Looping Flower Nzvimbo yeTsika yeIkebana naNi Jie Guo

Dhizaini Looping Flower Nzvimbo yeTsika yeIkebana naNi Jie Guo ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2024 Mubairo weBronzi we A' Design Award muChikwata cheKukwikwidza cheNzvimbo yeMukati neMusangano.

BronziMukati· 2024

Looping Flower Nzvimbo yeTsika yeIkebana

na Ni Jie Guo

Mutengi: Blankspace

Mukundi weMubairo weBronzi we A' Design Award muChikwata cheMukati

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Nezvekwa Looping Flower Nzvimbo yeTsika yeIkebana

Hunyanzvi hweIkebana ndiwo kufungisisa pamusoro pehupenyu mukuyerera kwemwaka mina, kusanganisira kubata kwenguva pfupi-pfupi mumaitiro ehunyanzvi hweJapan, kuvakwazve kwehupenyu hwemaruva nematavi, uye kusangana kwehunyanzvi pakati pechimiro nerunako. Dhizaini yenzvimbo yose inovakwa pamweya weKusatsuki-ryu, ichitora zvinhu kubva muvakidzani yechinyakare yeJapan nekuzvipindura kuita mutauro wevakidzani wemazuva ano, tichiongorora hukama pakati pekuvaka kwemazuva ano nerunako nemitsetse yeJapan isina chimiro chakajeka.

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Nezve Mubairo weBronzi we A' Design Award

Mubairo weBronzi we A' Design Award wakahwinwa ne Looping Flower Nzvimbo yeTsika yeIkebana, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. Looping Flower Nzvimbo yeTsika yeIkebana inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. Looping Flower Nzvimbo yeTsika yeIkebana inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.

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Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Kukura & Kupakiwa: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Matagi: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Tekinoroji Yekugadzira: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Changamire yeDhizaini: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Tsvakurudzo: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Chikurudziro: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Nguva yePurojekiti: The project started in August 2022 and finished in December 2022 in China .
Mafambiro eBasa: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Nhengo dzeTimu: NI JIE GUO
Zvikwereti zveMifananidzo: BLANKSPACE