Penumbra Kutora Mifananidzo naMaja Zinczuk

Dhizaini Penumbra Kutora Mifananidzo naMaja Zinczuk ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2021 Mubairo weSirivha we A' Design Award muChikwata cheKukwikwidza cheFotogirafi neKugadzira Mifananidzo.

SirivhaFotogirafi· 2021

Penumbra Kutora Mifananidzo

na Maja Zinczuk

Mutengi: Maya Zet

Mukundi weMubairo weSirivha we A' Design Award muChikwata cheFotogirafi

27,800

Mukundi weMubairo Akasimbiswa

Simbisa Mamiriro eMubairo we#123551

Dzidza Zvimwe Shanyira Saiti Ona pa A' Design Award Mashoko Enhau Bheji reMubairo

Dhizaini

Nezvekwa Penumbra Kutora Mifananidzo

Mugadziri akatora mapikicha panguva yaakabuda mumba uye kusangana nevanhu zvaive zvakaoma, kureva panguva yedenda. Kugara pamba kwenguva yakareba kwakakonzera hunyanzvi hwemunyori. Naizvozvo zvinhu zvemazuva ese zvakawanikwa mumba, zvakaita sembiya dzemvura, zvinhu zvinoratidzira, mahwindo muchivako akashandiswa kuenzanisira chiedza. Mabasa ake akatanga atorwa neruvara, ndokuchinjwa kuva dema nechena. Zvese zvakaitwa digitally. Mufananidzo mumwe chete waakatora nemwenje wekugadzira kubva murambi uye mufananidzo wemukomana. Silhouettes inowanzoratidzwa yakavanzika.

Kuzivikanwa

Nezve Mubairo weSirivha we A' Design Award

Mubairo weSirivha we A' Design Award wakahwinwa ne Penumbra Kutora Mifananidzo, rukudzo rwakakwirira zvikuru runopiwa kumadhizaini epamusoro, anonaka uye anofadza. Vakunda veSirivha mabasa anopenya kwazvo uye ane kugadzira kwakasiyana anoratidza unyanzvi, hunyanzvi hwekusikwa nekungwara kwevagadziri vawo. Penumbra Kutora Mifananidzo inotarisirwa kuva basa rinoshamisa, rinotangira vamwe, rine hunyanzvi hunoonekwa uye zvitsva zvakadzika. Dhizaini iyi yakahwina Mubairo weSirivha we A' Design Award chigadzirwa chinoshamisa, chinokudzwa chinobatsira uye chinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Penumbra Kutora Mifananidzo chigadzirwa chinoshuvirwa nevazhinji, chinomutsa zvishuvo, chinouya nemanzwiro akanaka uye chinomutsa kushamisika.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: The photos were taken during the global pandemic. The most important challenge of this project was the limitations of leaving the house and meeting people.The point was to show, with minimal resources, what our life was like then.Everyday items were used for this photo session
Kukura & Kupakiwa: Nikon D800 camera, black and white mode for most of the photos. Some photos were taken in color, then changed to black and white.
Matagi: contrast, light, chiaroscuro, black and white, mood, Poland, portraits
Tekinoroji Yekugadzira: Fot photography were used various objects found in the house: bowls of water, reflective materials, decorative lamps, sometimes it was also the setting sun or elements of the architecture of buildings. These photos were taken in homes of photographed people or close to them.
Changamire yeDhizaini: The biggest difficulty was the constraints of a global pandemic and finding the right means to tell a story when you are limited in moving.
Tsvakurudzo: Type of study was: how can you capture fleeting moments in our everyday life? When we stop for a moment and start looking more closely. We can then notice things that we have missed so far.When you look at these photos, you will see not only light contrasts, but that opposites attract.
Chikurudziro: Caravaggio's paintings were the inspiration for these photos. Especially his passion for sharp contrasts and sharp chiaroscuro. In his paintings, many things remained in the dark, but nevertheless revealed what was most important. He modeled the silhouettes in a theatrical way, giving them a slightly religious expression.The clash of reality and spirituality was the most important. These were main subjects when shooting.People around the photographer were also an inspiration.These are the people she knows well.During the shooting, she was able to show some of the nature of the photographed people, their interests and feelings that accompanied them at that time.
Nguva yePurojekiti: The works were photographed in 2019 in Białystok Poland.The most common places were the homes of the photographed people and their surroundings.
Mafambiro eBasa: It was a big challenge to wait for the right moment during the day to capture the right light.
Zvikwereti zveMifananidzo: Image#1:Białystok,Poland,Joanna in her studio, 2019
Image#2:Białystok,Poland,Singer,2019
Image#3:Białystok,Poland,My son,2019
Image#4:Białystok,Poland,Paulina in garden,2019
Image#5:Białystok,Poland,Cecylia,2019