
E Uiga i le A' Design Award Auro
O le A' Design Award Auro na manumalo ai Cest Lavie Gallery Mamanu Totonu mo Pisinisi Faapisinisi, o se faamaoniga matuā mamalu e tuuina atu i mamanu o le tulaga muamua, matagofie ma maoaʻe. O ē manumalo i le Auro o galuega fou tele, matuā vaai i le lumanaʻi ma susulu e faaalia ai le atamai, le poto ma le tomai o tagata mamanu. E faamoemoeina Cest Lavie Gallery Mamanu Totonu mo Pisinisi Faapisinisi e avea ma mea fou e matuā vivii, e faatulaga ai uiga fou ma tetele, e tuuina mai ai se tau e leʻi iai muamua. O lenei mamanu na manumalo i le A' Design Award Auro o se galuega ofoofogia, ua faaaloalogia, e aogā tele ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Cest Lavie Gallery Mamanu Totonu mo Pisinisi Faapisinisi e fatuina ai lagona malosi o le manaʻo, faaosofia le tuinanau, faalauiloa le fatufatuaʻi ma faamalosia i tatou.
I Tua o le Mamanu
Pepa Fa'asalalau
Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.
- Uiga Fa'apitoa
- Compared with similar commercial space designs, this project offers unique features and a fresh brand image. Crafted in a wild luxury style, it uses elegant eco-friendly materials to evoke a natural ambiance. Through functional zoning, it incorporates French-style artistic negotiation areas and African wild art exhibition areas, creating a stylish, understated luxury art club that fully embodies the spirit of wild luxury.
- Fua & Fa'apipi'i
- The project covers an interior space of 3,800 square meters in Chengdu. Functional zoning includes French-style negotiation areas and African wild art exhibition areas. Main materials include wood veneer, luxury stone, artistic glass, metal, imported fabrics, and customized eco-friendly red bricks and artificial fur, ensuring both durability and alignment with the wild luxury style.
- Fa'ailoga
- Wild Luxury, Chengdu Culture, French-Style Negotiation, African Art Exhibition, Eco-Friendly Design, Recycled Materials, Luxury Stone, Artistic Glass, Contemporary Lifestyle, Sustainable Interior
- Tekonolosi Gaosiga
- The project primarily utilizes materials such as wood veneer, luxury stone, artistic glass, metal, and imported fabrics, while also incorporating customized eco-friendly red bricks and customized artificial fur materials. The selection and application of these various materials align with the project's overall style and functional requirements.
- Lu'itau o le Mamanu
- The hardest challenge was developing customized eco-friendly red bricks and artificial fur, requiring R&D from production to on-site installation. A tight four-month schedule added pressure across building optimization, construction, and customization. Internally, balancing international aesthetics with Chengdu's cultural identity posed creative risks; externally, limited time and technical constraints demanded close collaboration and process refinement.
- Su'esu'ega
- This research was design-oriented, aiming to merge fashion, art, and commerce in Chengdu. Methods included cultural analysis, material research, and prototyping. Data were gathered through market studies, local cultural references, and material testing, with input from design teams, craftsmen, and clients. Results showed strong user resonance with wild luxury aesthetics. Insights reveal that eco-conscious material innovation can elevate commercial branding while enriching lifestyle experiences.
- Fa'aosofia
- The design inspiration of this project stems from three aspects: first, Chengdu's abundant natural resources and the surrounding environment of the project that is surrounded by mountains and waters; second, the new-type commercial lifestyle format presented by the project's name "Baiyu Ming" and its French counterpart "Cest lavie"; third, the current popular trend of wild luxury style and the project's demand for the expression of artistic life.
- Umi o le Poloketi
- The project started in May 2025 and finished in August 2025 in China.
- Fa'agasologa o Galuega
- The gallery operates as a lifestyle and art club where visitors move through zones of negotiation, exhibition, and leisure. Natural textures and light guide interaction, while functional layouts allow seamless transitions between private and public areas. Customized materials enhance tactile experience, and the immersive atmosphere integrates art, nature, and commerce to deliver a refined, user-centered journey.
- Fa'aaloaloga o Ata
- Image #1: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #2: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #3: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #4: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #5: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
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