Dhizaini Weaving Wood Kabhineti naZKW Studio ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2025 Mubairo weBronzi we A' Design Award muChikwata cheKukwikwidza cheDhizaini yeFenichara.
BronziFenichara· 2025
Weaving Wood Kabhineti
na ZKW Studio
Mutengi: ZKW Studio
Mukundi weMubairo weBronzi we A' Design Award muChikwata cheFenichara
Mukundi weMubairo Akasimbiswa
Simbisa Mamiriro eMubairo we#172721Dhizaini
Nezvekwa Weaving Wood Kabhineti
Kabhineti yeHuni Yakarukwa ikabhineti ye walnut ine chimiro che trapezoid ine mapanera matatu emativi akavakwa nejira rakarukwa re veneer ye walnut. Kukwirirana kwekuruka kunochinja pamusoro pose, zvichigadzira shanduko inononoka mumanzwiro. Maitiro aya emaoko, asingakwanisiki nemichina, anosanganisa kusimba kwechimiro chehuni nekupfava kwejira. Kana ichiratidza kuchiedza kwezuva, chiso chinokanda mimvuri ine zvikamu, uye kurongeka kwemitsara yehuni kunopa mutsindo wekuona wakaenzana.
Kuzivikanwa
Nezve Mubairo weBronzi we A' Design Award
Mubairo weBronzi we A' Design Award wakahwinwa ne Weaving Wood Kabhineti, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. Weaving Wood Kabhineti inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. Weaving Wood Kabhineti inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.
Shure kweDhizaini
Bepa Renhau
Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.
- Hunhu Hwakasiyana
- This piece of furniture employs a unique weaving technique that integrates walnut veneer into textile, transforming the originally fabric into a unique screen. When exposed to sunlight, the woven surface casts delicate and beautiful shadows. Weaving veneer into textile is a unique technique that machines are not capable of doing. Each wooden board undergoes a meticulous selection based on its grain and color, building a consistent sense of nature beauty.
- Kukura & Kupakiwa
- W * D * H : 508 * 304 * 1118 mm
- Matagi
- Cabinet, Veneer Textile, Furniture, Material Innovation, Indoor Furniture
- Tekinoroji Yekugadzira
- This cabinet is entirely handcrafted from walnut, including the textile panels on both sides, which are woven from a combination of cotton thread and walnut veneer. The technique of integrating wood veneer into textile weaving is a process that cannot be replicated by machines. Due to the hardness and thickness of the walnut veneer, the tension of the weave must be carefully and continuously adjusted—tight enough to securely hold the veneer strips in place, yet flexible enough to maintain structural integrity without causing displacement.
- Changamire yeDhizaini
- The project posed creative and technical challenges, particularly in adapting thick wood veneer for weaving. Wood veneer lacks the tension typically required by a loom and thread fabric, making it necessary to carefully calculate the spacing between each column to maintain a good structure. Beyond the textile, the frame designed to hold the textile became another big technical challenge. Though the grooves are invisible from the outside, there are 28 hidden channels that secure the woven surface in place. Due to their seamless requirement and the thinness of each wooden board, cutting precise grooves along narrow edges proved fine-tuned craftsmanship, merging material research with construction precision.
- Tsvakurudzo
- The project is rooted in a deep investigation of materials and making techniques, centering on a textile innovation that integrates thin walnut veneer into a woven structure using a loom. The process involved extensive experimentation, beginning with a series of prototypes that tested veneer thicknesses, thread weights, and weaving patterns. A key challenge was preserving the tension necessary for weaving while accommodating the rigidity of wood—an issue resolved through careful calibration of spacing, tension, and structural support.
Traditional weaving tools were adapted for this process, with each strip of veneer hand-cut and softened for flexibility before being woven alongside cotton thread. Machines proved incompatible with the delicacy and precision required, making the technique entirely dependent on manual craftsmanship. The final textile achieves both strength and fluidity, allowing the wood grain to appear continuous across a pliable surface.
In parallel with material research, the project draws on classical furniture forms—particularly the trapezoidal cabinet, a shape now rare in contemporary contexts. Reinterpreted through this new textile language, the form is both familiar and reimagined, merging historic references with a distinctly modern sensibility. - Chikurudziro
- Inspired by the balanced spirit of nature, this cabinet reinterprets a classic trapezoidal form with three side panels composed of walnut veneer textile. The veneer is woven more densely near the frame, creating a visual and tactile gradient , not only in the viewing but also in the tactile experience. By blending rigid walnut with flexible textile, the piece explores harmony through material, offering a unique sensory experience that invites closer interaction and touch.
- Nguva yePurojekiti
- The project started in October 2023 and finished in March 2024 in United States, and was exhibited in ICFF WANTED in May 2024.
- Mafambiro eBasa
- The cabinet features a slender profile suited for storing small objects, making it well-suited to living spaces and compact interiors. Its low height allows it to sit neatly beside a television, serving as a functional storage piece. Designed to be freestanding, the cabinet reveals its tactile quality when illuminated. Sunlight filtering through the woven textile creates a soft interplay of light and shadow. The pale-toned fabric responds gently to natural light, introducing a sense of airy and a renewed lightness to the surrounding space.
- Nhengo dzeTimu
- Textile Partner: Huining Liu
Yakatsigirwa
Ongorora Kupfuura Designers.org
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