Bronzi Chiitiko · 2026
Transition Kugadzirwa Kwemuratidziro
- Mubairo weBronzi we A' Design Award 2026 in Chiitiko
- CLIENT: enigma Inc.
- Estimated Number of Design Views: 10,595
- Verification code 800379AE87 · Verify this award
Colors
About Transition Kugadzirwa Kwemuratidziro
Transition muratidziro wemaruva unoratidza tsika yemakore 1400 yekurongedza maruva yekuJapan, inozivikanwa seikebana, mumamiriro emazuva ano. Kurongwa kwakashama hakuna madziro ekumashure, saka vashanyi vanofamba vakasununguka uye vanoona kurongedzwa kwega kwega kubva kumativi akawanda pane kungoona kubva mberi chete. Chiedza chezuva chakasikwa nechiedza chinochinja chinoshanduka zuva rese, saka nzvimbo iyi nemaruva mapenyu zvinoramba zvichichinja nguva dzese. Zvigadziko zvinogona kupatsanurwa zvakadhindwa ne3D kubva kuresin inogona kushandiswazve uye zvinogona kubvisiswa nekushandiswa zvakare. Pasi rakati sandara, risina zvipingamupinyi rinoita kuti nzvimbo dzese dzisvikike.
About the Mubairo weBronzi we A' Design Award
Mubairo weBronzi we A' Design Award wakahwinwa ne Transition Kugadzirwa Kwemuratidziro, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. Transition Kugadzirwa Kwemuratidziro inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. Transition Kugadzirwa Kwemuratidziro inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.
Press Kit
- Unique Properties
- An immersive flower exhibition engaging all five senses, tracing 1,400 years of ikebana and the kado philosophy of the life of flowers. Fresh floral works, shifting sunlight, and responsive lighting continuously transform both space and experience. A wall-less, open configuration overturns traditional frontal ikebana viewing, inviting active participation and enabling unrepeatable, time-based engagement with floral art.
- Dimensions & Packaging
- Exhibition area: approx. 300 sqm.
Monitor fixtures: 1965 mm Width x 470 mm Depth x 1195 mm Height.
Large stage: 3000 mm Width x 4200 mm Depth x 300 mm Height.
130-size modular lighting pedestals in 3 types: A: 400 mm Width x 400 mm Depth, B: 500 mm Width x 500 mm Depth, C: 800 mm Width x 800 mm Depth.
All components are designed for disassembly, reuse, and full barrier-free accessibility.Exhibition area: approx. 300 sqm.
Monitor fixtures: 1965 mm Width x 470 mm Depth x 1195 mm Height.
Large stage: 3000 mm Width x 4200 mm Depth x 300 mm Height.
130-size modular lighting pedestals in 3 types: A: 400 mm Width x 400 mm Depth, B: 500 mm Width x 500 mm Depth, C: 800 mm Width x 800 mm Depth.
All components are designed for disassembly, reuse, and full barrier-free accessibility. - Tags
- Ikebana, Exhibition Design, Floral Art, Japanese Culture, Immersive Experience, Sustainable Design, Inclusive Design, Expo 2025, Contemporary Art, Spatial Design
- Production Technology
- The exhibition structure was realized using recyclable resin-based 3D-printed pedestals, minimizing waste and enabling modular reuse for future installations. The lighting design incorporated responsive LED systems to simulate natural transitions. Spatial modeling and daylight simulation were conducted using Unreal Engine to test sun paths and visual conditions, allowing for precise environmental calibration. Materials include wood, recycled steel, and living floral elements.
- Design Challenge
- Traditional ikebana shows erected one-off timber walls and fixtures, then scrapped them. We challenged that legacy, adopting a reusable system that slashes physical build. Pedestals are 3-D-printed from recyclable resin, designed for quick disassembly, transport, and redeployment, cutting material use and waste. With level floors and wide clearances, the fully barrier-free layout marries sustainability to inclusive design.
- Research
- In this show we discarded the rear wall once mandatory for classical ikebana and used self-standing fixtures, letting visitors wander freely. Single-use timber walls became reusable, 3-D-printed units of recycled resin, proving ikebana can travel to sites once impossible. Surveys showed 90 % of attendees were first-time ikebana viewers, revealing new audiences. Energized by this success, we are already planning the next “new-generation” flower exhibition.
- Inspiration
- Ikebana is a centuries-old tradition that unites time-based and spatial art. To honor this duality, we removed the rear wall once deemed essential, shaping a fluid gallery where changing daylight, responsive lighting, and living flowers mingle in shifting layers. Visitors roam freely, viewing each arrangement from many angles while bespoke Unreal-Engine simulations refined sun paths and sightless, letting space and work animate each other.
- Project Duration
- The project started on April 13, 2025, and concluded on April 20, 2025. It was exhibited at the “Gallery EAST” of Expo 2025 Osaka, Kansai.
- Operation Flow
- Visitors freely move through the open, wall-less gallery, exploring ikebana arrangements from multiple angles. Natural and dynamic lighting interact with fresh flowers, creating constantly shifting scenes. This spatial and sensory engagement encourages personal interpretation, breaking from the static, front-facing norms of classical ikebana.
- Patents
- Copyrights belong to Ikenobo Society of Floral Art, 2025.
- Image Credits
- Image #1-#5: Photographer Kamiya Ryo、Transition: The Origin of Ikebana、 2025.
Video Credits: Videographer Mizuno Kai、 Transition: The Origin of Ikebana、 2025.
