Contemporary Archaeology Hall Basa Guru: Chiratidziro naPolymorphic Corp. and Goodjob Corp.

Dhizaini Contemporary Archaeology Hall Basa Guru: Chiratidziro naPolymorphic Corp. and Goodjob Corp. ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weBronzi we A' Design Award muChikwata cheKukwikwidza cheNzvimbo yeMukati neMusangano.

BronziMukati· 2026

Contemporary Archaeology Hall Basa Guru: Chiratidziro

na Polymorphic Corp. and Goodjob Corp.

Mutengi: National Museum of Prehistory

Mukundi weMubairo weBronzi we A' Design Award muChikwata cheMukati

6,822

Mukundi weMubairo Akasimbiswa

Simbisa Mamiriro eMubairo we#177052

Shanyira Saiti Ona pa A' Design Award Mashoko Enhau Bheji reMubairo

Mavara

Dhizaini

Nezvekwa Contemporary Archaeology Hall Basa Guru: Chiratidziro

Zvinyorwa zveBhuku: Imba yeContemporary Archaeology Hall inoshandisa dhizaini itsva netekinoroji kushandura zvechinyakare kuita rwendo runofungisisa runobatanidza nguva yekare nenzanga yemazuva ano. Vashanyi vanova vafambi venguva, vachiongorora zvakavanzika zvechinyakare munzvimbo dzakadai seRapa Nui izere neMoai, matongo eAkrotiri asati aputika gomo remoto, uye guva rekare remurwi wechikadzi weViking. Murwendo urwu, vanofungisisa nezvematambudziko enzanga yemazuva ano nemhinduro dzinogona kuvapo.

Kuzivikanwa

Nezve Mubairo weBronzi we A' Design Award

Mubairo weBronzi we A' Design Award wakahwinwa ne Contemporary Archaeology Hall Basa Guru: Chiratidziro, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. Contemporary Archaeology Hall Basa Guru: Chiratidziro inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. Contemporary Archaeology Hall Basa Guru: Chiratidziro inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: Through innovative design, the Contemporary Archaeology Hall transforms archaeology into a reflective journey that links the past with today’s society. Visitors become time travellers, venturing into sites such as Rapa Nui, where the Moai are located; Akrotiri, destroyed by a volcanic eruption; and the burial of a female Viking warrior. Along the way, they uncover the mysteries of archaeology while confronting the challenges faced by contemporary society and considering possible solutions.
Kukura & Kupakiwa: Independent exhibition hall comprising 570 square meters of indoor galleries and 190 square meters of outdoor space, with ceiling heights ranging from 5 m to 6.8 m. The exhibition includes six thematic sections, three immersive theatres, seven digital interactive installations, twelve display cases, and a large collection of physical artefacts and replicas.
Matagi: Contemporary Archaeology Hall， National Museum of Prehistory， Polimorphic Design Co., Ltd.， Archaeology， Permanent Exhibition ， Time Travellers
Tekinoroji Yekugadzira: Interior Fit-Out: In addition to traditional materials and methods, this project makes bold use of a wall and ceiling system that combines flame-retardant lightbox fabric with an aluminium alloy framework.
Audiovisual Installation: The audiovisual content for this exhibition is primarily produced using 3D CGI animation. Virtual characters are created through facial 3D scanning and motion capture technologies.
Changamire yeDhizaini: The greatest difficulty of this project lay in the challenges inherent in pursuing innovation.
We actively adopted new materials, methods, and technologies, bringing together expertise from interior design, 3D CGI production, motion capture, lighting, and mechanical prop control. These unprecedented attempts added complexity and uncertainty to the process, yet everything proved worthwhile in the moment of completion.
Tsvakurudzo: This project constructs a platform for dialogue, using the stories behind the exhibits as bridges for connection: dialogues between past and present, between archaeologists and the public, and among visitors themselves. For us, this is more than an archaeological exhibition; it is also a demonstration of how the humanities can engage with contemporary issues through care and advocacy.
Chikurudziro: Inspired by a journey through time and space, this exhibition invites visitors to move freely across different eras and regions, exploring the life stories of prehistoric peoples. To realise this vision, we have drawn on a wealth of archaeological research, transforming it into stories that are both informative and engaging. Through a combination of physical displays, digital interaction, and immersive theatre, we present an archaeological exhibition like no other.
Nguva yePurojekiti: The project was launched on 5 May 2023 and will be on display from 28 June 2025 at the National Museum of Prehistory, Taiwan.
Mafambiro eBasa: During the visit, audiences become time travellers, engaging with rich audiovisual interactions to explore archaeological findings on themes such as gender, coexistence with nature, and food crises, while reflecting on the challenges of contemporary society and possible solutions. At the end of the journey, visitors can share their perspectives with fellow travellers through a digital message wall.
Nhengo dzeTimu: Fan-Chieh Chien
Jian-Liang Lai
Chih-Chiang Kuo
Hui-Yu Chuang
Shih-Han Wang
Yen-Ling Liu
Yi-Han Chen
Ting-Ting Chen
Ren-Jie Chen
Yao-Jheng Wang
Shih-Kai Lin
Chi-Yao Liao
Yi-Tsu Yuan
Xuan Li
Ruei-Sing Lin
Fei Wang
Ming-Cheng Liu
Ching-Tai Chuang
Yi-Ren Chen
Fu-Jhih Lei
Zvikwereti zveMifananidzo: Fan-Chieh Chien，Contemporary Archaeology Hall，2025