Trenta Nofoa Lima e Ibanez Razzera and Lorenzo Razzera

O le mamanu Trenta Nofoa Lima e Ibanez Razzera and Lorenzo Razzera o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Ario i le Vaega Tauva Mamanu Meafale.

ArioMeafale· 2026

Trenta Nofoa Lima

na mamanuina e Ibanez Razzera and Lorenzo Razzera

Tagata Fa'atau: Razzera

Manumalo o le A' Design Award Ario i le Vaega Meafale

18,582

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #181457

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Trenta Nofoa Lima

O le Trenta o se nofoa lima e mafai ona fetuunai lona faalagolago tua. O se masini uamea i tua e faatulaga ai ni tulimanu se tolu e faalagolago i ai, ina ia fetaui le nofoa mo talanoaga po o le malologa. O le faavae e faia i le laau Tauri ua valiina mai le toe totoina o vaomatua, ma o le atigi totonu e faaaogaina ai le laupapa faapipii ua faafoliga i le tino. O vaega laau e faia i le masini CNC e sili ona saʻo, ae o le faapaʻu paʻu masani e faia lava i lima. O vaega uamea e ufiufi i le ufiufi eletise. O laina pi'opi'o faaauau ma suiga lamolemole ua maua ai e le nofoa lima se foliga faatagata vane. E faaatoatoaina le seti i se nofoa vae (ottoman) e fetaui lelei.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Trenta Nofoa Lima, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Trenta Nofoa Lima e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Trenta Nofoa Lima o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The design stands out for its innovative backrest adjustment system, offering three distinct comfort levels via a metallic mechanism on the rear. Its aesthetic is marked by high-complexity wood machining, featuring continuous curved lines and fluid transitions. Reconciling ergonomic excellence with a sculptural form, the chair adapts for both social interaction and deep relaxation, showcasing a sophisticated balance between technology and craftsmanship.
Fua & Fa'apipi'i: Armchair: Width 790mm x Depth 1040mm x Height 860mm. Ottoman (Puff): Width 620mm x Depth 500mm x Height 370mm. Primary Materials: Tauri Wood, Natural Leather, and Carbon Steel. The design integrates an internal anatomical plywood shell and a stained solid wood base.
Fa'ailoga: Armchair, Trenta, Wood, Organic
Tekonolosi Gaosiga: The production combines high-precision CNC machining for the wooden components with artisanal upholstery. The base is crafted from reforestation Tauri wood with a stained finish, while the internal structure features anatomical plywood. Metallic parts receive a durable electrostatic coating. This synergy between advanced automation and reforestation wood sourcing ensures structural integrity and environmental responsibility for the high-end market.
Lu'itau o le Mamanu: The main technological challenge was reconciling the organic, fluid lines of the original sketch with the constraints of industrial production. Executing the complex wood machining required significant software optimization and a high degree of technical synergy with the manufacturing chain. Developing the integrated metal adjustment system within a wooden structure also demanded meticulous engineering to maintain structural durability without compromising the sculptural silhouette.
Su'esu'ega: This applied research bridges artistic sketching with industrial precision to achieve fluid forms and elevate the regional furniture cluster's potential. Using iterative 3D modeling and CNC optimization via CAD/CAM tools, designers worked with machine programmers and Italian consultants. Results include an innovative reclining system and complex joinery, proving that design complexity and reforestation sourcing drive regional technological growth and luxury business value.
Fa'aosofia: The inspiration stems from the desire to transform wood into a fluid language, where sinuous curves challenge the boundary between creative manual sketches and precision engineering. This project invites the viewer to explore its tridimensional details, offering a sensory journey through natural materials and high-end manufacturing.
Umi o le Poloketi: The armchair was developed in 2021 (or late 2020) as part of a commemorative collection in Brazil.
It was officially launched on the market in early 2022. It was one of the highlights at ABIMAD'33 (Brazilian Furniture and High Decoration Accessories Fair), which took place between February 1st and 4th, 2022, in São Paulo.
Fa'agasologa o Galuega: The user interacts with the piece through a manual adjustment system located on the backrest. By operating the metallic mechanism, the chair reclines into three specific comfort angles. This feature allows for a personalized experience, transforming the object from a standard armchair into a lounging piece. The transition is smooth and intuitive, emphasizing user-centric design and functional versatility.
Sui o le 'Au: Ibanez Razzera
Lorenzo Razzera
Fa'aaloaloga o Ata: Photographer Roberto Majola, Main image, 2022
Photographer Roberto Majola, Optional Image #1, 2022
Photographer Roberto Majola, Optional Image #2, 2022
Photographer Roberto Majola, Optional Image #3, 2022
Photographer Roberto Majola, Optional Image #4, 2022
Video Credits Roberto Majola, 2022