Enda kuzviri mukati
Wonderland Primary Function: Kugadzirwa Kwemukati Kwenzvimbo Yekuratidzira naChengzhe Zhang

Dhizaini Wonderland Primary Function: Kugadzirwa Kwemukati Kwenzvimbo Yekuratidzira naChengzhe Zhang ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2020 Mubairo weSirivha we A' Design Award muChikwata cheKukwikwidza cheNzvimbo yeMukati neMusangano.


SirivhaMukati· 2020

Wonderland Primary Function: Kugadzirwa Kwemukati Kwenzvimbo Yekuratidzira

na Chengzhe Zhang

Mutengi: Shanghai Hongshida Real Estate Development Co., LTD

Mukundi weMubairo weSirivha we A' Design Award muChikwata cheMukati

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Dhizaini

Nezvekwa Wonderland Primary Function: Kugadzirwa Kwemukati Kwenzvimbo Yekuratidzira

Book Text: Wonderland inzvimbo yemukati yekuratidzira iri muShanghai, China. Kugadzirwa uku kwakatorwa kubva kuTaoyuan Wonderland, mufananidzo wenzvimbo wakagadzirwa nemudhirowa weMing dynasty Qiu Ying, uye kunoshandisa mavara egirini, epinki uye echena munzvimbo yakadzikama. Rusvingo rwedombo regray rwekutanga runoviga chionekwo, uye horo huru yakareba mamita gumi inobudiswa uchitevera nzira. Nzira yepakati inotungamira kunzvimbo yemusangano, nzvimbo yekuratidzira uye kamuri retii. Masherufu emabhuku akamira pasi uye zvidzitiro zvine matsime egeometric zvinopatsanura nzvimbo. Chidziyo chegirazi chakarembera chine masvirasira epichesi anopfuura zviuru zvishanu (5,000) chakaiswa nemaoko.

Kuzivikanwa

Nezve Mubairo weSirivha we A' Design Award

Mubairo weSirivha we A' Design Award wakahwinwa ne Wonderland Primary Function: Kugadzirwa Kwemukati Kwenzvimbo Yekuratidzira, rukudzo rwakakwirira zvikuru runopiwa kumadhizaini epamusoro, anonaka uye anofadza. Vakunda veSirivha mabasa anopenya kwazvo uye ane kugadzira kwakasiyana anoratidza unyanzvi, hunyanzvi hwekusikwa nekungwara kwevagadziri vawo. Wonderland Primary Function: Kugadzirwa Kwemukati Kwenzvimbo Yekuratidzira inotarisirwa kuva basa rinoshamisa, rinotangira vamwe, rine hunyanzvi hunoonekwa uye zvitsva zvakadzika. Dhizaini iyi yakahwina Mubairo weSirivha we A' Design Award chigadzirwa chinoshamisa, chinokudzwa chinobatsira uye chinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Wonderland Primary Function: Kugadzirwa Kwemukati Kwenzvimbo Yekuratidzira chigadzirwa chinoshuvirwa nevazhinji, chinomutsa zvishuvo, chinouya nemanzwiro akanaka uye chinomutsa kushamisika.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana
Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Kukura & Kupakiwa
Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Matagi
Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Tekinoroji Yekugadzira
From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Changamire yeDhizaini
The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Tsvakurudzo
In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Chikurudziro
The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Nguva yePurojekiti
The Project started in January 2018 in Shanghai China
Mafambiro eBasa
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Nhengo dzeTimu
Mingxin Lu
Yunhui Tang
Zvikwereti zveMifananidzo
Main Image: Photographer Hai Zhu, 2018

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