Ebisu Laulau Tusitusi e Isabelle De Mari

O le mamanu Ebisu Laulau Tusitusi e Isabelle De Mari o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Ario i le Vaega Tauva Mamanu Meafale.

ArioMeafale· 2026

Ebisu Laulau Tusitusi

na mamanuina e Isabelle De Mari

Tagata Fa'atau: Olho Moveis Autorais

Manumalo o le A' Design Award Ario i le Vaega Meafale

22,802

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #181628

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Ebisu Laulau Tusitusi

O Ebisu o se laulau tusitusi mo totonu o fale ua mamanuina ina ia tu'ufa'atasia le galuega i totonu o siosiomaga o le aiga. O fua fa'atatau lelei ma le paleni o le fa'atulagaga o le foliga e mafai ai e le laulau ona fetaui ma le avanoa nofoaga nai lo le pulea o ia avanoa. O le fogafale tusitusi pa'u ua fa'apipi'i tutusa i totonu o le pito i luga, ma fausia ai se fogafale galue fa'aauau. O le fausaga e faia i le MDF ua vili i le masini CNC ma ufiufi i le veneer fa'anatura o le pau ferro ma fa'amae'a i le varnish acrylic e le felanulanua'i. O le apamemea ua fa'amatuā e fa'aaogaina i pito, vaeluaga o loka i totonu ma se pusa eletise fa'apitoa. O uaea eletise ua natia i totonu o vae ina ia fa'asaoina le manino o le foliga.

Le Fa'ailogaina

E Uiga i le A' Design Award Ario

O le A' Design Award Ario na manumalo ai Ebisu Laulau Tusitusi, o se faamaoniga matuā mamalu e tuuina atu i mamanu sili ona lelei, matagofie ma mataʻutia. O ē manumalo i le Ario o galuega susulu tele ma fatufatuaʻi e faaalia ai le poto, le taleni ma le atamai o tagata mamanu. E faamoemoeina Ebisu Laulau Tusitusi e avea ma galuega matagofie, o se fesuiaiga mo isi, e iloga i le tomai faapolofesa ma mea fou loloto. O lenei mamanu na manumalo i le A' Design Award Ario o se mea e iloga, ua mataʻina e aogā ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Ebisu Laulau Tusitusi o se mea e fiafia i ai le toatele, e fafagu ai manaʻoga, aumaia ai lagona lelei ma tupu ai le ofo.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Ebisu is a residential writing desk conceived as a natural extension of the living environment. Its restrained proportions and balanced geometry allow it to engage with space rather than dominate it. A leather writing surface is structurally integrated into the top, forming a continuous and quiet work plane. Brass appears with precision in edges, internal dividers and a custom power box, while concealed wiring preserves formal clarity. Ebisu supports productivity without disrupting domestic harmony.
Fua & Fa'apipi'i: Dimensions: 1800 mm x 700 mm x 760 mm
Weight: 85 kg
Structure: MDF core clad in natural pau ferro veneer
Finish: Matte acrylic varnish
Top: Integrated leather writing surface
Details: Aged brass cladding and internal brass dividers
Electrical: 2 sockets 127V 10A and 1 USB C port
Wiring: Concealed routing through legs
Assembly: Non disassemblable structure
Fa'ailoga: Residential desk, Writing desk, Contemporary furniture, Minimalist design, Brass details, Leather surface, Integrated power, Home workspace, Architectural furniture
Tekonolosi Gaosiga: Ebisu is fabricated using CNC machined MDF as structural core, clad in natural pau ferro veneer and finished with matte acrylic varnish. The legs are constructed through laminated MDF layers, precision shaped and veneered. The leather writing surface is integrated and flush mounted into the top. Brass sheets are cut, formed and aged for structural cladding and internal dividers. A custom power box is machined in brass, with concealed wiring routed through the legs.
Lu'itau o le Mamanu: The primary challenge was combining diverse materials such as brass, leather and natural veneer while preserving a cohesive, balanced and minimalist identity. Achieving visual lightness without compromising structural integrity required strict proportion control. The height of the desk top structural box was reduced to the minimum possible dimension while maintaining rigidity and functionality. Integrated elements were incorporated discreetly to preserve spatial harmony.
Su'esu'ega: The project explored how work functions can be integrated into residential space without disrupting domestic comfort. Spatial studies and material testing guided proportion and structure. User observation informed storage and surface organization. Prototypes evaluated concealed technical solutions. The outcome improves usability and spatial coherence, proposing a more natural relationship between productivity and living environments.
Fa'aosofia: Ebisu reflects the transformation of contemporary living, where work has entered the intimate space of the home. Instead of importing corporate codes into domestic environments, the project explores how productivity can integrate into atmosphere rather than disrupt it. Inspired by Japanese structural restraint, where function and serenity coexist, the desk incorporates technology discreetly. Ebisu does not impose presence; it sustains continuity within the living space.
Umi o le Poloketi: The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
Fa'agasologa o Galuega: Ebisu operates as a seamless extension of the living space rather than a conventional work station. The integrated leather writing surface is structurally embedded into the top, eliminating the need for external accessories. Drawers with internal brass dividers organize materials with clarity and precision. A minimalist power box, crafted as part of the design language, allows connectivity without visual disruption. The desk performs by integrating productivity into the home while preserving spatial harmony.
Sui o le 'Au: Designer: Isabelle De Mari
Designer: Filipe Melo