Yun Chi Gu Xing Jiang Mamanu Totonu o Nofoaga Malolo e Jing Liu

O le mamanu Yun Chi Gu Xing Jiang Mamanu Totonu o Nofoaga Malolo e Jing Liu o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Apamemea i le Vaega Tauva Mamanu Totonu.

ApamemeaTotonu· 2026

Yun Chi Gu Xing Jiang Mamanu Totonu o Nofoaga Malolo

na mamanuina e Jing Liu

Manumalo o le A' Design Award Apamemea i le Vaega Totonu

5,145

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #183125

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Yun Chi Gu Xing Jiang Mamanu Totonu o Nofoaga Malolo

O le Yun Chi Gu Xing Jiang o se mamanu totonu o se nofoaga malolo o loo tu i le Vao Laufanua o Karajun. E aofia ai le galuega le 1,456 sikuea mita ma tuufaatasia ai le measina o tagata feoai ma le manaia faaonaponei. O fausaga laupapa o loo iai nei e faasaoina e ala i se auala e le faaleagaina. O foliga faasikuea mai le Aai o Bagua ma mamanu mai ata vali o le Ana o Kizil ua liua i ni elemene totonu ua faapitoa ona faia. O falie'e taugata e luasefululima i sitaili e valu e faaaogaina ai tioata mai le fola i le faalo e faapupula ai le laufanua mauga. O foliga faalotoifale ma moli lalaga ma meaafale e lagolagoina ai se nofoaga malolo filemu.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Yun Chi Gu Xing Jiang Mamanu Totonu o Nofoaga Malolo, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Yun Chi Gu Xing Jiang Mamanu Totonu o Nofoaga Malolo e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Yun Chi Gu Xing Jiang Mamanu Totonu o Nofoaga Malolo e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Located in Karajun, this design blends nomadic heritage with modern luxury. It features "non-intrusive" intervention, preserving local wooden structures and deconstructing motifs to blur artifice and wilderness. Innovation lies in translating Bagua City philosophy and Kizil Grottoes murals into bespoke interiors. 25 luxury tents in 8 styles use expansive glazing to frame alpine scenery, offering a therapeutic retreat that redefines luxury glamping.
Fua & Fa'apipi'i: Project Area: 1,456 sqm
Fa'ailoga: Wild、Luxury、Resort、XinJiang
Tekonolosi Gaosiga: The project employs a "non-intrusive" construction strategy, preserving existing timber structures while integrating modern high-performance materials. We deconstructed Bagua City’s geometry and Kizil Grottoes motifs using digital modeling to create bespoke interior elements. 25 luxury tents feature expansive floor-to-ceiling glazing to dissolve indoor-outdoor boundaries. By blending raw, local textures with contemporary weaving techniques for lighting and furniture, the design achieves a dialogue between nomadic history and modern luxury.
Lu'itau o le Mamanu: The primary challenge was "invisible intervention" in a protected wilderness. Internally, deconstructing Silk Road history into modern luxury required balancing heritage with nomadic spirit. Externally, the remote Karajun location presented extreme logistics and limited infrastructure. We overcame these by utilizing digital modeling to adapt traditional timber structures and implementing high-performance glazing. This allowed us to preserve the ecological site while meeting premium hospitality standards.
Su'esu'ega: This qualitative study aims to harmonize nomadic culture with luxury hospitality. Using field surveys and digital deconstruction, we analyzed Tianshan’s timber structures and Bagua City’s geometry. Data from local artisans guided the integration of Kizil mural motifs. Findings show that "non-intrusive" design, using 25 narrative tents, maximizes emotional healing. Insight: blending heritage with glazing dissolves boundaries, creating a scalable model for sustainable, high-end cultural tourism.
Fa'aosofia: The inspiration stems from Karajun’s wilderness and nomadic heritage. Driven by "invisible intervention," the motive is to honor the Tianshan landscape by blurring the line between architecture and nature. Drawing from Bagua City’s geometry and Kizil Grottoes murals, the design translates Silk Road history into modern luxury. Research focuses on deconstructing local timber structures to create a non-intrusive sanctuary for spiritual healing and a profound return to the wild.
Umi o le Poloketi: Project Duration: Five Months
Project Location: Kerganbulak Village, Kalatuohai Town, Tekes County, Ili Kazakh Autonomous Prefecture, Xinjiang Uygur Autonomous Region, Karajun Grassland.
Fa'agasologa o Galuega: The design optimizes spatial flow through "spiritual nomadism," guiding guests from restored timber reception areas to 25 secluded luxury tents. Large floor-to-ceiling windows act as dynamic interfaces, blurring indoor-outdoor boundaries to integrate shifting alpine light and scenery. The layout facilitates a seamless transition between private retreats and communal bonfire areas. By employing high-performance glazing and local textures, the project ensures superior climate comfort and emotional healing.
Sui o le 'Au: Lead Designer: Jing Liu
Designer: Liyuan Pang
Designer: Shuilin Chen
Fa'aaloaloga o Ata: Image #1: Photographer: Jing Liu, Yun Chi Gu, 2024.

Image #2: Photographer: Jing Liu, Yun Chi Gu, 2024.

Image #3: Photographer: Jing Liu, Yun Chi Gu, 2024.

Image #4: Photographer: Jing Liu, Yun Chi Gu, 2024.

Image #5: Photographer: Jing Liu, Yun Chi Gu, 2024.