Past at Last Mafashoni Anotsigira Zvakatipoteredza naTihana Miksa

Dhizaini Past at Last Mafashoni Anotsigira Zvakatipoteredza naTihana Miksa ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2021 Mubairo weSirivha we A' Design Award muChikwata cheKukwikwidza cheFashoni, Zvipfeko neMbatya.

SirivhaFashoni· 2021

Past at Last Mafashoni Anotsigira Zvakatipoteredza

na Tihana Miksa

Mutengi: Tihana Mikša

Mukundi weMubairo weSirivha we A' Design Award muChikwata cheFashoni

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Nezvekwa Past at Last Mafashoni Anotsigira Zvakatipoteredza

Kusimbisa mukugadzira zvipfeko kuri pamabatirwo akapfuma anotamba uye mavara asina kuenzana. Nekuda kweizvi, zvipfeko pachazvazvo zvine chimiro chakaenzana, zviri nyore uye mafomu akapfuma pasina kupindira kunodiwa paumbiwo. Zvinhu izvi zvinonzvera chimiro chinoongeka, kubatika, zvinhu zvinoshandiswa, kufamba kunorarama uye maumbirwo emachira. Mavara ane simba rakaderera uye asina ruvara, kunze kwetsvuku inorova mukati memazinga aya akacheneruka.

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Nezve Mubairo weSirivha we A' Design Award

Mubairo weSirivha we A' Design Award wakahwinwa ne Past at Last Mafashoni Anotsigira Zvakatipoteredza, rukudzo rwakakwirira zvikuru runopiwa kumadhizaini epamusoro, anonaka uye anofadza. Vakunda veSirivha mabasa anopenya kwazvo uye ane kugadzira kwakasiyana anoratidza unyanzvi, hunyanzvi hwekusikwa nekungwara kwevagadziri vawo. Past at Last Mafashoni Anotsigira Zvakatipoteredza inotarisirwa kuva basa rinoshamisa, rinotangira vamwe, rine hunyanzvi hunoonekwa uye zvitsva zvakadzika. Dhizaini iyi yakahwina Mubairo weSirivha we A' Design Award chigadzirwa chinoshamisa, chinokudzwa chinobatsira uye chinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Past at Last Mafashoni Anotsigira Zvakatipoteredza chigadzirwa chinoshuvirwa nevazhinji, chinomutsa zvishuvo, chinouya nemanzwiro akanaka uye chinomutsa kushamisika.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Matagi: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Tekinoroji Yekugadzira: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Changamire yeDhizaini: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Chikurudziro: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Nguva yePurojekiti: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Zvikwereti zveMifananidzo: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.