National Gallery Athens Myuziyamu naParmenidis Longuepee Mari Team

Dhizaini National Gallery Athens Myuziyamu naParmenidis Longuepee Mari Team ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2022 Mubairo weGoridhe we A' Design Award muChikwata cheKukwikwidza cheNzvimbo yeMukati neMusangano.

GoridheMukati· 2022

National Gallery Athens Myuziyamu

na Parmenidis Longuepee Mari Team

Mutengi: National Gallery of Greece

Mukundi weMubairo weGoridhe we A' Design Award muChikwata cheMukati

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Nezvekwa National Gallery Athens Myuziyamu

Muchivako chemazuva ano chemakore ekuma1960 eNational Gallery muAthens, makamuri ekuratidzira akagadzirwa senzira yekufamba-famba munzvimbo yakavhurika. Mukati makagadzirwa senhevedzano yenzvimbo dzeshanduko dzakavezwa nehuni dzine ruzivo, uye makamuri machena ekuratidzira ane matenga akaturikwa akarongwa zvakananga pabasa rimwe nerimwe rekuratidzira. Kudzora maitiro ekutarisa, kudzika kwekuona mumakamuri uye kwakananga kuguta, mwenje wese wainzwisisana nemwenje wekunze, uye kunyaradza zvinhu uye miswe yehunyanzvi kuti zvipe mukurumbira mabasa eunyanzvi, nzvimbo inopa manzwiro esarudzo yakasununguka.

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Nezve Mubairo weGoridhe we A' Design Award

Mubairo weGoridhe we A' Design Award wakahwinwa ne National Gallery Athens Myuziyamu, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini ekutanga, anoshamisa uye akanakisa. Vakunda veGoridhe mabasa ane zvitsva zvakawanda, ane chiratidzo uye anopenya, anoratidza njere, uchenjeri nehunyanzvi hwevagadziri vawo. National Gallery Athens Myuziyamu inotarisirwa kuva chigadzirwa chinorumbidzwa kwazvo, chinoita mafambiro matsva uye chakakura, chinopa kukosha kusati kwamboonekwa. Dhizaini iyi yakahwina Mubairo weGoridhe we A' Design Award basa rinoshamisa, rinoremekedzwa, rinobatsira zvikuru uye rinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. National Gallery Athens Myuziyamu inomutsa manzwiro akasimba ekuda, inomutsa mwoyo, inokurudzira kugadzira uye inotikwezva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city.
Kukura & Kupakiwa: Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
Matagi: museography, interior space, gaze, minimalism
Tekinoroji Yekugadzira: The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
Changamire yeDhizaini: The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
Tsvakurudzo: Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
Chikurudziro: The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
Nguva yePurojekiti: The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
Mafambiro eBasa: The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
Nhengo dzeTimu: architect: George Parmenidis
architect: Christine Longuepee
architect: Ifigenia Mari
Zvikwereti zveMifananidzo: All photos own to the team.