Fontworks Inc. Tokyo Basikitiro Yekugadzirwa Kwemukati Mehofisi Huru naTomohiro Katsuki

Dhizaini Fontworks Inc. Tokyo Basikitiro Yekugadzirwa Kwemukati Mehofisi Huru naTomohiro Katsuki ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2020 Mubairo weBronzi we A' Design Award muChikwata cheKukwikwidza cheNzvimbo yeMukati neMusangano.

BronziMukati· 2020

Fontworks Inc. Tokyo Basikitiro Yekugadzirwa Kwemukati Mehofisi Huru

na Tomohiro Katsuki

Mutengi: Prism Design

Mukundi weMubairo weBronzi we A' Design Award muChikwata cheMukati

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Mukundi weMubairo Akasimbiswa

Simbisa Mamiriro eMubairo we#98988

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Nezvekwa Fontworks Inc. Tokyo Basikitiro Yekugadzirwa Kwemukati Mehofisi Huru

Fontworks Inc. Tokyo ihofisi huru yemukati inoshandiswa nekambani inogadzira mavara emitundu (type foundry), iri padanho rechishanu rebhiriji riri muMinato-ku, Tokyo. Hofisi iyi inosvika pamamita masikweya mazana mana nemakumi matatu nerimwe (431 sqm) uye yakarongwa ichisanganisira basa reanalog neredhijitari mune imwe nzira. Desiki rakaumbwa se-C rinotsigira mabasa ekugadzira uye kubatana pakati pevashandi. Chidziyo chikuru chekuratidzira (display) chakaiswa pakati pemadziro chinoramba chakabatana neCreative Lab iri kuFukuoka, zvichiita kuti nzvimbo mbiri idzi dzikwanise kutaurirana pa-inetiweki. Bhenji rakagadzirwa serambakiyo riri pedyo nepekupinda rinobvumira misangano isina chirongwa nevashanyi. Zvinhu zvakashandiswa zvinosanganisira makapeti anoiswa nemapuraka (carpet tiles), matanda, Corian, simbi, uye bhodhi recork.

Kuzivikanwa

Nezve Mubairo weBronzi we A' Design Award

Mubairo weBronzi we A' Design Award wakahwinwa ne Fontworks Inc. Tokyo Basikitiro Yekugadzirwa Kwemukati Mehofisi Huru, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. Fontworks Inc. Tokyo Basikitiro Yekugadzirwa Kwemukati Mehofisi Huru inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. Fontworks Inc. Tokyo Basikitiro Yekugadzirwa Kwemukati Mehofisi Huru inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: Fontworks Inc. moved its headquarters from Fukuoka City, Fukuoka Prefecture, to Minato-ku, Tokyo, for the purpose of providing further communication business and expanding our business.
Even in the new office, build have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely”
Kukura & Kupakiwa: AREA:Total 431㎡
Located on the 5th floor of the building.
Ceiling height:CH2900ｍm（slab:H4100ｍｍ）
Matagi: Interior, Office, Design ,Font
Tekinoroji Yekugadzira: From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.Even in the new office, Fontworks have set keywords such as "Fusion of analog and digital", “fusion of creative and engineering”, “work while playing”, and “collaboration among employees” so that we can embody “Character More Freely” Made. Will create, nurture and provide free ideas in our natural environment so that Fontworks can continue to provide services that are close to such changes in the environment.

MATERIAL LIST
1.Original Color Carpet Tile
2.Concrete PVC ＆ Laminated Sheets
3.Wood PVC
4.PAINT
5.Corian
6.Aluminum Paint ＆Laminated Sheets
7.Wood Melamine decorative board
8.Artificial greening
9.OSB pattern Original Laminated Sheets
10.Artificial leather fabric
11.BLACK ＆ WHITE Writing Laminated Sheets
12.Steel（BLACK ＆ WHITE Paint）
13.Cork board
Changamire yeDhizaini: In 2018, when Fontworks celebrated our 25th anniversary, have formulated a tag line called “Character More Freely” with all our employees, and have been developing specific business activities over the past year. The fonts that Fontworks have consistently provided since our founding are also evolving at a tremendous speed in the environment in which they are used. From paper media to the on-screen era, there are also many such as AR / VR. It extends to dimensions. In addition to creating a typeface that is optimal for the environment in which characters are displayed, it is essential to develop technologies that take into account the environment of the customer being used.
Considering their history and beliefs, it was difficult to give an answer on what the future should be like with their approval.
Tsvakurudzo: We used various spreadsheet matrices to extract the root of the design.
Fusing the past and the present to find out what the future should be.
Both conventional and latest are needed, Hybridize them to create a new standard.
Chikurudziro: On the there is an initial “C” -shaped desk that is common to keywords such as “Creative and Collaboration” that are necessary for a new office environment. In addition, a large display that is always connected to Creative Lab from Fukuoka is installed in the center of the wall to enable active communication between the two sites in online. At the entrance, there was a stair-shaped bench and display, and a space for casual communication with people outside the company was created while ensuring
Nguva yePurojekiti: ADD:Nisshin Aoyama Building 5F, 3-4 Kita Aoyama, Minato-ku, Tokyo, Japan,
The project design started in Feb 2019 in Fukuoka,Japan and finished in July 2019. Construction started in Tokyo in Aug 2019 and finished in Dec 2019.
Mafambiro eBasa: The characters have changed from handdraft typefaces to digital fonts with the times, but both co-exist without changing.
Analog and digital, Traditional and new technologies...
People change, but the essence does not change.
Considers the essence of mankind and expressed office space design from the font.
Nhengo dzeTimu: 1.Tomohiro Katsuki : PRISM DESIGN
2.Masanori Kobayashi : PRISM DESIGN
3.Yao Di : PRISM DESIGN
4.Naoki Ohtake : Design Studio GAKU
Zvikwereti zveMifananidzo: All Photo Image : PHOTOGRAPHER,Katsumi Hirabayashi