Interwoven Layers Mamanu i Totonu o Fale Nofoaga e Hung-Yu Chen and Yi-Chia Kao

O le mamanu Interwoven Layers Mamanu i Totonu o Fale Nofoaga e Hung-Yu Chen and Yi-Chia Kao o se manumalo maualuga tele o le fa'ailoga mamalu 2020 A' Design Award Uʻamea i le Vaega Tauva Mamanu Totonu.

UʻameaTotonu· 2020

Interwoven Layers Mamanu i Totonu o Fale Nofoaga

na mamanuina e Hung-Yu Chen and Yi-Chia Kao

Tagata Fa'atau: Yu [ i ] Design Studio

Manumalo o le A' Design Award Uʻamea i le Vaega Totonu

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #92900

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Interwoven Layers Mamanu i Totonu o Fale Nofoaga

Interwoven Layers o se mamanu i totonu o fale nofoaga na faamaeaina i Taipei i le 2019. O le fale ua faatulagaina i luga o se ala autu manino, lea e fausia ai e kapoti ma puipui ni laina e fesootai ma fetaui e faia ai vaega avanoa eseese. O elemene tatala ma alu i totonu e mafai ai ona pasi le ea ma le malamalama i totonu o le fale, ae o mea faufau ma lanu e faamatilatila ai pito uma e lua o le ala autu. O se faasea uamea lautele e sese i lalo ifo o se taalaga faufale e sopoia, ma avea ai ma taulaiga vaaia o le alaava. O galuega uamea elea, mata na valiina ma se aoina o faatufugaga e faaopoopo atu ai se siosiomaga faatufugaga.

Le Fa'ailogaina

E Uiga i le A' Design Award Uʻamea

O le A' Design Award Uʻamea na manumalo ai Interwoven Layers Mamanu i Totonu o Fale Nofoaga, o se faamaoniga mamalu e tuuina atu i mamanu lelei e faataunuu ai manaʻoga faapolofesa ma pisinisi e faamoemoeina mai galuega ua mamanuina lelei. O ē manumalo i le Uʻamea e faaalia ai le tomai tele, le faapitoa maualuga, le malamalama o tagata poto ma le mafai fatufatuaʻi o ē na faia. E faamoemoeina Interwoven Layers Mamanu i Totonu o Fale Nofoaga e avea ma mea ua matuā vivii, mataʻina ma pelepelea e aogā ma fou. O lenei mamanu na manumalo i le A' Design Award Uʻamea e tuufaatasia ai faiga sili o le pisinisi ma e iai uiga faatekonolosi mafai ua fesoʻotaʻi ma le poto ma le taleni. Ona o lona faatuatuaina, e tatau ai Interwoven Layers Mamanu i Totonu o Fale Nofoaga ona faaaloalogia ma ua mamanuina e tuuina mai ai faaleleiga o le olaga e fesoasoani e faia ai e le lalolagi se nofoaga e sili atu ona lelei.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: Through cabinet and wall in the articulation of linear reality and virtuality arrayed, intersected and aligned in the domain, it gives rise to spatial layers, as the penetrating design allows air and light to permeate through the interior while materials and colors demarcate and enrich both ends of the axis, and allowing the design underlay to flourish under the metal-plate ceiling, as the changing light and reflection of shadow compose a beautiful picture.
Fua & Fa'apipi'i: As the structural beam traverses across, the wide metal-plate ceiling slides under in forming a visual focus along a corridor, while utilizing the L-shape extension of flooring materials and walls in creating the extensive visual perception. As the void cabinets in the space are composed of lines and geometry, through wall lines and linear relationships, they create very unique views of the virtual and the real in domain transitions.
Fa'ailoga: Distilled, Virtual and Real, Penetration, Memory, Collection, Arts
Tekonolosi Gaosiga: As the minimalist design is imbued with the living memory and artwork collection of the client, the rusted metalwork and painted area create an artistic ambiance in which the design underlay flourishes under the metal-plate ceiling, as the changing light and reflection of shadow compose a beautiful picture.
Lu'itau o le Mamanu: As the structural beam and column system affected the spatial perception and layout planning, the traversing beam was especially difficult to deal with, and as the corridor and ceiling beam intersect with one another, it prompted metal plate to be inserted in the ceiling to create a new visual perception and focus, hence solving the issue of traversing beams.
Su'esu'ega: As the architectural volume constructs the cubic space, time and daily rituals contribute to the making of such a warm domain. With lines arrayed, intersected and aligned in the domain, it gives rise to spatial layers, as the penetrating design allows air and light to permeate through the interior while materials and colors demarcate and enrich both ends of the axis, and allowing the design underlay to flourish under the metal-plate ceiling, as the changing light and reflection of shadow compose a beautiful picture.
Fa'aosofia: As the architectural volume constructs the cubic space, time and daily rituals contribute to the making of such a warm domain. With distilled design discourse, there is a dialogue reflecting the imagination for the future, under the demarcating axis, an enriched living experience ensues.
Umi o le Poloketi: The project finished in August, 2019 inTaipei.
Fa'agasologa o Galuega: As the structural beam and column system affected the spatial perception and layout planning. The traversing beam was especially difficult to deal with, and as the corridor and ceiling beam intersect with one another, it prompted metal plate to be inserted in the ceiling to create a new visual perception and focus, hence solving the issue of traversing beams.
Sui o le 'Au: Hung Yu Chen
Yi Chia Kao
Fa'aaloaloga o Ata: Yu Wei Huang