On Stage Shaqada Koowaad: Naqshadda Bandhiga Madxafka oo uu sameeyey Skevi Farazi

Naqshadda On Stage Shaqada Koowaad: Naqshadda Bandhiga Madxafka oo uu sameeyey Skevi Farazi waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qolalka Gudaha iyo Bandhigyada ee 2020 Abaalmarinta Naxaasta ah ee A' Design Award.

NaxaasGudaha· 2020

On Stage Shaqada Koowaad: Naqshadda Bandhiga Madxafka

Skevi Farazi uu sameeyay

Macmiilka: THOC & Limassol Municipality

Ku Guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award ee Qaybta Gudaha

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #104550

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan On Stage Shaqada Koowaad: Naqshadda Bandhiga Madxafka

Qoraalka Buugga: On Stage waa bandhiga joogtada ah ee Madxafka Tiyaatarka Qubrus. Bandhigga wuxuu sahamiyaa dhinacyo kala duwan oo tiyaatarka ah iyadoo la adeegsanayo hab-dhaqan la-taaban karo, halkaas oo xadka u dhexeeya daawashada iyo jilitaanku ay isku dhex jiraan. Qaab-dhismeedka wuxuu ku kala baxsanaadaa saddex qaybood, sida fasallada riwaayad. Taariikhda waa marin u shaqeysa sidii shaandhaynta aqoonta. Qaybta Ka-qeybgalayaasha waxay tustaa qaybaha soo-saarka oo caadi ahaan aan dhagayslaha loo yaqaanin. Waxqabadka (Performance) waa fasalka ugu dambeeya oo muujiya natiijada. Bandhig-goob dhexe oo saf-jeexan ayaa u qaybiya booska una hagaya booqdayaasha.

Aqoonsiga

Wax ku saabsan Abaalmarinta Naxaasta ah ee A' Design Award

On Stage Shaqada Koowaad: Naqshadda Bandhiga Madxafka waa guuleystaha Abaalmarinta Naxaasta ah ee A' Design Award, aqoonsi sharaf sare leh oo la siiyo naqshado aan caadi ahayn oo lagu garto hal-abuur, hal-abuur cusub iyo caqli. Guuleystayaasha Naxaasta waa shaqooyin xirfad buuxda leh iyo hal-abuur yaab leh oo xaqiijiya khibrad weyn, male-awaal iyo kartida naqshadeeyayaashooda. On Stage Shaqada Koowaad: Naqshadda Bandhiga Madxafka waa walax la filayo inay noqoto mid aad loo tixgeliyo, la ixtiraamo oo la jecel yahay, xirfad cad leh oo hal-abuur cusub leh. Naqshadahan ku guuleystay Abaalmarinta Naxaasta ah ee A' Design Award wuxuu ku darsadaa hab-dhaqanno ugu wanaagsan farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada wuxuuna ku fiican yahay dhawrista tafaasiisha. On Stage Shaqada Koowaad: Naqshadda Bandhiga Madxafka si fiican ayay u buuxisaa baahiyaha, taabataa rabitaannada, soo jiidataa dareenka kicinayaanna xiisaha aqoonta.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: 'On Stage' is the permanent exhibition of the Cyprus Theatre Museum. It aims to explore the different aspects of theatre in an experiential approach where boundaries of spectating and acting are intertwined. The exhibition unfolds in three parts: The History, a passage that acts as a filter of knowledge. The Contributors which showcases all aspects of the production which usually are unknown to the spectator. The Performance which as a final act reveals the final outcome.
Summado: theatre, museum, exhibition, interior, design, showcase, stage, contributors, space, curation
Tiknoloojiyada Soo Saarka: A central diagonal showcase splits the space in 3 sections and directs the visitors through wide and narrow paths, in a flow of pauses and transitions from one section to the other. It opens only to the final part and prevents thus the visual connection between the different sections.
The entrance to the museum creates a play of knowledge through the reflections of mirrors, where the spectator, the graphics and displays dissolve their actual barriers in space and time.
Caqabadda Naqshadda: The various materials of the existing space, such as natural stone on walls, timber roof, metal and concrete structures and big luminous windows needed to be approached with respect but on the same time without overshadowing the actual presentation of the exhibition items which demanded a dark space to allow them as such to be highlighted.
The aesthetic balance between the exhibition design and the actual display object which by itself is ‘flamboyant’ was constantly tested.
Cilmi-baadhis: An elaborate research was done on precedent examples, the new trends of museology and the ways of communicating the information with different media. Various display systems, materials and colour palettes were explored so that all items could be displayed in a balanced design.
The design was inextricably linked with the museological approach and developed in parallel with the exhibition material research until the final selection.
Dhiirrigelinta: Having as a reference the magic one experiences when watching a theatrical performance, the design aims to create a narrative space which evolves gradually as a 'theatrical plot’ in different ‘acts’.
The transition from one section to the other is visually distinct allowing the surprise and the unexpected to escalate as in a theatrical play. Being on stage, backstage or in a dressing room were the main references for visual representations and interactive displays.
Muddada Mashruuca: 2010-2012
Limassol - Cyprus
Xubnaha Kooxda: Designer: Skevi Farazi
Museologist: Sofia Antoniadou
Graphic Designer: Marika Ioannou
Audiovisual: Nicoleta Kalatha
Lighting Design: Dakis Sevastides
Amaanta Sawirrada: Image #1: Photographer Socrates Socratous, 2012
Image #2: Photographer Socrates Socratous, 2012
Image #3: Photographer Socrates Socratous, 2012
Image #4: Photographer Socrates Socratous, 2012
Image #5: Photographer Socrates Socratous, 2012