The Pitched Roof Primary Function: Guri oo uu sameeyey Takaharu Tezuka and Yui Tezuka

Naqshadda The Pitched Roof Primary Function: Guri oo uu sameeyey Takaharu Tezuka and Yui Tezuka waa mid aad u sharaf badan oo ku guulaysatay tartanka qaybta Naqshadeynta Qaab-dhismeedka, Dhismaha iyo Qaab-dhismeedyada ee 2021 Abaalmarinta Lacagta ah ee A' Design Award.

LacagQaab-dhismeed· 2021

The Pitched Roof Primary Function: Guri

Takaharu Tezuka and Yui Tezuka uu sameeyay

Macmiilka: Tezuka Architects

Ku Guuleystaha Abaalmarinta Lacagta ah ee A' Design Award ee Qaybta Qaab-dhismeed

20,495

Ku Guuleystaha Abaalmarinta La Xaqiijiyey

Xaqiiji Xaaladda Abaalmarinta #117210

Booqo Bogga Ka Eeg A' Design Award War-saxaafadeed Calaamadda Abaalmarinta

Midabada

Naqshadeynta

Wax ku saabsan The Pitched Roof Primary Function: Guri

Waxa uu Pitched Roof yahay guri dabaq-keliya ah oo ku yaal Karuizawa, Japan, oo ay ku dul saaran tahay saqaf jeexan oo aad u fudud. Kaliya boqolkiiba afartan bar ah booska saqafka ka hooseeya ayaa xiran, sidaas darteed xadka u dhexeeya gudaha iyo bannaanka wuxuu ahaanshahiisa qabow. Saqafka soo baxaya wuxuu gaadhaa in ka badan lix mitir iyada oo qaab dhismeed uu dhumucdiisu tahay kaliya 200 milimitir. Dul-jeexan, oo shaklkeeda L u eg ayaa u shaqaysa sida qayb monocoque ah waxayna yaraysaa taageerooyinka loo baahan yahay. Albaabbada isku-simanaya waxay u ogolaanayaan dadka deggan inay bedelaan dabeecadda goobta nolosha. Guriga wuxuu dib u fasiraya samayntii qoto-dheerayd ee dhismaha Japaniiska ah ee dhaqameed.

Aqoonsiga

Wax ku saabsan Abaalmarinta Lacagta ah ee A' Design Award

The Pitched Roof Primary Function: Guri waa guuleystaha Abaalmarinta Lacagta ah ee A' Design Award, aqoonsi sharaf aad u sarreeya oo la siiyo naqshado heerka ugu sarreeya oo quruxsan oo soo jiidasho leh. Guuleystayaasha Lacagta waa shaqooyin aad u dhalaalaya iyo hal-abuur sare leh oo muujiya khibrad, hibo iyo hufnaan naqshadeeyayaashooda. The Pitched Roof Primary Function: Guri waa shaqo la filayo inay noqoto shaqo quruxsan oo tusaale ah, xirfad cad leh oo hal-abuur qoto dheer leh. Naqshadahan ku guuleystay Abaalmarinta Lacagta ah ee A' Design Award waa hal-abuur aad loo dareemo oo la ammaano, waxtar leh oo hormariya xuduudaha farshaxanka, sayniska, naqshadaynta iyo tignoolajiyada. The Pitched Roof Primary Function: Guri waa hal-abuur dad badan ay doonayaan, kicisa rabitaanno, keena dareenno wanaagsan oo abuura yaab.

Gadaasha Naqshadeynta

Xirmada Warbaahinta

Shahaadooyinka, xubnaha kooxda iyo faahfaahinta farsamada ee uu bixiyay naqshadeeluhu.

Sifooyinka Gaarka ah: This is a house located in Karuizawa, Japan with an extremely simple pitched roof. Traditional Japanese houses do not create enclosed environments but instead, form spaces that enable easy transition from the inside to the outside. By forming a blurred boundary, only forty percent of the space under the roof is enclosed within the interior. While the inside is being used primarily by the inhabitants as living spaces, it is the outside that defines it.
Cabbirka & Qaabaynta: Floor: Single floor
Ceiling Height: 2,100 mm
Roof Height: 3.446 mm
Site Area: 1,059.18 m2
Floor Area: 208.56 m2
Summado: House, Pitched Roof, Cantilevered, Japanese, Deep eaves, Boundary, Wood structure,
Tiknoloojiyada Soo Saarka: The cantilevered roof of over 6 meters, pushes the limit of the 200mm thick roof structure. By adopting a folded shape as the main structural element, it minimizes the support needed as compared to having a flat roof, which would require three times more of the support utilized. Like the Japanese papercraft, Origami, the L-shaped surface acts as a monocoque element – not resisting stiff but drooping about 5 centimeters under snow pressure like tree branches in the forest.
Caqabadda Naqshadda: In Traditional Japanese Houses, the space under the eaves is often associated with columns. However, these columns serve purely as structural elements to support the cantilevered edges and are not crucial in enclosing the space. Had technology been much more advanced, we would have been able to design without columns years ago. We are now able to achieve the real intricate quality of open spaces in Japanese Architecture - a feat that was not possible for carpenters 400 years ago.
Cilmi-baadhis: The pitched roof house is trying to reach a certain level of mutability by re-interpreting the traditional elements into modern context. In aiming to heighten qualities of architectural mutability, the work is tied into a long tradition of Japanese vernacular architecture known for its sliding doors, screens, and other boundary-modulating elements, such as deep eaves. These elements not only create the spatial fluidity, but also open the architecture to life-giving elements of sunlight, wind, and humidity, modestly scaled the ubiquitous digital lifestyle with a return of nature.
Dhiirrigelinta: Deep eaves, as one of the most important Japanese traditional architecture elements in local monsoon climate, are almost extinct in modern houses. It is essential to comprehend the meaning of these traditional elements in the modern setting. With the latest technology, the house seek to reinterpret the deep eave in the context of a humid climate, retain and create more opportunities for these distinctive Japanese qualities to sprout forth in modern architecture.
Muddada Mashruuca: The project started in July 2007 and finished in May 2009 in Karuizawa, Japan
Socodka Hawlgalka: The house is designed for a well-known Japanese pop songwriter who wanted to create a place where he could disconnect from the pressures of daily life. The space enclosed enables the inhabitants to perform their basic living tasks while open space under the deep eaves allows them to connect to nature and the surroundings. The sliding doors which divide the inside from the outside can be used to realize the shift in ambiance within the living space.
Xubnaha Kooxda: Constructor: Niitsugumi Co., Ltd.
Structure: OHNO-JAPAN
Lighting: BONBOLI Lighting Architect & Associates
Landscape: GA Yamazaki
Amaanta Sawirrada: Image #1: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #2: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #3: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #4: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #5: Photographer Katsuhisa Kida, FOTOTECA, 2009.