Myriad Circles Mamanu Totonu o Fale Nofoia e Xishun Tan

O le mamanu Myriad Circles Mamanu Totonu o Fale Nofoia e Xishun Tan o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Auro i le Vaega Tauva Mamanu Totonu.

AuroTotonu· 2026

Myriad Circles Mamanu Totonu o Fale Nofoia

na mamanuina e Xishun Tan

Tagata Fa'atau: Vanke

Manumalo o le A' Design Award Auro i le Vaega Totonu

21,372

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #180277

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Myriad Circles Mamanu Totonu o Fale Nofoia

O Myriad Circles o se mamanu totonu o fale nofoia na faamaeaina i Sichuan, Saina. O le faatulagaga e maua mai musumusuga i nofoaga o Linpan i Sichuan i Sisifo ma o latou fausaga laupapa masani o Chuandou. O galuega taulima faapitoa o laau walnut Amerika e toe faauigaina ai metotia o le fesootai faatasi ma le faalava o nei fausaga. O faamausaliga uamea natia i totonu o galuega laupapa e lagolagoina ai le mamafa o se aoina o faataitaiga. Ua tuufaatasia le uamea le pala ma le tioata faatasi ma le laau. O vaega walnut mautu e maua ai e le totonu o le fale se loloto faaleaganuu, ae o vaega fesuisuiai e mafai ai e le avanoa ona tautua i faaaogaga eseese.

Le Fa'ailogaina

E Uiga i le A' Design Award Auro

O le A' Design Award Auro na manumalo ai Myriad Circles Mamanu Totonu o Fale Nofoia, o se faamaoniga matuā mamalu e tuuina atu i mamanu o le tulaga muamua, matagofie ma maoaʻe. O ē manumalo i le Auro o galuega fou tele, matuā vaai i le lumanaʻi ma susulu e faaalia ai le atamai, le poto ma le tomai o tagata mamanu. E faamoemoeina Myriad Circles Mamanu Totonu o Fale Nofoia e avea ma mea fou e matuā vivii, e faatulaga ai uiga fou ma tetele, e tuuina mai ai se tau e leʻi iai muamua. O lenei mamanu na manumalo i le A' Design Award Auro o se galuega ofoofogia, ua faaaloalogia, e aogā tele ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Myriad Circles Mamanu Totonu o Fale Nofoia e fatuina ai lagona malosi o le manaʻo, faaosofia le tuinanau, faalauiloa le fatufatuaʻi ma faamalosia i tatou.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Echoing the structural elegance of "Linpan" architecture in Western Sichuan, China, this design distills traditional "Chuandou" timber systems into a contemporary narrative. Custom walnut joinery abstracts ancient cantilever techniques, creating a sculptural framework for the client’s "Retro-Futurist" collection. The space bridges eras, merging the precision of heritage carpentry with the playful spirit of the digital age to form a deeply personalized, culturally anchored sanctuary.
Fa'ailoga: Retro-Futurism, Mid-Century Modern, Linpan Architecture, Residential Interior Design, Collector Workspace, Eclectic Luxury, Custom Joinery, Sichuan Vernacular, Chuandou Structure
Tekonolosi Gaosiga: To resurrect the essence of traditional "Linpan" settlements, we utilized contemporary fabrication techniques. The design synthesizes American Walnut—a nod to vernacular timber—with modern industrial materials like stainless steel and glass. By embedding concealed steel reinforcements within the joinery, we achieved the iconic "Chuandou" interlocking aesthetic without traditional limitations. This application of modern material science allows the ancient architectural form to be reborn within a "Retro-Futurist" context.
Lu'itau o le Mamanu: The primary challenge lay in reconciling the solemnity of vernacular "Linpan" architecture with the vibrancy of a "Retro-Futurist" toy collection. Visually, preventing this eclectic mix from appearing chaotic required rigorous curation to balance historical weight with pop-culture playfulness. Structurally, mimicking the lightweight aesthetic of traditional "Chuandou" cantilevers while supporting heavy die-cast models imposed engineering constraints, necessitating a concealed steel skeleton within the walnut joinery.
Su'esu'ega: This project is grounded in applied design research that decodes the vernacular "Linpan" settlements of Sichuan. We sought to translate their core principles of community, organic hierarchy, and material authenticity into a contemporary urban residence. Our methodology combined ethnographic field observation, spatial analysis of traditional "Chuandou" timber structures, and material prototyping. We engaged local craftsmen and used 3D scanning alongside digital and physical modeling to test modern interpretations of joinery. A key insight emerged: the "Chuandou" system functions as a "social scaffold," organizing life through a gradient of spaces from public to private. This research directly generated the project's central "permanent-temporary" framework. Its impact is threefold: it provides business value through deep cultural narrative, offers society a model for fostering neighborhood belonging in dense cities, and advances design practice by demonstrating a rigorous methodology for systemic vernacular translation, moving beyond superficial aesthetic reference.
Fa'aosofia: A chance journey through Western Sichuan introduced me to the mesmerizing "Linpan" settlements. This experience deeply resonated with me, and by a stroke of serendipity, I was soon commissioned for this Chengdu residence. Inspired to bring this local spirit indoors, I reinterpreted the region's traditional "Chuandou" timber structures. The design translates these ancient interlocking techniques into modern walnut joinery, grounding the space in its cultural roots.
Umi o le Poloketi: The project started in April 2024 in China and finished in August 2025 in Sichuan China.
Fa'agasologa o Galuega: The space guides visitors on a narrative journey, from the symbolic "Tree of Light" entrance into the intimate, wood-clad "Study Box." Interaction is encouraged through integrated zones where children's play is visible to adults, fostering natural community connection. Its strength lies in a "permanent-temporary" framework: the fixed walnut architecture provides cultural depth, while flexible elements allow the space to transform from a sales gallery into an active community hub. This creates not just a functional space, but one that actively builds and sustains relationships.
Sui o le 'Au: Design Director：FIONA LIU and Project Director：TIM TAN
Fa'aaloaloga o Ata: Photographer：Kong studio