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A Dream Laulau Moli Laupapa e Naai-Jung Shih

O le mamanu A Dream Laulau Moli Laupapa e Naai-Jung Shih o se manumalo maualuga tele o le fa'ailoga mamalu 2017 A' Design Award Apamemea i le Vaega Tauva Faatufugaga Maualuga.


ApamemeaFaatufugaga Maualuga· 2017

A Dream Laulau Moli Laupapa

na mamanuina e Naai-Jung Shih

Tagata Fa'atau: Naai-Jung Shih

Manumalo o le A' Design Award Apamemea i le Vaega Faatufugaga Maualuga

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Lanu

Le Mamanu

E Uiga ia A Dream Laulau Moli Laupapa

Le mafaufauina se miti o se mamafa ma le manino. E faigata ona maua, ae peitai e matua moʻi ai lona mafaufau. Na ia fuafuaina lenei faapipiiina o se auala e vaai faalemafaufau ai i faatusa o le tagata maaleale natura i se miti. Taʻitasi sui faivaʻai sao se vaega o le faʻasalalauina o miti. Na te tuʻuina atoa le faʻatulagaga i luga o se mea manino ma o se punavai malamalama luga o le fale e fai ai se lagona mamafa e pei o le mimilo i luga o le ea.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai A Dream Laulau Moli Laupapa, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina A Dream Laulau Moli Laupapa e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. A Dream Laulau Moli Laupapa e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa
A dream is weightless and transparent. It can hardly be caught, and yet it is so realistic. The entire setting is placed on a transparent base with a light source projects upward to make it feel weightless like floating in the air. The installation is also a metaphor of the surrealistic nature of a dream. Each curved linear form contributes to a part of a propagating dream.
Fua & Fa'apipi'i
80*70*35 cm
Fa'ailoga
lighting installation, dynamic form, metaphor
Tekonolosi Gaosiga
The design needs a free-form linear member to mimic the blurred boundary of a metaphor. The member needs to be functioned like a canvas for a dreamer to paint upon. The color should be white. After a series of brainstorming searches, a hanger seems a perfect choice.
The installation is hand-chained. Several tests were conducted to the possible connectors, such as steel cables, abs RP filaments, and general ropes. Cable was a good choice at the first place because it held each hanger in position. But it is not transparent. Eventually a transparent 3 mm plastic string was used and surprisingly it held each member in position under tension.
Lu'itau o le Mamanu
A pair of linear form is interlocked with two holes on each component for connection. There should be four cables and eight connections when the head and end of the installation meets each other. A new method is developed to layout all four cables on the same path and to chain all the components in one single cable as a closed loop. The development of a close loop has a significant meaning, since a dream seems does not have a specific starting point or ending point.
Su'esu'ega
This is the third design of a series sincerely devotions. Each design contributes a profound study of orders, for elements and light sources. The first two were conducted in a linear form to contrast the body curvature and the end section. The composition of different shapes was also applied. The last one selected a loop to represent an order of form.
Fa'aosofia
The inspiration came from the metaphor of a dream.
Umi o le Poloketi
This project took about one month and was made in Taipei, Taiwan.
Fa'agasologa o Galuega
This light installation is designed to put on a table with the top part slightly lower than eye level. By following the profile, a person can traverse the entire setting inside and outside, up and down, or from any orientation. The relative location between the box and the installation is changeable.
Fa'aaloaloga o Ata
all by Naai Jung Shih

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