Como Tu Dhizaini yeMukati meBhawa naMiao Ning Wang

Dhizaini Como Tu Dhizaini yeMukati meBhawa naMiao Ning Wang ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weBronzi we A' Design Award muChikwata cheKukwikwidza cheNzvimbo yeMukati neMusangano.

BronziMukati· 2026

Como Tu Dhizaini yeMukati meBhawa

na Miao Ning Wang

Mutengi: Moogur Studio

Mukundi weMubairo weBronzi we A' Design Award muChikwata cheMukati

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Nezvekwa Como Tu Dhizaini yeMukati meBhawa

Como Tu ibhawa remukati riri munharaunda ine nhoroondo yeDadaocheng muTaipei. Nzvimbo iyi ine chiyero chinosvika masikweya mita makumi matanhatu nemaviri nezvidimbu zvisere (62.8). Chiso chekunze chakakombama chezvidhinha zvegirazi chinodzosera chiedza chemasikati kuita mipatani ine zvikamu zvakawanda uye chinopenya kunze usiku, chichipa zvose kuvanzika nekuonekwa. Mukati, kaunda yebhawa yemataira egirini yakasviba yakagara pamatubhu akatenderera esimbi isingaori (stainless steel) uye inoparadzanisa nzvimbo dzebasa, dzekushandira vanhu nedzevaenzi. Mataira epasi akaita seterracotta, zvikamu zvitatu zvependi ine mavara anobatika, I-beam yakachengetedzwa uye denga rakakombama rine mwenje yakavanzwa zvinobatanidza zvinhu zvekare nezvitsva.

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Nezve Mubairo weBronzi we A' Design Award

Mubairo weBronzi we A' Design Award wakahwinwa ne Como Tu Dhizaini yeMukati meBhawa, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. Como Tu Dhizaini yeMukati meBhawa inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. Como Tu Dhizaini yeMukati meBhawa inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: The project's highlight is its curved glass-brick facade, which refracts light into layered patterns, maintaining privacy while sparking curiosity. At night, interior lighting spills outward, turning the corner into a romantic landmark. Inside, a dark green-tiled bar counter, supported by stainless steel tubes, is divided into work, service, and guest zones, with material and height variations allowing light and air flow. A curved ceiling with concealed lighting enhances openness within 62.8 m2. An exposed I-beam and layered wall treatments preserve history while blending retro and modern elements.
Kukura & Kupakiwa: The space measures approximately 62.8 square meters. During renovation, the original semi-open entrance was transformed into a curved facade, significantly enhancing visibility and identity. The interior is organized around the bar counter, with sofas and small tables arranged along the walls to accommodate both casual visitors and small group gatherings. Restrooms and storage are positioned at the rear, maintaining fluid circulation. The introduction of curved elements elongates sightlines and relieves the sense of constraint, ensuring a balance between commercial function and atmosphere.
Matagi: Glass-Brick Facade, Fusion of Old and New, Dadaocheng, Curved Design, Bar Atmosphere, Special Paint, Sustainable Materials
Tekinoroji Yekugadzira: Material choices maintained continuity with original elements. The floor was relaid with terracotta-like tiles, honoring traditional methods. Walls feature three layers of special paint for mottled textures. The bar counter combines dark green tiles with stainless steel round-tube supports for lightness and durability. Portions of the ceiling and wood veneer were retained and stained to harmonize old and new. The palette of deep, steady hues fosters intimacy and immersion under soft lighting, evoking the warmth of enjoying a quiet drink at home.
Changamire yeDhizaini: The main challenge was the curved glass-brick wall. Heavy and costly, the bricks required carpenters to first create templates and stack them modularly, coordinating repeatedly with suppliers to achieve precise curvature, seamless joints, and structural stability. Uneven, warped original flooring had to be fully redone and leveled, increasing time and cost. Additionally, the client's commercial schedule demanded close collaboration between design and construction teams to complete the 62.8square meters project within just three months.
Tsvakurudzo: Located in Taipei's historic Dadaocheng district, the project centers on blending old and new. Light, shadow, and materials preserve heritage textures while redefining commercial space. The curved glass-brick facade refracts layered light by day and glows at night, balancing privacy and openness. The dark green tile and stainless steel bar counter organize work, service, and seating with lightness. A preserved I-beam and textured walls dialogue with history. Curved ceilings, concealed lighting, and terracotta-like flooring create intimacy in 62.8square meters, inviting visitors to pause and engage.
Chikurudziro: Located in Taipei's historic Dadaocheng district, the project sits along a street where pedestrian activity has declined, but the textures of heritage buildings remain. Centered on 'fusion of old and new,' the design revitalizes the space while honoring traditional crafts. Inspired by observing passersby, it employs light, shadow, and materiality to invite pedestrians to pause and enter. The project preserves the existing structure, extends the cultural fabric, and redefines the commercial space through contemporary expression.
Nguva yePurojekiti: The project finished in May 2025 in Taiwan.
Mafambiro eBasa: Both the client and patrons responded with strong approval. Many customers entered for the first time simply because they were drawn by the shifting light through the glass bricks, often returning to become regulars. The proportions of the bar counter were consistently praised for being just right, close enough to foster easy conversation with bartenders, yet sufficiently distanced to avoid pressure. The sofa area quickly became the preferred choice for groups of friends, offering a vantage point to view both the overall ambience and the bartending process, shaping a relaxed and story-filled experience.
Nhengo dzeTimu: Miao-Ning Wang
Zvikwereti zveMifananidzo: Moogur Studio