Ceramic Forest Tofi e I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

O le mamanu Ceramic Forest Tofi e I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung o se manumalo maualuga tele o le fa'ailoga mamalu 2020 A' Design Award Apamemea i le Vaega Tauva Mamanu Totonu.

ApamemeaTotonu· 2020

Ceramic Forest Tofi

na mamanuina e I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Tagata Fa'atau: Merge Interiors

Manumalo o le A' Design Award Apamemea i le Vaega Totonu

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #92890

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Ceramic Forest Tofi

A o galue i totonu o se vaʻaiga faʻanofo lelei lelei ma mamanuina spatiality, galue gaioiga ua faʻaleleia, o le faʻaaliga ma le vaega galue ua uma foi ona suia i totonu o avanoa faʻataʻitaʻi. I nofoaga o loʻo matala, tutoʻatasi eria galulue ua faʻavasegaina a o pupuni-puipui tioata ua faʻatagaina le malamalama masani e tui atu ma puʻeina le taua o le paʻepaʻe lanu polokalame i le fatuina o se moli lelei ma malamalama avanoa faigaluega i le faʻamatuʻuina o le lautele o le aotelega totonu.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Ceramic Forest Tofi, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Ceramic Forest Tofi e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Ceramic Forest Tofi e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The client of this project is Nobel Ceramic and Tiles, the supplier of most ceramic products for Starbucks, who founded its own brand, Cilin, and established its office in Neihu, Taipei. The design of the overall office space was inspired by ceramic from which design elements and vocabulary was generated. The office with showroom adopted white wall cabinet and grey Bolon carpet and black metalwork as its main elements.
Fua & Fa'apipi'i: With an interior area of 514 square meters, the supervisor offices are allocated near the perimeter of the site near the window for ample natural lighting and window views, while allowing natural lighting to flood into the interior of spacious layered space, and for spaces such as server room, dark room, accounting office, etc., area allocated at the side area, and VP office, legal office, and staff working area are located at the inner area.
Fa'ailoga: Display Cabinet, Mug, Special Paint, Curtain Wall Glass, Open Office
Tekonolosi Gaosiga: For creating the stern and grand spatial qualities of the commercial space and the office that is befitting to the corporate core values, the reception lobby was treated with elegant grey plaster primer paint accentuating the humble beauty of ceramic. The interior of the office space adopted Mexin ceiling and Bolon carpet for acoustic consideration in creating a quiet working environment.
Lu'itau o le Mamanu: As the spatial expression is derived from the consideration of color and size of products on display in a boundless fashion, the design department has also requirements for sample storage, therefore, apart from the white minimalist design, the geometric linework has also helped to maintain the sense of order for the working area, complemented with recessed opening for product display which has further embellished this transitional space.
Su'esu'ega: The ceiling of the showroom features a circular arc design symbolizing the round opening of a ceramic mug, as the showroom cabinet and white color wall softens the serious working ambiance but still maintain a sense of order and layers strung together within a spatial consistency.
Fa'aosofia: The elevator lobby is imbued with the symbolism of Kiln, and as it is surrounded by timberwork, the warm and stern beauty of kilns was articulated grey-scale color relating to the personable texture. With LED lighting giving a layering effect to the interior, special door panels and installation artwork forming motifs of Taiwanese Folk Art has brought strong contrast in this visual focus of this area.
Umi o le Poloketi: The project was completed in October 2013 in Taipei, Taiwan.
Fa'agasologa o Galuega: As the program purpose of merchandise showroom is to express the core imagery of products; therefore, the design has gone beyond the conventional rhythmic nature of normal space by injecting an enriched stream of brand characteristics in every segment of the showroom so that this space becomes a museum of exquisitely made objects which also makes it an ideal location for product introduction and sales discussion.
Sui o le 'Au: I Ju Chan
Hsuan Yi Chen
Su Huang Hung
Fa'aaloaloga o Ata: Kyle Yu Photo, 2013