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Matsu Biennial 2023 Basa Rekutanga: Mutambo weHunyanzvi naChun Ming Wang, Hou ching Lee and Han Wu

Dhizaini Matsu Biennial 2023 Basa Rekutanga: Mutambo weHunyanzvi naChun Ming Wang, Hou ching Lee and Han Wu ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2024 Mubairo weSimbi we A' Design Award muChikwata cheKukwikwidza cheChiitiko neMisangano.


SimbiChiitiko· 2024

Matsu Biennial 2023 Basa Rekutanga: Mutambo weHunyanzvi

na Chun Ming Wang, Hou ching Lee and Han Wu

Mutengi: Lienchiang County Government and The General Association of Chinese Culture

Mukundi weMubairo weSimbi we A' Design Award muChikwata cheChiitiko

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Dhizaini

Nezvekwa Matsu Biennial 2023 Basa Rekutanga: Mutambo weHunyanzvi

Mashoko eBhuku: Matsu Biennial ihurongwa hwemakore gumi, hune zvikamu zvishanu hwenechishuwo chekupa hwaro hunogara hwekugadzira kwemagariro evanhu. Mabasa ayo makumi manomwe ehunyanzvi hwakasanganiswa nekugadzira kunopfuura matunhu akasiyana mumapurojekiti mapfumbamwe ekuratidza anotora matambudziko ekusimudzira nzvimbo nenzira inogara. Makomba aMatsu enguva yeCold War, dura renhoroondo dzenzvimbo dzehondo, tsika dzeEastern Min, zvivakwa, uye mutauro zvinoona dzimba mazana maviri dzichiita tsika yekugadzira waini, zvichikurudzira musoro wenyaya unonzi Ruby Red After Summer. Iyi Biennial inoshandura hunyanzvi kuita mbiriso kuti pamuke manzwi akadzvinyirirwa uye kuita kuti Matsu ive nzvimbo yehunyanzvi nekugadzira.

Kuzivikanwa

Nezve Mubairo weSimbi we A' Design Award

Mubairo weSimbi we A' Design Award wakahwinwa ne Matsu Biennial 2023 Basa Rekutanga: Mutambo weHunyanzvi, rukudzo runokudzwa runopiwa kumadhizaini akanaka anozadzisa zvinodiwa zvehunyanzvi neyeindasitiri zvinotarisirwa kuzvigadzirwa zvakagadzirwa zvakanaka. Vakunda veSimbi vanoratidza unyanzvi hukuru, hunyanzvi hwakakwirira, kunzwisisa kwevakachenjera uye kugona kwekugadzira kwevagadziri vavo. Matsu Biennial 2023 Basa Rekutanga: Mutambo weHunyanzvi inotarisirwa kuva chigadzirwa chinokudzwa zvakanyanya, chinoremekedzwa uye chinodiwa, chinoshanda uye chine zvitsva. Dhizaini iyi yakahwina Mubairo weSimbi we A' Design Award inosanganisa maitiro akanakisa eindasitiri uye ine hunhu hwetekinoroji hwakakwana hwakabatana neruzivo nehunyanzvi. Nekushanda kwayo zvakanaka, Matsu Biennial 2023 Basa Rekutanga: Mutambo weHunyanzvi inoremekedzwa uye yakagadzirirwa kupa kuvandudzwa kwehupenyu kunobatsira kuita kuti nyika ive nzvimbo iri nani.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana
Matsu Biennial restores the suppressed voices and self-evident culture of Matsu's unique Cold-War heritage and war zone administration period. Unlike typical art festivals, the Biennial is a 10-year project across 5 planned biennials to involve experts and provide integrated design solutions.
Cultural governance and design thinking are made part of policymaking to advance art and education. The Biennial is a long-term cultural movement through site translation, cultural tours, and co-creation.
Kukura & Kupakiwa
Exhibition grounds spanning the 4 townships and 5 islands of Matsu under a framework of 9 curatorial projects, comprised of 70 works spanning 4 areas of art design, landscape architecture, culinary art, and performance. Exhibition venues across a range of public spaces such as beaches, strategic intersections, plazas, military sites, private houses, cafes, and museums. 12 co-curators and 80 artist groups, including 13 local artists and 7 visiting artists from 5 countries.
Matagi
Matsu Biennial, art festival, cultural heritage, Cold War, public branding, community design, social design, design education
Tekinoroji Yekugadzira
Based on past studies of Matsu's military and cultural heritage, the Biennial invites locals and experts to co-create 70 works across 9 curation projects of architecture, art, food, and performance. Crossing contemporary mediums with traditional arts, it connects and revitalizes local traditions. Highlights include Underwater Lab and The Island Scene, featuring technology art, video, sculpture, traditional papercutting art, and military site installations, creating key landscapes on the island.
Changamire yeDhizaini
The goal of the Biennial is to revive tangible/intangible heritage. Winemaking became the theme to resonate culturally and military sites have been revitalized. The challenge is to instill cultural identification locally, preserving and innovating with experts to increase local participation and communications by social design. As a cultural movement, the Biennial engages with residents, delivering posters to 3800 households and embedding its processes in art curriculums and development workshops.
Tsvakurudzo
The Matsu Biennial 2023 is based on past surveys of local heritage. Its theme Ruby Red After Summer honors the tradition of winemaking in Matsu to "ferment art". In 2007, a comprehensive survey of the islands recorded 146 military installations. In 2019, 13 military sites were selected for revitalization studies. Surveys on local contexts, archives, and interviews collected local issues and cultural highlights of Matsu’s sites including crafts, and food, forming the basis for the Biennial.
Chikurudziro
UNESCO Universal Declaration on Cultural Diversity considers cultural diversity as legacy, promoting peace through dialog. Villages and towns nowadays host large-scale art festivals to revitalize local industries and culture, driving local participation and bolstering the regional brand. Accordingly, Matsu Biennial adopts the core concept of "social design", creating public branding for sustainable governance and using art curation to highlight the significance of Matsu's Cold-War heritage.
Nguva yePurojekiti
The 2nd Matsu Biennial "Ruby Red After Summer" opens from Sept. 23 to Nov. 12,2023 at the 4 townships and 5 islands of Matsu. In 2007, a comprehensive survey of Matsu's local heritage and cultural landscape was initiated. In 2019, planning for the 1st Matsu Biennial started, and in 2020, a stronghold redesign campaign movement was launched, leading up to the opening of 2 military sites for the 2nd Matsu Biennial.
Mafambiro eBasa
Addressing issues through social design, the Biennial adopts 5 principal designs of engagement—creating dialogue with the community and developing local characteristics; sustainability—design with a 10-year vision; planning—continued concern for society through art practice; spatial governance—design on the scale of architectural contexts; and culture—design to transform organizational cultures and create an environment conducive to art and design.
Mapetenzi
Copyrights belong to Matsu Biennial
Nhengo dzeTimu
Co-organizers: Chung-Ming Wang, Hou-ching Lee, Jing-hui Huang, Xiao-Yun Wu
Marketing Coordinator: Ayu Cheng
Chief of Operations: Hui-Ting Liu
Curatorial team: Lee Ro-Mei, Chao Kai-Chih, Eric Chen, Eva Lin, Chang Cheng-Yu, Chang Kuang-Yi, Nakaw Putun, Han Wu, Hung Yu-Cheng, Ella Jheng, Liu Mei-Yu, Tammy Yu-Ting Hsieh, Pilar Tsai, Li-Wei Hou, Liting Liu, Hsieh Shu-Ching, Wang Shih-Yu, Wilma Ku, Yu-Zheng Ye
Zvikwereti zveMifananidzo
Matsu Biennial

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