Past at Last Moodata Waarta oo uu sameeyey Tihana Miksa

Naqshadda Past at Last Moodata Waarta oo uu sameeyey Tihana Miksa waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Fashaniga, Dharka iyo Lebiska ee 2021 Abaalmarinta Lacagta ah ee A' Design Award.

LacagFashani· 2021

Past at Last Moodata Waarta

Tihana Miksa uu sameeyay

Macmiilka: Tihana Mikša

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Fashani

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Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #113802

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan Past at Last Moodata Waarta

Diiradda gudbinta dharka waxaa lagu saaray dhismooyin hodanka ah oo cayaaran iyo midabayn aan siman. Taas awgeed, dharka laftiisu waa qaabab isla-mid ah, fudud oo xidhan oo aan lahayn wax isbeddel adag oo qaab-dhismeedka lagu sameeyo. Qaybahan waxay baaraan dhinaca muuqaalka, dareemka taabashada, walxaha, dhaqdhaqaaqa nool iyo qaab-dhismeedka dunta. Midabyadku waa kuwo itaal yar leh oo aan midab-jajaban lahayn, marka laga reebo casaanka ku garaacaya baaxaddan midab-fudud ah.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

Past at Last Moodata Waarta waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. Past at Last Moodata Waarta waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. Past at Last Moodata Waarta waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Summado: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Tiknoloojiyada Soo Saarka: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Caqabadda Naqshadda: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Dhiirrigelinta: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Muddada Mashruuca: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Amaanta Sawirrada: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.