Rinn Kyoto Miyagawasuji Hitotose Aki Dhizaini yeMukati meHotera naMiki Orihara

Dhizaini Rinn Kyoto Miyagawasuji Hitotose Aki Dhizaini yeMukati meHotera naMiki Orihara ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2025 Mubairo weSirivha we A' Design Award muChikwata cheKukwikwidza cheNzvimbo yeMukati neMusangano.

SirivhaMukati· 2025

Rinn Kyoto Miyagawasuji Hitotose Aki Dhizaini yeMukati meHotera

na Miki Orihara

Mutengi: Rinn Kyoto Miyagawasuji Hitotose Aki

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Nezvekwa Rinn Kyoto Miyagawasuji Hitotose Aki Dhizaini yeMukati meHotera

Rinn Kyoto Miyagawasuji Hitotose Aki idhizaini yemukati mehotera iri paMiyagawa-suji, mugwagwa uri muKyoto unochengetedza chimiro chechinyakare chemigwagwa. Dhizaini iyi inotevedzera mitemo yakasimba yenzvimbo iyi pamusoro pemavara ezvivako, zvimiro nemhando dzacho. Hurongwa hwemwenje hunotungamirira vaenzi kubva pachiedza chakadzikama pamusuwo kusvika kudzimba dzine chiedza chakawanda, uye mwenje usina kunanga unoratidza chimiro chemadziro. Bepa reWashi rakagadzirwa nenyanzvi yemapepa yenzvimbo iyi rinoshandiswa nenzira dzakasiyana-siyana, kusanganisira kugadzirwa kwekakishibu, kumonwa kwekoyori uye kuturikidzana kwefukuro-bari. Chinangwa ndechekugadzira nzvimbo yakadzikama uye inodziya kuti vaenzi vagare zvakanaka.

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Nezve Mubairo weSirivha we A' Design Award

Mubairo weSirivha we A' Design Award wakahwinwa ne Rinn Kyoto Miyagawasuji Hitotose Aki Dhizaini yeMukati meHotera, rukudzo rwakakwirira zvikuru runopiwa kumadhizaini epamusoro, anonaka uye anofadza. Vakunda veSirivha mabasa anopenya kwazvo uye ane kugadzira kwakasiyana anoratidza unyanzvi, hunyanzvi hwekusikwa nekungwara kwevagadziri vawo. Rinn Kyoto Miyagawasuji Hitotose Aki Dhizaini yeMukati meHotera inotarisirwa kuva basa rinoshamisa, rinotangira vamwe, rine hunyanzvi hunoonekwa uye zvitsva zvakadzika. Dhizaini iyi yakahwina Mubairo weSirivha we A' Design Award chigadzirwa chinoshamisa, chinokudzwa chinobatsira uye chinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Rinn Kyoto Miyagawasuji Hitotose Aki Dhizaini yeMukati meHotera chigadzirwa chinoshuvirwa nevazhinji, chinomutsa zvishuvo, chinouya nemanzwiro akanaka uye chinomutsa kushamisika.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: This facility is located on Miyagawa-suji and features a design that emphasizes harmony with its surroundings. The lighting plan makes full use of materials and cooperation with a local washi paper artist has been designed with local production for local consumption in mind. Kakishibu washi paper and the koyori technique are used to add shading, aiming to create a facility with concern and warmth in the traditional streetscape.
Kukura & Kupakiwa: Although Japanese paper is used extensively, it is expressed in a variety of ways. Japanese paper mixed with clay and colored Japanese paper plus plastering, kakishibu, which has been used since ancient times for its antiseptic and water-repellent properties koyori, in which Japanese paper is picked up and twisted by hand fukuro-bari, in which the surface is covered to seal the cavity, and furthermore, lighting is installed in the cavity.
Matagi: Interior Design, Hotel Luxury, Living space, Guesthouse, Asia , Japan
Tekinoroji Yekugadzira: Kyoto has strict regulations in place to protect its traditional landscape, and the colors, shapes and designs of buildings must conform to a prescribed style. We have actively worked to comply with these regulations, incorporating external lighting into the interior of the first floor without any sense of incongruity, and creating a “stillness” and “movement” atmosphere on the second floor, created by Kyoto artisans.
Changamire yeDhizaini: While overcoming the strict landscape regulations, how can we create a new style without destroying the good image that many people have of Kyoto's machiya? We also carefully considered what kind of measures would be needed to ensure that guests would be comfortable in the hot summers and cold winters.
Tsvakurudzo: We held discussions with the Japanese paper artists about colors and construction methods, and solved the problem in a variety of ways. We also reread works such as Junichiro Tanizaki's In Praise of Shadows, E. Oryong's The Shrinking Japanese Mind and Bruno Taut's Nippon and summarized our way of thinking.
Chikurudziro: The space has been created to reflect the Japanese aesthetics of drawing in, with the intention of capturing the atmosphere of Miyagawa-cho, Kyoto, inside the room. To change from the dim light upon arrival at the inn to the brightness of the interior, the lighting is based on Junichiro Tanizaki's In ei Raisan. In the guest rooms, indirect lighting is used to accentuate the texture of the walls, and the materials and lighting are carefully selected.
Nguva yePurojekiti: 605-0801 4-297-10 Miyagawasuji Higashiyama-ku Kyoto city
Completed on October 26, 2023.
Mafambiro eBasa: Design plays an important role in shaping cities. I also think it has a role to play in passing on culture to the next generation. I hope this book will be a chance for many people to learn about the importance of design.
Nhengo dzeTimu: Lead Designer : Miki Orihara
Interior Designer : Mao Namikawa
Graphic Designer : Kei Sakai
Washi paper-making artist : Wataru Hatano
Zvikwereti zveMifananidzo: Main Image / Toshihide Kajiwara
Image #1 / Toshihide Kajiwara
Image #2 / Toshihide Kajiwara
Image #3 / Toshihide Kajiwara
Image #4 / Toshihide Kajiwara