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Exquisite Craft of Art Galuega Fa'apitoa: Mamanu i totonu o Fale Nofoia by Han Chung Hung and Lu Hsiao Yang

Exquisite Craft of Art Galuega Fa'apitoa: Mamanu i totonu o Fale Nofoia by Han Chung Hung and Lu Hsiao Yang is a highly esteemed winner of the very prestigious 2018 A' Design Award Uʻamea in Mamanu Totonu Competition Category.


UʻameaTotonu· 2018

Exquisite Craft of Art Galuega Fa'apitoa: Mamanu i totonu o Fale Nofoia

by Han Chung Hung and Lu Hsiao Yang

Client: Global Interior Arteco Co., Ltd

A' Design Award Uʻamea Winner in Totonu Category

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The Design

About Exquisite Craft of Art Galuega Fa'apitoa: Mamanu i totonu o Fale Nofoia

Tusitusiga o le Tusi: O le Exquisite Craft of Art o se mamanu i totonu o se fale nofoia e tusa ma le 180 mita fa'atafa i New Taipei City, Taiwan. O se fuafuaga tatala e tu'ufa'atasia ai le potu malolo ma le potu 'aiga, e fa'atatau i le olaga masani a le aiga fa'apea ma fonotaga fa'aagafesootai. O fa'ata'ita'iga i le fa'aulufalega ma le potu malolo e fa'alauteleina ai le va'aiga. O maa fa'anatura o lo'o ufiufi ai puipui o le fa'aulufalega, le fola lautele ma le laulau 'aiga o le motu. O le puipui televise e tu'ufa'atasia ai le maka mamona, mosaic atigi sisi, u'amea titanium, pa'u, u'amea le pona ma fafie. O le lanu pa'epa'e o lo'o fa'aaogaina e fai ma lanu autu i totonu atoa.

The Recognition

About the A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Exquisite Craft of Art Galuega Fa'apitoa: Mamanu i totonu o Fale Nofoia, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Exquisite Craft of Art Galuega Fa'apitoa: Mamanu i totonu o Fale Nofoia e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Exquisite Craft of Art Galuega Fa'apitoa: Mamanu i totonu o Fale Nofoia ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Our design synergizes circulation patterns and living function possibilities, while being liberated from the original structural constraints imposed upon the internal space, and allowing multivalent materiality to articulate the unique nature of this dwelling, which is epitomized by the harmony between the exquisite and grandeur, as well as, the robust and the delicate.
Dimensions & Packaging
The interior space is approximately 180 square-meters in area, and without any substantial volume of divisive element, the space is filled with ample natural light, and creates a sense of open-plan and free-flowing circulation possibility. Such design renders the inherent man-made structural elements of beams and columns into invisible spatial demarcations, while practicality of storage functionality can be fulfilled in a simple yet delicate matrix of spatial vectors and volumes.
Production Technology
Decorated with mirrors, the entrance and the living room seek to broaden the visual spatial horizon. With rich natural texture masonry element for the entrance walls, public area flooring and island dining table, echoing the living and hospitality needs of the owner. TV wall is marble-based with shell mosaic, titanium alloy finishing and mirrors on both sides to reflect the main wall façade, while intertwining with elements of leather, gloss-finished paint, stainless steel and timber skin in various areas.
Design Challenge
In order to accentuate the refined craft quality of home living, materiality composition and detailing become the design focus. Through the well-proportioned mosaic application of stainless steel, mirror, wallpaper, leather, timber and other decorative materials, with precise selection, the design seeks to create harmony of refined and rich layers of materiality.
Research
Apart from catering for the most suitable movement, functionalities and personalized spatiality, the design pays attention to the artistic characteristics of the space, which are not merely defined or measured by the exhibits of artistic collection, but also articulated by the inherent artistic beauty of the spatial design. Such as the articulation of entrance with a timeless large-area marble wall, it creates stunning visual effects made only possible with murals composed of natural mineral textures; another instance being the multiple-material composition design. Besides, the white gloss-painted corridor wall to the bedroom, with sense of volume from rippling totemic visuals, coupled with ambiance wall-lights, to manifest the unique quality of installation arts.
Inspiration
As design is not limited by a particular style, but with the premise of the owner’s preferences, the design of the overall space is driven by luxury and grandeur with exquisite craft tradition imbued in detailing. In its overall planning, apart from the everyday family living functionalities, as the socializing banqueting needs of the owner is also catered for in the spatial planning, hence, the totally open-plan design manifests itself in the public domains of living room, dining room,etc.
Project Duration
December, 2016
New Taipei City, Taiwan.
Operation Flow
The monotonic flooring materials in the public space reinforces the clean-cut visual style, while having ceiling detailing and furniture styling to define domain functionalities. For the construct of spatial perception, white color was used throughout as central coloring theme, while done away with superfluous decorative narrative, as well as, amalgamating diverse materiality into cabinet and wall volumes, bringing about subtle changes in spatial visual perceptions.
Team Members
HAN CHUNG HUNG
LU HSIAO YANG

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